In a world where artistry meets innovation, some creators transform the ordinary into extraordinary, weaving personal stories and global influences into timeless designs. Meet the visionary behind DELINOR, an artist-designer who has redefined the silk scarf as not just an accessory but as wearable art, infused with meaning and elegance.
Her journey began in Montreal, a city that ignited her creative spirit and introduced her to the limitless possibilities of design. From there, her travels have left indelible marks on her work—Italy’s elegance, Bali’s fluidity, and Chicago’s bold architecture, each adding a layer to her artistic philosophy.
Launching DELINOR in 2013 was a leap of faith, driven by her passion to create pieces that evoke emotion and tell stories. With a foundation in Fine Arts and Urban Studies, her designs are deeply personal yet universally resonant, blending a rich understanding of human connection with a fearless commitment to innovation.
This exclusive interview takes you inside the mind of an artist whose work is both a celebration of craftsmanship and a testament to resilience. From the challenges of starting a brand to the joy of seeing her designs come to life, she invites you to explore the creative journey behind DELINOR and discover the beauty of storytelling through design…
How did Montreal shape your initial vision as an artist, and how does it still inspire you today?
Montreal is a city that thrives on open-mindedness and creativity, weaving its influence across industries. My journey began when I returned to Montreal at the age of 17, after completing high school in a small town in New York State. Coming back to the city that was my childhood home felt like a reconnection—not only to my roots and Quebec culture but also to a vibrant pulse of artistic energy.
When I entered the Design Art program at Concordia University, I was drawn into its conceptual approach and free-spirited philosophy, which celebrates curiosity and exploration. At such a young age, I was eager to absorb everything, experimenting with ways to blend artistic vision with a more structured, design-focused methodology to convey meaning and stories.
Today, Montreal continues to inspire me with its boundless artistic energy and global reach. It’s heartening to see the city’s creators gaining international recognition, proving that the creativity born here resonates far beyond its borders. This spirit of innovation is a driving force in my own work, especially as I design silk scarves that tell stories of connection, inspiration, and artistry.
Which destination from your global travels has had the most lasting impact on your artistic style, and why?
It’s a challenging question, as every journey leaves an imprint in some way. Yet, if I had to choose, Italy stands out for its profound and multifaceted influence. From its rich history and art to its breathtaking architecture, intricate mosaics, and world-renowned fashion, Italy offers a harmony of elegance and boldness. It’s a place where classical essence meets daring innovation, creating a balance that resonates deeply with my design philosophy. This fusion of timeless style with contemporary details often finds its way into my mosaic designs, where every piece holds a whisper of Italy’s enduring charm.
My first solo adventure, however, took me to Chicago, where I attended an architecture convention instead of going to my very own graduation. The city’s awe-inspiring skyline and architectural ingenuity left a lasting impression, igniting my appreciation for bold structures and thoughtful design.
And then there’s Bali—though its influence feels more subconscious. When I was two, my parents took me and my brother on a year-long journey around the world. While my memories of that time are faint, I know from my mother that I danced endlessly on Bali’s beaches, reveling in freedom and movement. That sense of fluidity is woven into my scarves—both in their artwork, which often evokes motion, and in the physical product itself, which flows gracefully with the wind.
Interestingly, Italy was the final destination on that year-long trip before returning home. Perhaps that’s why it feels like a recurring thread in my life and work—a symbol of closure, inspiration, and new beginnings.
Can you describe the moment when you knew you wanted to pursue a career as an artist designer?
I remember the exact moment—it was like a sudden spark of clarity, an awe-inspiring epiphany! I was a teenager on my first trip to Europe, traveling through Barcelona with my mother and stepfather. The city’s beauty was overwhelming, especially the grandeur of Gaudí’s creations. While his work was undeniably breathtaking, I found myself drawn to smaller, more intimate objects that seemed to tell personal stories.
The pivotal moment came in an unexpected place—a grand retail space. I spotted an exquisitely designed perfume bottle, and something clicked. I realized that someone had crafted this object with intention, blending artistry and function, and in that moment, I knew: I wanted to create. I wanted to design pieces that evoke emotion and connection.
It may sound simple, but even the word “design” fascinated me—it carried a sense of possibility, precision, and beauty. That realization continues to influence my work today, especially in my silk scarves. Each one is not just an accessory but a small, personal work of art, crafted to blend timeless design with meaningful details. Like that perfume bottle, my scarves are designed to tell stories, evoke memories, and leave a lasting impression.
With both a photographer and a painter as parents, what’s the best artistic advice they ever gave you?
Growing up with a photographer and a painter as parents, I was surrounded by creativity, and their advice has shaped my journey profoundly. My father once told me, “Success is everywhere—you just have to know how to capture it.” That insight has become a cornerstone of my creative process. My scarves are deeply rooted in my photography, which is often captured during my travels—moments when my mind is curious, my spirit is relaxed, and my eyes are open to the world in a heightened way.
Wherever I go, I’m drawn to the smallest, often-overlooked details—a crack in a stone wall, a play of light on water, or a fleeting shadow. Something in these moments catches my attention, even if I don’t immediately know why. I snap a photo to preserve that feeling. Later, when inspiration strikes, I revisit these images and allow myself to create freely. There’s no rigid plan or predefined outcome—just an exploration of color, shape, and texture until everything feels complete. It’s about transforming the ordinary into something extraordinary, a philosophy I’ve come to call The Art of Ordinary.
My mother, on the other hand, taught me the importance of freedom and perseverance. She urged me never to confine myself to cliques or closed circles, reminding me that the world is filled with boundless opportunities. Her paintings often depict natural landscapes and groups of people interacting, capturing the harmony between environment and connection. This ethos resonates in my scarf designs as well—each piece reflects not only the beauty of the world but also the shared stories and emotions that connect us all.
Together, their wisdom has given me the courage to observe deeply, create authentically, and celebrate the beauty in both the ordinary and the extraordinary.
What inspired you to debut DELINOR, and how has your vision for the brand evolved since 2013?
The launch of DELINOR in 2013 marked a deeply transformative moment in my life. I found myself at a crossroads, with everything pushing me toward an unfamiliar and uncertain path. Taking that leap of faith into the unknown felt daunting, especially without a clear plan. All I knew was that I wanted to make my mark as an artist-designer—to create, to inspire, and to take ownership of my work after years of being a ghost designer.
It wasn’t an easy start. I had just purchased a home, and launching DELINOR felt like a risk. Progress was slow, but I learned that perseverance and belief in yourself are what truly matter. Success doesn’t follow a set timeline—it comes when you move at your own rhythm, with patience and determination. There are always creative solutions to move forward, even when the path seems uncertain.
The silk scarf collection, Les Carrés, came to life a year after the pandemic, during a period of deep reflection and exploration. The global pause gave me the chance to reconnect with my creative roots and experiment daily. While my career had taken me in various directions, I’d always been fascinated by fabrics and the stories they could tell. I began testing designs and prints on different textiles, and with every step, my vision became clearer.
I’ve always dreamed of designing for Hermès, but during that time, I realized—why wait? Why not bring my own vision to life? And so, my scarves were born. Each one is a piece of wearable art, blending my love of photography, design, and storytelling. DELINOR has grown into more than just a brand—it’s a celebration of creativity, resilience, and the beauty of taking bold steps toward your dreams.
Your designs often feature intricate mosaics. What draws you to this art form, and what does it represent for you?
Mosaics hold a special place in my journey as an artist and designer. My connection to this intricate art form comes from nearly 16 years immersed in the mosaic and tile industry—a chapter of my career that allowed me to develop collections where my artistic vision was fully trusted. It was a transformative experience, one that deepened my appreciation for handcrafted artistry.
There’s something profoundly meaningful about handmade creations, especially in today’s fast-paced world. Mosaics remind us to slow down and honor the craft, the skill, and the time it takes to shape something extraordinary. Often, when people think of mosaics, a specific image comes to mind, but the truth is, it’s a vast universe. Mosaics can range from timeless classical designs to abstract modern expressions, each piece telling its own story. The materials themselves—stone, glass, and ceramics—are noble, born from the earth’s raw beauty.
Even as I’ve shifted my focus to silk scarves in the past three years, mosaics remain an integral part of my creative DNA. They represent more than just art; they symbolize the beauty of connection—individual pieces coming together to create something larger than themselves. This philosophy echoes in my scarves, where every design weaves together fragments of inspiration, from nature to architecture, to form a cohesive, meaningful whole.
Mosaics are, in many ways, a metaphor for my journey. They remind me that every small step, every detail, is a vital part of a grander image. Whether working with stone or silk, I strive to create pieces that celebrate craftsmanship, storytelling, and the enduring beauty of art.
How does your background in Fine Arts and Urban Studies influence your approach to design?
My background in Fine Arts and Urban Studies shapes my design philosophy in profound ways, blending personal expression with an understanding of human connection and interaction.
Fine Arts, at its core, is deeply personal—it’s the artist’s vision brought to life. It doesn’t dictate meaning but invites interpretation, evoking emotions, provoking thoughts, and inspiring contemplation. It’s about creating a space where each viewer sees what they need to see. This approach informs my work, especially with my scarves. Each design is imbued with meaning, intended to offer positive messages and reflections on life’s journey. When I look back at my 12 designs, I realize these messages were often unconscious whispers to myself—reminders or insights I needed at that moment. Each scarf becomes a part of me transferred to someone else, connecting us through shared experiences and emotions.
Urban Studies, on the other hand, examines the interplay between people, their environment, and each other. It’s about movement, interaction, and transformation within shared spaces. This perspective comes into play in how people engage with my scarves. The scarf is a timeless accessory, effortlessly elegant yet delightfully playful. It invites interaction, encouraging the wearer to experiment, imagine, and create their own story. From adorning your neck to tying it around a handbag, or even styling it as shoe bows, scarves offer endless possibilities for personal expression.
This fusion of Fine Arts and Urban Studies gives my designs depth and versatility. They are both intimate and interactive, inviting contemplation while becoming a part of the wearer’s journey. My work celebrates the beauty of art and the creativity of those who bring it to life in their own unique ways.
When designing under confidentiality agreements for well-known companies, how do you balance creative freedom with brand guidelines?
Designing under confidentiality agreements for renowned brands is both a challenge and an art form in itself. Each brand has its distinct identity, its signature look, and working within those guidelines requires both discipline and ingenuity. As an eclectic artist-designer, I thrive on this dynamic—it’s an opportunity to stretch my creative muscles in new directions while respecting the essence of the brand.
Creating for myself is deeply personal and intuitive, but designing for others introduces a collaborative energy that is equally rewarding. It’s a dance between my artistic vision and the brand’s identity, where boundaries are not limitations but springboards for innovation. This process often involves stepping out of comfort zones—on both sides—to explore uncharted territory and test ideas that push the envelope.
I see these collaborations as conversations, where my role is to bring a fresh perspective while staying true to the brand’s voice. Some of the most surprising and impactful designs emerge from this balance—a fusion of my creativity and their heritage.
Describe your process for creating something like the red silk scarf “Aurora.” How do you begin, and what’s the journey from idea to finished piece?
It’s funny you mention Aurora—it holds a special place in my heart as my very first limited-edition silk scarf. Fittingly, its name means “beginnings,” and its creation marked the start of an incredible journey for me as an artist-designer exploring the world of silk scarves.
Aurora was born from a photograph of something quite ordinary: a piece of fabric. There was a subtle magic in the way the light danced across its texture, casting shadows and highlights that caught my eye. This is where my process often begins—with a moment of curiosity and observation. From that single image, I embarked on a digital exploration, manipulating shapes, colors, and compositions. What started as one photograph grew into a series of about twenty visuals.
I’m particularly drawn to circular patterns with invisible lines that suggest continuity, like an unseen thread connecting the past, present, and future. Aurora embodies this concept, reflecting the idea of life’s unspoken connections and the beauty of the things we cannot see but feel.
As a limited-edition piece, Aurora was designed to feel as unique as a work of art. Each scarf is numbered, much like an artist’s print, emphasizing its exclusivity. Sustainability is also integral to my creative process, so I chose an on-demand printing model to avoid unnecessary production. I wanted these scarves to carry personal significance, which led me to offer a personalization feature—allowing clients to add a unique message to make their scarf truly one of a kind. There’s something romantic and mysterious about this, as if the scarf becomes a vessel for someone’s story or secret, adding a layer of modern-day chivalry. Like leaving a secret note on your spouse’s pocket square.
Aurora was launched on December 21st, 2021, during the winter solstice—a fitting date, as my Les Carrés collection is inspired by the rhythm of the solstices and equinoxes. These celestial events symbolize life’s inevitable cycles and changes, a concept that resonates deeply with me. The timing may not have been ideal—launching so close to the holidays meant I missed the gift-giving season—but it was a moment of pure joy and experimentation. When I received my first order on December 30th, it felt like the universe was giving me a little nudge of encouragement to keep going.
Aurora is more than a scarf; it’s a celebration of beginnings, creativity, and life’s unseen connections—a true reflection of my artistic philosophy.
As someone who works at the avant-garde of design, what does “avant-garde” mean to you personally?
To me, avant-garde means shaping trends rather than following them, embracing the unconventional, and daring to imagine the unexpected.
It’s not just about creating something new; it’s about challenging norms and inviting others to see the world through a different lens. It’s where my quieter, introspective nature meets a playful, almost whimsical side of me—a balance that finds its way into my work.
For instance, my silk scarves often reflect this spirit of innovation. While scarves are a classic accessory, I see them as an endlessly adaptable canvas, capable of sparking creativity in their wearers. My designs often carry a sense of quiet elegance paired with a subtle edge—whether it’s an unexpected color interplay, an abstract motif, or an invitation to style them in unconventional ways, like tying them around your high heel shoe.
I find joy in pushing the boundaries of what a scarf can represent. It’s not just an accessory; it’s an extension of individuality, a piece of wearable art that invites interaction and experimentation. Blending timelessness with surprise, tradition with reinvention, and always leaving space for a little wackiness. After all, isn’t the essence of being avant-garde the courage to be a little unexpected?
How does your work in mosaic patterns translate into your broader design work, and do you feel there’s a universal appeal to it?
Mosaic work taught me to see design in fragments—small, intricate pieces coming together to create a grander image. It’s a craft that demands precision, repetition, and a meticulous eye for detail. But interestingly, my years in mosaics led me in the opposite direction for my broader design work. I found myself drawn to abstraction, fluidity, and a sense of imperfection—a kind of artistic rebellion against rigidity.
Instead of the sharp lines and deliberate repetitions of mosaics, my scarves embrace movement and organic forms. The silk itself, with its fluidity and grace, perfectly complements this approach, allowing the designs to “breathe” and transform with every fold and breeze.
I believe this is where the universal appeal lies: the idea that beauty can emerge from parts—be it moments, materials, or details.
What challenges have you faced in bringing DELINOR to life, and how have they helped shape your brand?
Bringing DELINOR to life was a journey of patience, persistence, and reinvention. Transitioning from the home design industry to fashion meant stepping into a completely new world where no one knew me or my work. Building a brand from scratch in such a competitive and fast-paced environment was both daunting and exhilarating.
One of the biggest challenges was creating a community—a vital element in the fashion world—without having an existing network in the industry. Economic inflation and the evolving nature of fashion presented additional hurdles, but these challenges are universal to many creators today. Like countless other designers, I’ve had to balance my artistic pursuits with practical responsibilities, learning to navigate the delicate balance of creativity and sustainability.
What truly shaped DELINOR, though, was finding a supportive community that uplifts each other. This sense of connection reminds me of mosaics—a collection of individual pieces coming together to create something meaningful. Each challenge I faced added a new piece to the puzzle, helping to shape my brand.
How do you keep your ideas fresh and stay creatively inspired in an industry that’s always changing?
Staying creatively inspired means staying true to myself rather than chasing trends. I’m drawn to timelessness—creating pieces that resonate across seasons and generations. For me, inspiration often comes from nature’s quiet elegance, where beauty is effortless and enduring.
I trust my instincts to guide my creative process, allowing spontaneity and authenticity to shape my designs. Whether it’s the play of light on a fabric or the intricate patterns in a landscape, I find inspiration in moments that feel universal.
In a world of constant change, focusing on enduring artistry feels like the most authentic way to keep my ideas fresh and relevant.
What’s a piece you’ve created that you feel is the best representation of your personality?
I’d say Myriad and Jade are the silk scarves that best capture my personality. They both originated from the same photograph but evolved into two completely different expressions—much like how different aspects of ourselves coexist.
Myriad is grounded and earthy, with its white, caramel, and deep browns—a reflection of my steady, contemplative side. Jade, on the other hand, is bold and fiery, with its vibrant orange tones, a nod to the flames of my Sagittarius sign. Designing them was such a playful, exploratory process. When it came time to decide on a launch, I couldn’t choose between the two. So, Myriad became the Fall release, and Jadefollowed as the Winter launch. Together, they symbolize my duality: the reserved and the wild, the grounded and the adventurous.
In my mosaic work, I’d highlight the light project I designed with Luminaire Authentik. It featured a striking black mosaic set on a cream metal disk with a crack that allowed light to shine through. To me, it spoke of contrast—dark and light, strength and vulnerability.
You work with silk in some of your designs—what drew you to this fabric, and what’s your favourite way to use it?
Silk was a natural choice for my designs, but the journey to find the perfect fabric was as layered as the material itself. During fabric testing, I explored many options, prioritizing natural fibers to steer clear of polyester (essentially plastic) and its environmental impact. For Les Carrés Collection, I ultimately chose Habotai silk, 8mm, with its light transparency and airy elegance. It’s incredibly soft against the skin and moves with a grace that is effortlessly romantic, like a whisper in the wind.
One of my favorite ways to wear my scarves is what I call the side shoulder style. I tuck the scarf under my dress strap and fold it over, letting it cascade across my shoulder and flow behind me as I walk. It’s such a simple gesture, but it feels glamorous and empowering. I often catch people looking—or doing a double take! When it’s too warm to wear it, I attach the scarf to my purse, letting it dance in the breeze as I go about my day.
There’s something magical about how silk transforms with movement, becoming part of your energy. It’s more than just fabric—it’s a moment of joy and expression, whether worn or simply admired.
If you could collaborate with any designer or brand in the world, who would it be and why?
Fashion: I’d love to collaborate with Gabriela Hearst. Her work is a perfect blend of timeless luxury and sustainability, emphasizing natural materials and ethical craftsmanship. For a more accessible brand, I would say Ever New. Their focus on timeless fashion, combined with a bold, contemporary edge, aligns with my approach to creating versatile, elegant designs. They also have a growing interest in sustainable practices.
Interior Design: Kelly Wearstler for her fearless use of sculptural forms, textures, and colors beautifully combines art, design, and lifestyle. I admire her ability to merge sophistication with bold creativity.
Rugs: Designer Rug’s reputation for working with unique and artistic designs, paired with their attention to high-quality craftsmanship, would create a perfect synergy. I can imagine translating my intricate patterns into rugs that bring warmth and character to interiors.
Dinnerware: Dior Maison represents the pinnacle of luxury in tableware, blending art and functionality in exquisite ways. A collaboration could see my delicate motifs reimagined on fine china, creating a seamless bridge between fashion and lifestyle. I’ve already dipped into dining aesthetics with table and kitchen linens, exploring how design transforms everyday rituals. Expanding into a full tableware collection would deepen this journey.
Do you have any rituals or routines that help you get into a creative flow when working on a new piece?
I have a deep need for uninterrupted time when creating—it’s a ritual of focus and dedication. A free day is rare, but essential, as I immerse myself entirely in the process. While my usual working environment thrives in serene silence, my creative flow demands music. Each design becomes a unique soundtrack. I’ll play a single track on repeat, letting its rhythm shape my mood and direction. Interestingly, I change the music for each new piece, almost as if the design’s identity is influenced by its own melody.
Over the next five years, I envision DELINOR branching out into various industries, allowing me to experiment and merge creativity with innovation. While I deeply value the mastery of silk scarves as an art form, I’m drawn to the thrill of discovery—trying new mediums, materials, and ideas. This curiosity inspires collaboration with experts in different fields. I’ve learned that you don’t have to master everything; instead, you can amplify your vision by working with those who bring their own expertise and artistry to the table.
In what ways do you hope to see DELINOR grow over the next five years?
On a personal level, I aspire to build a stronger balance between work and life. For DELINOR to thrive creatively, I see the need to assemble a team—an ecosystem of talent where every member has the space to shine. This means creating dedicated departments that ensure everything from logistics to marketing runs seamlessly, freeing me to focus on what I love most: creating and dreaming up bold new directions for the brand.
Ultimately, I see DELINOR evolving as a platform not just for timeless fashion, but for storytelling across different formats. Each piece, no matter the medium, will carry the same essence of emotion, artistry, and versatility that defines our silk scarves.
How do you navigate the dual role of artist and business owner, and what part of the process do you enjoy most?
Balancing the dual roles of artist and entrepreneur is a constant challenge. As a solo entrepreneur, the business side often demands more time than I’d like, leaving limited space for pure creation. That said, I’ve designed Les Carrés Collection around the rhythms of equinoxes and solstices to ensure I create new artwork every three months. This cadence not only sparks my creativity but also fuels the practical demands of the brand—production, photoshoots, and marketing—all of which require their own form of artistry.
I find joy in the multidisciplinary nature of this work, where even logistical challenges call for creative problem-solving. While my heart leans toward the design process, the business side offers opportunities to build relationships and collaborate with others. It’s this interplay between creating something personal and sharing it with the world that keeps me inspired.
If you could give one piece of advice to emerging artists looking to follow a similar path, what would it be?
Never give up on your dream, no matter how long the journey may feel. Even if life requires you to pause or shift focus, keep the spark alive—even if it’s just a flicker. Follow your own rhythm and trust your instincts. Your path is unique, and the well-meaning advice of family or friends may sometimes reflect their fears rather than your potential.
Take risks, trust your intuition, and remember that perfection is not a starting point—it’s a process. Dive in and allow yourself to adapt and grow. The challenges you face will reveal strength and resilience you didn’t know you had. Most importantly, stay connected to the joy of creating. It’s that joy, more than anything else, that will sustain you and guide you toward your vision.
Our readers love to travel, what destination is at the top of your bucket list?
London was high on my list, and I’m thrilled to have finally revisited during my event at Wolf & Badger in October. My first trip there, over thirteen years ago, was a fleeting business weekend, but this time, I allowed myself seven days to truly experience the city. I wandered through its distinct neighborhoods, immersed myself in museums and galleries, and soaked up its vibrant street life. London is a city that feels like a living canvas, where every corner holds inspiration.
But my trip didn’t stop at the city limits. I felt drawn to the coastline and made time to visit Brighton and the breathtaking Seven Sisters cliffs—nature’s reminder of beauty’s raw power. It was a perfect contrast to the city’s dynamic energy.
England left me wanting more, and I hope to explore its countryside and other regions in the future. On a sunnier note, Brazil also beckons with its lush landscapes and vibrant culture—there’s something irresistible about the energy of nature meeting the rhythm of life.
Whether cityscapes or sea, every destination feeds my creative spirit, shaping not just my artistic journey but my personal one, too.
Where can people follow you and find out more?
The best way to stay connected is through Instagram @delinor_design, where I share creative ways to style my silk scarves, showcase new designs, and keep followers updated on events, exclusive offers, and behind-the-scenes moments. It’s a visual diary of my artistic journey and an invitation to explore the world of DELINOR.
For an even more exclusive experience, I recommend signing up for my newsletter via www.delinordesign.com. Subscribers get first access to new collections, private previews, and VIP offers that go beyond what’s shared publicly. It’s a way for me to personally thank my community and bring them closer to my creative process.
Join me as I continue to weave together art, design, and timeless elegance.
