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Pavlina Jauss is a German luxury fashion designer that specialises in the field of luxury avant-garde fashion, with a nod towards fair trade and sustainability. Pavlina prides herself in working with some of the best European suppliers around and produces 99% of her designs in Hamburg, Germany, with only her knitwear being produced in Bulgaria by a traditional knitting company.

Pavlina’s latest designs are ethereal, flowing, and contemporary, all are exquisitely crafted with intricate finishing touches that produce head-turning quality clothing.

We wanted to know more about Pavlina, her designs, and why her catwalks are the talk of fashion week.

Q. At what point did you realise that you were destined to be a fashion designer?

A. I can not say exactly. To me it felt like a mix of chances and changes in my life. It was a rather slow process.

Q. Is your background in the fashion industry and clothing design, or did you come across from a different business sector?

A. I came from an economic background. I admired the work of several designers, but discovered my abilities in this area afterwards. At this point I took action and began my second education as a fashion designer.

Q. All the Pavlina Jauss designs are eponymous with ethereal free flowing materials, can you tell us what materials you have used for your Autumn/Winter 2020 collection?

A. I attach great importance to the sustainability, quality and origin of the fabrics I use. The actual selection is only from european suppliers. Alpaca, cashmere, cotton, virgin wool and viscose/cotton mixes are important ingredients for this collection.

Q. You are showing at Paris Fashion Week later this year, do you have a favourite piece from your collection that will be on the catwalk?

A. I am in love with most of my creations. As a designer you will never release something that you do not like. Often, my absolute favorites are the garments that are not bestsellers.

Q. Your designs are known for being flattering, fashionable and luxuriously stylish, yet always with relaxing ease – how do you manage to keep your designs informal with such strong style?

A. This is an interesting question and hard to answer. I would guess, it is a mix of my personal approach on fashion design and the number one criteria for every garment in my collections: I must want to wear it by myself.

Q. Can we ask when you are at your most creative design-wise; are you a morning, afternoon or evening designer? And, where do your design-ideas come from?

A. This varies. I think I am more creative in the evenings, but more productive during the day. I love to find inspiration and recharge myself by enjoying a glass of wine with my friends and family or reading a good book on my own. I find a lot of inspiration through music, history, mythology and nature, but also things in my regular life inspire me from time to time.

Q. If you weren’t a fashion designer, what would you be doing right now?

A. If I was not into fashion, I might have become an interior designer or would love to work in an antique shop. I love antiquities.

Q. What are your immediate plans for Pavlina Jauss in the next few years, do you intend on expanding or bringing in new designers to work alongside you, or will you be focusing on fashion shows?

A. I really want to continue to evolve my brand in a slow and healthy way. Slower growth gives me the possibility to maintain full control over the quality of the garments we produce.

Q. Did anyone offer you any good business advice before you embarked on becoming a fashion designer, and do you still adhere to that advice now that you are running a successful business?

A. We jumped in at the deep end to be honest.

Q. What piece of advice would you give someone looking to get into the fashion industry?

A. The fashion business has changed dramatically in the past. Being brave, passionate and patient are essential skills of the successful people I know in that business. Creativity and diligence help as well.

Thank you for taking the time to answer all our #BossBabe questions for House of Coco Magazine online. #WomenWorldwide #GirlBoss

Visit www.pavlinajauss.com for more information. Instagram @pavlinajauss.

Lulu Phipps not only gets to work with beautiful alpaca fibre in which she designs her unique collection of scarves, shawls, and interiors for her business Softly Softly, but she also owns and runs an alpaca farm in Northamptonshire with her husband Simon Phipps.

#TeamCoco couldn’t be more excited to interview Lulu for our #WomenWorldwide and #BossBabe series, to find out how it all started, when she first got into alpacas and how it developed into her own fashion company specialising in alpaca shawls, scarves and interiors.

Q. Have you always worked with or been around alpacas, since being little, or was this a new-found interest from a business perspective?

A. I have been in the alpaca business for 12 years, before that I had a somewhat varied career path. I trained at ballet school from the age of 5, then was a professional dancer for 8 years from the age of 16. I then was involved with Formula One motor racing before my daughters were born. Following on from then I did interior design and soft furnishings. I also trained as a phycotherapist. The alpaca side of my life has grown gradually, with the business venture evolving at the same time.

Q. You launched your first alpaca business back in 2007 with your husband Simon, did it start out solely as a breeding farm, or did you know that in future years you would launch clothing and interiors lines too?

A. Our ‘alpaca adventure’ started quite by accident. Simon and I were watching a vet programme on TV one evening where the vets were trying to save the life of a tiny alpaca baby (they succeeded thankfully!) and we were intruiged. We then, by chance, met an alpaca breeder a few weeks later at a country show and started to take a more serious interest. Following more research and talking to a number of breeders we then bought our first pregnant females. We already had land and horses so it seemed a fairly easy progression. Since then we have bred over 50 alpacas here at the farm, and sold to many established and new owners both in the UK and Europe. The initial idea was to build the breeding business, Softly Softly came later!

Q. Are all the Softly Softly designs for men, women, children and the home made from your own alpaca fibres, or do you also work with other small and unique businesses?

A. The Softly Softly collection comes from a number of areas. We have products made from our own alpaca herd fibre, these are created in conjunction with The Border Mill in Scotland. I also select scarves, shawls and throws from two companies in Peru. The Peruvian people have been working with alpaca fibre for thousands of years. It is known as ‘The Fibre of the Gods’ and at times only Inca Royalty were allowed to wear alpaca cloth. Their knowledge and expertise is second to none in the world so twice a year I choose artist designed limited edition items to add to the collection. The fibre from our own alpacas that doesn’t go to the mill is sent to Penrose Products in Nottinghamshire, where they produce for us amazing luxury bedding.

Q. Do you personally design and make your own Softly Softly scarves and shawls, or do you work alongside other designers?

A. Our alpacas are sheared once a year, in the spring. At that time I assess all the fibre and choose the finest quality to go up to The Border Mill. Once I know the quality, quantity and colour range we have to use then Juliet and I work together to design the fabrics. We discuss the fibre blends, the colour ways and the weaving designs. I only have a limited number of each design manufactured so they remain highly exclusive and original.

Q. Would you use the same alpaca fibres that you use for a scarf to also make a cushion for the home, or are there different types of alpaca fibres to work with?

A. I will only use our highest quality fibre for the Softly Softly products made in the UK. I believe that a throw or cushion should be as soft as a scarf. The Peruvians have perfected the art of blending 70% alpaca fibre with 30% silk, this creates the amazing lightweight, soft fabric in the scarves and shawls. In the past year we have been working with The Border Mill in blending alpaca with rose fibre. Rose fibre is a cellulose from the stems of roses and has all the qualities of silk – strength, lustre, softness, but in a more eco friendly and sustainable way. We have called the collection ‘Alpaca Rose’ and we are busy creating beautiful designs for a new range.

Q. Can we ask when you are at your most creative design-wise, and where do your design-ideas come from?

A. I’m probably at my most creative either in the wee small hours of the morning or when sitting on my tractor cutting grass paddocks! Alpaca fibre has many unique atributes, its hypo allergenic (it’s a dry fibre so doesn’t attract dust mites like wool or feather), its individual fibres are hollow so it is temperature controlling and it is the most sustainable fibre on the planet. I am constantly looking at fabrics, clothing and interiors and asking “would that work in alpaca?”

Q. If you weren’t running Softly Softly and had never been lucky enough to run your alpaca farm, what kind of business do you think would you be working in?

A. With my career path it could have been anything! I’ve always liked interior design but I love being a farmer as well!

Q. What are your immediate plans for Softly Softly, do you intend on opening any stores around the UK?

A. World domination of the alpaca product business!!!! Seriously – I have no plans for opening stores at present. That is a huge commitment of resources and time and perhaps not in this current political climate. I am concentrating on growing brand awareness and my customer numbers. One of the hardest parts of building Softly Softly is to show how amazing alpaca fibre can be. When I talk about alpaca many people tell me about their Peruvian jumper that granny bought 50 years ago that is still growing strong! It is such a tactile fabric and that is hard to get across unless you actually can feel and touch it.

Other plans are to develop new ranges of travel accessories and a collection for babies – who wouldn’t love to have their newborn wrapped in a blanket made from ‘Alpaca Rose’. We also have the scented candle, hand wash and lotion. I designed this to compliment the alpaca/silk scarves. We called the range ‘Softly Softly Scented’ and the scent is called ‘Silk’ It is a mix of White Lily and Neroli oil and is gorgeous!!

Christmas gift boxes are in development with the Scented range plus pick and mix from the collection, just the thing for under the Christmas Tree.

Q. Did anyone offer you good business advice before you launched Softly Softly?

A. My lovely supportive husband Simon. He has the business brain, I have the inspiration.

Q. Have you had to overcome obstacles while running your businesses, or has anything happened to ever make you step back and think twice about what you’re doing?

A. As I write this I am battling breast cancer for the second time. The first diagnosis was almost 5 years ago, before I started Softly Softly. This time was a bit of a surprise, though it has always lurked quietly in the back of my mind that it may reappear someday. I thought long and hard about the next steps in the days following the news. Do I stop Softly Softly? How am I going to run this business? I looked back at the first time and I remembered that one of the things that kept me going was getting up in the mornings and going out to feed the alpacas. They are such gentle, inquisitive animals that it was often I felt they were asking how I was each day. So I decided to put on my big girl battle pants and kick cancers butt again and keep the business going and growing. I have postponed some events that physically might be a step too far but we are concentrating on the website, social media and customer growth. I’ve learnt that life is unpredicatable and sometimes challenging but for me positivity and humour are the way forward. I have the support of amazing family and friends, and when the going gets tough I can curl up under a beautiful alpaca blanket!

Q. What piece of advice would you give someone looking to set up a business using alpaca fibres to design clothing and interiors?

A. Do lots of research. Learn about alpaca fibre from breeders and manufacturers. Find out what makes the best quality fibre and why.

Thank you for taking the time to answer all our #BossBabe and #WomenWorldwide questions for House of Coco Magazine online. We think you are an inspiration to continue running your wonderful alpaca business, even under the toughest of circumstances.

Visit www.softlysoftly.uk.com for more information about Lulu’s clothing and interior designs. Visit www.lusialpacas.co.uk for more info about breeding and buying alpacas.

In May 2017 a brand new swimwear company was launched by Yasra Jaleel called Kandumathi, her designs of both bikini’s and costumes are beautifully made to sit perfectly on the female form.

Yasra’s latest designs are contemporary in style, and all are exquisitely crafted with beautiful finishing touches that offer a quality statement, and some of her bikini’s are uniquely mismatched in design.

Let us delve deeper into the mind of Yasra Jaleel to find out more about Kandumathi for the House of Coco Magazine #WomenWorldwide and #BossBabe interview series.

Q. Where did the name Kandumathi derive from?

A. Kandumathi is a Maldivian brand, specialising in bespoke swimwear. Kandumathi is a Maldivian phrase which invokes the ocean, and embodies the vulnerable, yet enduring nature of island life. We take inspiration from our natural environment and our culture, and work with local artists and designers to produce our unique look.

Q. Kandumathi is a Maldivian swimwear label, can you tell us the history, are you personally from the Maldives?

A. Kandumathi the brand was registered first in the Maldives in 2016 and then in London in 2017. I run the company along with my brother. Yes, I was born in the Maldives and moved to England in 2001. We have been running the company both in the Maldives and England since then. We have now been selling in 28 luxury resorts in the Maldives and across the globe.

Our Kandumathi philosophy is to use Maldivian art and artists, and we collaborate with local artists from the Maldives to create our unique designs. All our collections are water colour paintings by Maldivian artists Nadee Rachey and designed into swimwear by myself and Ahmed Fauzan. All our designs so far reflect the ocean around us, and marine life. Like the name of the brand, Maldivian life is firmly intertwined with the ocean.

Q. All the Kandumathi designs are eponymous with ethereal free flowing materials, can you tell us what materials you have used for your latest collection?

A. We are currently working with a manufacturer in Srilanka who uses recycled Nylon to produce swimwear and we are very excited to be able to work with sustainable material. As a brand from the Maldives, we understand the affects of plastic pollution and the damages it causes to our environment, and the great need for finding sustainable solutions.

Q. You are London-based, do you have a core British market that you sell to or do you mainly sell overseas?

A. Our main market is the tourist resorts in the Maldives and just recently we have started to sell across the globe. Although we are very young brand, we have been lucky to hold our swimwear in different outlets in London and New York.

Q. Your designs are beautiful and bold, do you design everything yourself, and what are this seasons styles?

A. We try not to focus on style seasons. We are influenced by the fact that the Maldives does not have the typical western seasons, and so our clothes don’t change from season to season. We also made a conscious decision not to create too many products too fast, as we understand the effects of manufacturing on the environment. We are also lucky to be in the Maldives as our resort customers change regularly and our first two collections have been doing very well.

Q. Can we ask when you are at your most creative design-wise; are you a morning, afternoon or evening designer? And, where do your design-ideas come from?

A. I am based in London and my work hours are a bit hectic as it is spread out in different time zones. I usually do office work during the day. My typical work day starts around 6am as Maldives is 5 hours ahead and continue to work through 9-5 London time. I believe I’m constantly inspired and I typically have a clear idea of what I want my designs to look like. The most fun part of my job is doing research on our designs, and learning about the marine life and it’s surroundings. For example for our latest collection we used sea shells and I had to learn about the formation of sea shells, it’s characteristics , life cycles as well as the designs on the shells. This work also teaches me more about the Maldives and its atoll formations, coral reefs, mangroves so on and so forth. We try and keep our designs very specific to Maldives.

Q. HOC. If you weren’t designing swimwear, what would you be doing right now?

A. I used to be a filmmaker before I started Kandumathi. I believe running this business is very similar to being a film producer. I would like to think that I am good at bringing together creative people and working with artists. I also have a strong idea of exactly what I want and I believe it is easy for the artists to work with me too.

Q. What are your immediate plans for Kandumathi in the next few years, do you intend on expanding to new markets?

A. Our immediate plans are to expand Kandumathi across the globe as much as we can and also start creating men’s collection.

Q. Did anyone offer you any strong business advice before you embarked on launching your swimwear brand?

A. I’m lucky to be surrounded by strong business minds within my family. I was brought up to believe in hard work, and if you work hard enough, you can do anything and to always dream big. I was very anxious when I started Kandumathi as I do not have any business background and have always been more of a creative person. Of course we’ve made some mistakes along the way but I always think twice before taking big risks; I am a cautious person. It also helps that I have my brother to bounce off ideas, as there is no one who would be more honest with me than my brother. It also helps that I know if I were to make a mistake he will always have my back.

Q. What piece of advice would you give someone looking to get into the swimwear industry?

A. My advice to anyone who wants to start a swimwear business is to pay attention to the female body and try not to focus too much on what other people are doing. Have a concrete idea and stick to it.
And always rely on the people who work with you and trust your gut as well as the people you work with.

Thank you for taking the time to answer all our #WomenWorldwide questions for the #Bossbabe series at House of Coco Magazine online.

Visit www.kandumathi.com for more information. Instagram @kandumathi.
#BossBabe #WomenWorldwide #GirlBoss

We’re joined by Lily Arkwright co founder and company MD, Lauren Shanks.

Lily Arkwright has redefined the standards for beautiful lab grown jewellery with vibrant collections of diamonds, moissanite and precious gemstones, ethically & sustainably produced and crafted in the UK.

Lily Arkwright has received a huge amount of hype and praise in recent years, with this in mind we delve deep into one of the names behind the brand and look into Lauren’s past to find out about her jewellery background, her love of sparkling jewels, and we want to know more about the precious stone moissanite.

Q. Can you tell our readers a little bit about Lily Arkwright, what sets you apart from other jewellery retailers?

A. We like to do things a little differently here at Lily Arkwright, no stuffy sales environment, amazing pricing and quality that really exceeds all expectations. Typically our customers can expect to save 90% on one of our popular moissanite set rings compared to a high street diamond equivalent. We find these savings really help when planning a wedding or honeymoon.

Consumers shouldn’t feel pressured into utilising their savings pot or overspending on a diamond engagement ring, we find couples often place more value on life experiences and purchasing a moissanite or lab grown diamond engagement ring helps achieve this.

Q. Is a moissanite gemstone the same as a diamond, is there any difference visually?

A. Moissanite is in fact rarer than diamonds and was initially mistaken as a diamond when first discovered, for this reason the vast majority of moissanite is now lab grown and engineered to give the illusion of similarity to diamonds.

We’re proud authorised Charles & Colvard retailers and set moissanite stones in all our rings as standard. Charles & Colvard are the original moissanite produces and their stones are really the very premium quality moissanite stones available today.

We’re obviously huge moissanite fans but really do believe in choice and set lab diamonds, Chatham couloured precious gemstones including rubies, emeralds and sapphires in all our collections.

Q. Does your working career stem from within the jewellery industry, or did you come from a different business sector?

A. I actually started out in fashion design and subsequently moved into fine jewellery several years ago. Fine jewellery has always been a passion of mine, when the opportunity arose to combine my passion for fine jewellery and my experience within eCommerce and the digital space It was impossible to refuse.

My professional career for the past 15 years has been tremendously exciting working within the luxury brands sector within digital, eCom Management and operations & retail.

Q. HOC. Your designs start in price from around £300 and rise to around £4,000 – do you have a current favourite piece from your collections?

A. Gosh, I have so many favourites. The Giselle, Eden and Annora, the list is endless!

I love the Grace classic solitaire, its elegant, classic and timeless, this setting really does show off the centre stone setting in the best possible light.

I wear a customised version of the cushion cut Lavender for my engagement ring, and am I having 3.0mm wide full set band for my wedding ring. We’re actually introducing this design as the Aurelia band as part of our new collection later this summer.

I really enjoy mixing my metals and often wear rose alongside my white gold and platinum rings.

Q. Do you wear your own Lily Arkwright designs along with any other designer jewellery brands, or do you only wear Lily Arkwright?

A. I do, I genuinely love the collections we produce and the team and I are forever personally testing new Lily Arkwright designs. It really helps to fully trial a design and there’s no better way than wearing one.

I’ve recently been trialing a lightweight petite three stone Lorella ring, with a moissanite centre stone and lab grown blue Chatham sapphires on the middle finger of my right hand for the last few weeks, I’ve had so many lovely compliments and the band is actually a really comfortable fit even at 1.75mm.

I frequently wear a select few other designer jewellery brands alongside my Lily Arkwright jewellery, I love to see how designers interpret trends.

I also never take out my Sena moissanite platinum stud earrings, these go with almost any outfit and occasion!

Q. Your Instagram @LilyArkwrightUK showcases some of your designs beautifully; do you find social media helps to promote your brand?

A. Absolutely, social media is great to showcase some of our beautiful collections and is essential for us. Our Instagram, Facebook, Youtube and other profiles helps our customers quickly view some of our favorite designs with photos and videos readily available.

Q. Did you have to take any specialist courses in fine jewellery or art design before you launched Lily Arkwright?

A. I was fortunate to have studied Fashion design whilst at university and my family come from a jewellery background so this provided me with a really strong understanding of the fine jewellery market. This was obviously only the start and it took us a number of years of market testing, pop up shops and market stalls before Lily Arkwright was finally born.

We’ve come a long way since those early days and are now proud Assay Assured jewellers retailers and members of the National Association of jewellers. Our teams are JET trained and our workshop have some of the most skilled and experienced bench workers in the United Kingdom. We offer free UK & European shipping and delivery worldwide.

Q. Did anyone offer you any useful business advice before you launched Lily Arkwright that you still use to this day?

A. I’ve had so many wonderful mentors throughout my professional career and I’ve always tried to remember and more importantly implement useful advice, it almost becomes a habit.

In my experience nothing is more imperative than, honesty, hard work, integrity and smart working. This is something that both myself and fellow directors really impress upon our colleagues on a daily basis.

Q. If you were to offer one piece of advice to someone thinking of getting into the jewellery sector, what would it be?

A. Working within the jewellery sector is both extremely challenging and rewarding, in particular bridal jewellery. You have the honour of helping a happy couple make one of the single most important purchases they’ll ever make, something that will grace a bride’s finger for the rest of time and be passed down through family generations in the future, the thought of it gives me goosebumps!

My advice would be to follow your heart, if you love jewellery and enjoy helping people there’s really no limit to what you can achieve. Doing something that interests you and drives your passion is immensely rewarding and benefits you, your employer and the people you serve, your customers.

Q. What are your plans for the future, do you expect Lily Arkwright to move into the high street?

A. I’m tremendously excited about what the future holds for Lily Arkwright, we’ve only recently moved into a new larger office space and continue to grow the team making strategic hires and new appointments.

We have a number of opportunities available on the high street and have recently opened our very own consultation space in our Didsbury head office. This has been invaluable for our customers who can find it difficult to visualise some of our lab grown diamond alternative engagement rings.

In addition to our recent accomplishments, after a number of years in trials we’ve recently rolled out our very own brand moissanite, Lumoie by Lily Arkwright, this stone which was initially aimed at our value pieces is now available in most of our popular rings.

Thank you for taking the time to answer all our #BossBabe questions for House of Coco Magazine.

Visit Lily Arkwright for more information about lab grown precious stones. Instagram @LilyArkwrightUK.

Our latest #BossBabe interview is with jewellery designer Clémence Devaux of the brand NYF Jewellery, she says, “Jewellery should be fun, easy to wear, beautiful and personal”. And, we at #TeamCoco fully agree.

Luxury online demi-fine jewellery retailer NYF Jewellery is an easy-to-wear urban chic minimalistic brand, with a stunning selection of delicate rings, bracelets, pendants and earrings made with love and care.

Let’s find out more…

Q. Does your working career stem from within the jewellery industry, or did you come from a different business sector?

A. Not born in a family of jewellers, I started out on my own in the jewellery industry a little over 10 years ago. I started at Christie’s Auction House in Paris, in the Jewellery department. Since Christie’s, I worked as the Head of Jewellery for William&Son, a british luxury brand. And I have recently launched 2 companies, NYF Jewellery and Clémence Devaux Consulting. As well as being the Creative Director of NYF, I offer to help Jewellery brands with gemology services and product development. NYF is a passion project and something I have been wanting to do for ages, arguably something I was always meant to be doing.

Q. We aware that you are a family run business, how many of your family are currently part of NYF Jewellery?

A. Three members of my family are part of NYF. But as with every big family, everyone is part of it. Even if its only to give an opinion over sunday lunch. My mother, Caroline, is our COO and handles all the day to day. My brother, Edouard, is our CFO and is in charge of the website and IT matters. He designed our website. And as the Creative Director, I develop everything to do with the products (design and manufacturing) and marketing. These roles were attributed completely organically as it best suits each of our skills.

Q. You are a gemologist that specialises in real diamonds set in gold, can you tell us why you decided to only work with diamonds and not with any other gem, such as a ruby or emerald?

A. We haven’t yet said “no” to the rest of the coloured stone world. We have a (long-term) plan to include them. But for now, we want to stick with diamonds and pearls as they are the most wearable gems and can be worn with anything. I like to say that diamonds are like punctuation and complete a look as punctuation would a sentence.

Q. Did you have to undertake any specialist courses to become a gemologist, and can you tell us what a gemologist is and does?

A. I have studied gemology at the GIA, the international authority when it comes to grading diamonds and gems. I am a Graduate Gemologist, which means that I am an expert in Diamonds and Gemstones and I am able to assist in the grading and purchasing of both. I am also able to identify the fake from the real, which is key considering lab-made “diamonds” are a hot topic right now.

Q. Your jewellery designs are all reasonably priced, starting at around £125 and rise to under £1,000 – do you have a current favourite piece from your collection at a mid-range price of around £500?

A. Being a demi-fine jewellery brand, our aim is to make natural diamond jewellery accessible. We try really hard to keep our prices as low as we can, all the while making sure the quality is of the high jewellery level. My absolute favourite piece in our collection is our Logo Ring, inspired by the 1920’s plaque rings. I wear it all the time. The demi-pave version comes at £470.

Visit here to buy this beautiful ring.

Q. Do you wear your own NYF Jewellery designs along with any other designer jewellery brands, or do you only wear NYF?

A. I absolutely do mix NYF with other pieces. Our jewels are meant to blend in with your everyday look. I stack our rings with my engagement ring. I wear family heirlooms with them. Times have changed in terms of jewellery wearing. We don’t wear it so formally anymore, and I love that. You can find some inspiration on how I style my different pieces on my own Instagram account @clemencelovesdiamonds. It is a sort of behind the scenes of my job.

Q. HOC. Do you find that social media helps to promote your brand, if so which social media channels are you using, and does a specific platform work better for your business?

A. Social medias are essential for an e-commerce brand and it has helped us greatly. We are on Facebook and Instagram. Instagram particularly helps as it is a visual platform and suits perfectly the ambiance we want to share. However, it has become really hard to stand out in such busy platforms. And I am not an expert at it either, but we all work hard at trying to share our passion on our @nyfjewellery profile.

Q. Did anyone offer you any useful business advice before you and your family launched NYF Jewellery?

A. “Trust your instincts” is the best advice I was given while studying gemology and I have actually been doing this all my life.

Q. Did anyone offer you any bad business advice that you followed, and later wished you hadn’t?

A. “Trust your instincts” ? indeed, sometimes you win, sometimes you learn.

Q. If you were to offer one piece of advice to someone thinking of getting into the industry of jewellery design, what would it be?

A. I would advise anyone who wants to enter the jewellery industry to be patient and to work hard. I didn’t come from a Jewellery background and have worked my way in. The Jewellery industry is a very small world and reputation is key. We exchange diamonds on hand shakes and know we can trust each other as our reputation precedes us. It’s a small family and I have loved being part of it so far. If you are passionate about it, you will feel right at home.

Thank you for taking the time to answer all our #BossBabe questions for House of Coco Magazine.

Visit NYF Jewellery for more information.

#GirlBoss #BossBabe #WomenWorldwide

When you visit the London DE website you are instantly blown away by the in-depth knowledge that Phil Spencer and his team have of diamonds, coloured diamonds, emeralds, rubies, sapphires and other precious stones.

Phil showcases each and every jewel on his website so that the customer can see exactly what they are buying. He also provides professional drawings of bespoke jewellery designs before the diamond, emerald or other stone is added to the piece, meaning that every single design is perfected to the customer’s requirements.

We are intrigued to know more about Phil Spencer, and how he got into the world of beautiful diamonds and emeralds.

Q. HOC. Did you start your working life within the jewellery industry, or did you come from a different background, and did you always know that you wanted to work with precious gemstones and jewellery?

A. Phil. Whilst I have always been interested in jewellery and gemstones (and coloured gemstones in particular), I started my formal career as a commissioned officer in the UK armed forces. On completion of that I spent 5 years in financial services but I always wanted to work in the luxury market and I yearned to run my own business. Finally, in 2013, the opportunity arose to strike out on my own and become an entrepreneur in the marketplace I love.

Q. HOC. Can you tell us more about what London DE is all about, as we understand that it’s not just about precious stones?

A. Phil. We’re an ethical jeweller and coloured gemstone specialist. With connections high in the Colombian emerald and Sri Lankan gemstone supply chains, we aim to cut out the middlemen and ensure the integrity of our supply chain. We operate a mine-to-market approach and offer our customers, both retail and trade, a truly bespoke service via our hybrid model. This provides the functionality of e-commerce, coupled with personalised human interaction, both face-to-face and via digital channels.

Q. HOC. You currently have a London office, based in the world-renowned Hatton Garden, and a sales office in Istanbul, why did you choose these locations for your business?

A. Phil. I am a Londoner born and bred but I have travelled extensively and lived and worked in the Middle East and around the globe. For me, London is one of the great fashion, luxury and retail centres of the world. With an outward looking international focus we are building a global brand. Via digital channels we can reach almost everyone on earth but it certainly helps to have a (small) footprint across the major hubs. Istanbul is the first of (I hope) many international sales offices we plan to open in the coming months and years. High on our target list are Dubai, Singapore, Hong Kong and New York.

Q. HOC. Your precious stones and jewellery designs range in price from around £100 to over £100,000 – do you have a favourite piece from your collections that would come in under £100, and do you have a favourite piece that would come in over £100,000?

A. Phil. We offer a wide and ever-expanding range of products from cufflinks and accessories for hundreds of pounds to bespoke engagement rings and other jewellery pieces for up to hundreds of thousands of pounds.

The key to the value of our products lies in the quality, uniqueness and the ethical nature of their supply and manufacture. The same care and diligence go into the creation of a £100 pair of cufflinks as it does for a £100,000 bespoke diamond and emerald engagement ring.

Q. HOC. Do you personally wear jewellery and if so what style?

A. Phil. I love jewellery but my personal taste is for it to be understated. I have a small collection of Tudor watches, I wear two 18K yellow gold rings, along with gold and silver cufflinks. I also enjoy designing small pieces of ladies’ jewellery for my wife. The one thing I have learned in this industry is that there is no right or wrong jewellery, just the pieces that you love!

Q. HOC. Your Instagram @londondande showcases some of your jewels beautifully, do you find social media helps to promote your brand?

A. Phil. Yes, social media, especially Instagram, is becoming a powerful marketing tool within our industry. We have just recruited a highly skilled in-house digital marketeer and a major part of her role will be to develop this channel further.

Q. HOC. What did you study at University, which one did you attend, and has it helped with the business you are successfully running today?

A. Phil. I read Geography at University College London. I chose Geography because I am fascinated by the world around me and I love travel. I think on balance university was a worthwhile exercise, it certainly broadened my mind and opened my horizons to new ideas and possibilities, which helped to lay the foundations for my later business career.

Q. HOC. Did anyone offer you any useful business advice before you launched London DE?

A. Phil. I gratefully received as much advise as I could both prior to launching my business and ever since. As part of our start-up funding programme the GLE (Greater London Enterprise) scheme provided me with a business loan and practical advice, as well as weekly mentorship from an entrepreneur with many decades of experience, which was invaluable.

Q. HOC. Did anyone offer you any bad advice that you followed, and later wished you hadn’t?

A. Phil. As with everything in life, advice comes in many shapes and forms. The vast majority of the advice I have received has been useful but inevitably some has not. Judgement and experience will eventually tutor the entrepreneur towards the best course of action.

Q. HOC. If you were to offer one piece of advice to someone thinking of getting into fine jewellery and precious stones, what would it be?

A. Phil. Understand your market and know your business model inside out. After cash flow, ignorance of ones’ operating environment is the fastest start-up business killer!

Thank you for taking the time to answer all our #BossBoy questions for House of Coco Magazine.

Visit London Diamond & Emerald Exchange for more information. Instagram @londondande

Occasionally #TeamCoco have the opportunity to interview designers that we are huge fans of, and this is one of those rare occasions that we can get to know more about one of our design heroes.

Cael Pipin owns and runs the designer bag company Hemcael, and his latest collections are one of a kind, unique designs that bring to life the meaning of Italian quality.

Hemcael launched in 2010, where Cael Pipin has been designing and producing beautiful bags for the luxury buyer who craves excellent Italian quality with standout designs. We are desperate to find out more about this wonderful bag designer.

Q. HOC. Did you previously work in the leather or fashion industry before launching Hemcael?

A. Cael. Yes, I have produced unique pieces on demand for an exclusive clientele for many years. They asked for original and customised pieces completely made in Italy, and I’ve always loved creating what’s the most feminine thing ever: bags. I had never worked in the fashion industry before launching my own brand, but the varied women’s universe has always fascinated me. And that’s the reason why I decided to embody what I think is the Hemcael quintessential woman, be it wife, partner, friend, mother or daughter.

Q. HOC. At what point did you realise that you were destined to be luxury bag designer?

A. Cael. Looking around, I realised that we are losing the habit of loving very high quality accessories, and, above all, we are losing the habit of giving value to the concept that’s behind the creations we wear, the research of the best materials out there, the artisan’s delicate and experienced touch and all tests to get the best shapes and structures.

The key of the collection is: ‘conquer from within’. Conquer, in Italian, is a verb also used to express the concept of ‘winning someone’s heart’. And with my bags I wanted to do it from within: the interior of my bags, their heart, is as special as their outer. It’s crafted from bovine nubuck or calfskin leather, and no other material is involved for the linings, pockets, or extras, such as the removable pouches. Today luxury means exclusiveness, uniqueness: not just because something appears ‘rich’, it’s a luxury symbol.

The Hemcael bag isn’t just for ‘appearing’, but for recognising yourself in an accessory from which you can get the feeling of craftsmanship, class, research, experimentations. Luxury is not to be shown, because it is made up of details.

Q. HOC. Your collections are eponymous with sculptured pieces that are elegant in design yet easy to wear, have you always been known for strong statement bags?

A. Cael. Yes, I have always created bags that are bold, that not only exude a sense of style, but they also convey strong emotions, they kind of have their own personality. Clothes and accessories are a form of self-expression, and the way we create our outfits impacts how we feel about ourselves, and vice- versa. That’s why I have always tried to create statement accessories, exceptionally crafted for the bold, modern, dynamic woman who’s looking for a direct reflection of her personality. My collection includes high-impact colours, such as rust, the captivating heart of the line, sculptured figures that exclusively result from the natural structure of high quality leather, and extremely detailed and intriguing interiors, which I think are even more important than what’s in the outside. The linings of my bags, completely leather crafted, are what makes them stand out and turn things around, taking the creation from plain to noteworthy.

Q. HOC. Do you have a current favourite bag from your collection?

A. Cael. Yes, my current favorite is Melime, the bag that embodies the soul of the brand in the best way. It represents the sensuous essence of the Hemcael woman, and its outstanding shape makes it unique when women wear it. I imagined a bag that could captivate all women, with its simple yet enigmatic silhouette, that could release the pure Hemcael nature from any detail. The closure is very secure, almost impenetrable, so that your everyday essentials, or even your darkest secrets, can be kept safe inside.

Q. HOC. We are personally swooning over the Aranel, a handbag/adjustable shoulder bag that oozes style and charisma, what goes into designing a bag like this?

A. Cael. Well, first of all, you grasped what the Hemcael concept means, as Aranel was a starting point for the collection. Its timeless and elegant figure is behind every other style. What I’m most proud of in its design is the structure: its shape just follows the sinuosity that the folded leather naturally assumes, and no other material was used to produce it. I wanted to create a classic, flawless, neat silhouette, simple in its sleek touch and yet sophisticated. The combination of calfskin and nubuck leather, alternating for the outer and the lining of the different styles, conveys in the best way my idea of a classy design that relies on high quality materials and elegant style.

Q. HOC. Can we ask when you are at your most creative design-wise? And, where do your design-ideas come from?

A. Cael. When I paint my works, I establish a connection between art and design. My bags are the result of an artistic process that always starts with painting. Art is that place where I take refuge when my being is in conflict with the world that surrounds me, my little bubble, where I can fully be myself. Seeing a woman wearing one of my creations brings strong feelings to me, and this leads me to design new pieces.

Q. HOC. You have recently opened a maison-gallery in the heart of Milan, can you tell us some more about this?

A. Cael. The concept of Hemcael stems from my greatest passion: art. The maison-gallery in Milan is not only a showroom, but also a gallery exhibiting my art creations, my paintings. Fashion and art are intertwined, they have always been connected. There’s no fashion piece without an artistic background. I love expressing my art both on canvas and on fashion sketches, and I do it not only for work, but mainly for myself, as that’s the finest way I express my best self. I wanted to created a wide, clean, minimalist space, where the focus is on the bags, showcased in the first room and shop windows, and on the paintings, for which an entire aisle is dedicated. I found this early 20th century former nuns convent in the heart of Milan and immediately thought it was the perfect place for Hemcael’s headquarters and maison-gallery.

Q. HOC. Do you have any immediate plans to open any more maison- galleries around the world?

A. Cael. Yes, I’m proud to announce a new opening in Bangalore, India, in a partnership with the multi-brand luxury store Galleria di Lux, [earlier this month] on July 27th. The first floor will be dedicated to Hemcael, blending contemporary art and fashion with a concept that’s new for this renowned high-end store with Italian and international brands. We’re planning other new openings, including New Delhi in October.

Q. HOC. Did anyone offer you any business advice before you embarked on becoming a luxury bag designer?

A. Cael. Not at all. I just trusted my instincts.

Q. HOC. What piece of advice would you give a budding designer, someone starting out in the industry?

A. Cael. Try to be yourself, do not copy anyone else, and be very meticulous in every single detail. Be hungry for something new, fresh. Experience new routes and try to find new and not predictable solutions.

Thank you for taking the time to answer all our #BossBoy questions for House of Coco Magazine online.

Visit Hemcael for more information.

Hemcael – creating a collection that is enigmatic in its simplicity.

Woven bags are the latest fashion accessory across the globe, and Thai native Sommy Putthida Hensawang of Above Studio has collated a beautiful collection of baskets and bags for beach and beyond from local artisans around Thailand.

Every piece created is handcrafted from the north to the south of Thailand, where local artisans help to shape and design the rattan, bamboo and woven bags which Sommy then sells at Above Studio.

Let’s find out a little more about Sommy and her business Above Studio.

HOC. What made you get into woven and basket style bags?

Sommy. Having grown up in a rural community and then venturing off to the bustling concrete jungle of New York City, I realized the lack of available sustainable and ethical products didn’t cater to the needs of my lifestyle/beliefs nor the rest of the planet! In addition, the local villagers back home do not have the same access to abundant resources as we do and so because of this fact, I decided that I wanted to be the voice and connector to expose this unique identity and craftsmanship of Thailand to the rest of the world. I designed a series of trendy accessories that would cater to the fashion-forward crowd while keeping our mission of sustainability in mind. Moreover, our local artisans are very skillful in making woven and basket style bags. Hence the creation of “ABOVE Studio” – providing ethical, eco-friendly products to empower our rural communities and rise “above” the occasion that our environment faces.

HOC. From a fashion perspective are you always looking for the latest bag designs to replicate for Above Studio?

Sommy. Fashion is fast and you have to keep it up with the trend. However, I believe that with high quality of our products and customer service that we care the most will make us different from other replicated bags.

HOC. By keeping your bags designed and produced within Thailand you are helping to save the environment, was this something you had considered before working with local Thai artisans?

Sommy. I grew up among nature because my dad’s family has a corn field and my mom family also grows fruit for selling in a province near Bangkok. I have seen those unique beautiful culture and traditional for almost half of my life. This is especially true for the weaving skill and farming skill, of which they acquired authentic knowledge from their ancestors. The artisans I am working with are those from the places I visited during when I was younger and they have been making these local products since then.

HOC. You stock bags of all shapes, sizes and designs and you stay true to the use of bamboo, rattan and woven baskets and bags, do you think you will every use other fabrics alongside your core materials?

Sommy. Yes, I am now using organic cotton from local artisan’s village near our Bangkok manufacturing. Also, I am now considering other local materials that can be used for making our new collection which will be more home decor line.

HOC. Do you have a favourite bag from your online collections at Above Studio?

Sommy. Yes, I love my foldable basket bag since its big and have lots of space and I can also fold it when I am not using it. This is really practical.

HOC. How long does a hand crafted woven bag usually take to make?

Sommy. It usually takes almost 3 weeks. The first 2 weeks will be a process of drying materials and sometimes during rain season we have to wait another week to make sure all of materials completely dry.

HOC. How do you market your brand differently to other fashion accessory retailers, and is it a competitive market?

Sommy. I value our local craftsmanship. The product quality we present and the way we preserve our exotic culture and environment made us outstanding from other competitors.

HOC. What has been the biggest learning curve since you launched Above Studio?

Sommy. Operation can be lots of work and you have to make sure every step by yourself first before you can teach and instruct your people.

HOC. What was the best piece of advice you were given before you launched Above Studio?

Sommy. Do your best.

HOC. What advice would you offer someone who is thinking of setting up an online store?

Sommy. I encourage everyone to follow the dream but just one thing to keep in mind that you will never ever give up.

For more information visit Above Studio.

Thank you for offering House of Coco Magazine an insight into your world of rattan, bamboo and woven bags.

Specialising in classic, elegant, feminine clothing, Sujata Gazder has been creating beautiful clothes for women who are looking for something special and luxurious without the designer price tag. #TeamCoco spoke to Sujata about the power of fashion, where she finds her inspiration and the importance of following your heart

What was the inspiration and vision behind the Sujata Gazder brand?

For as long as I can remember I have sketched, scribbled, doodled design ideas in my head. I love beautiful clothes. A well fitted garment constructed from luxe fabric can actually change the mood and demeanour of the person wearing it. I found that most mass market fashions fall short in being able to do that and high-end couture is accessible to only the privileged. So, I decided to create a line of clothing that had exciting designs and paid attention to fit, form and feel and offer it at affordable luxury prices.

Was it a ‘lightbulb’ moment or was it more of a slow burning process?

It was more of a slow burning process. I have always loved fashion and growing up in India when bespoke clothing was the norm, I was designing my own clothing from the time I was 10. But I didn’t pursue a career in fashion till after I moved to the US. I was studying music in college at the time and wasn’t feeling “soul-fulfilled” with the path of my career. That is when I decided to take a chance and follow my heart. Although I still love music, I can’t say I’ve ever looked back.

Did you have any fears or worries when launching your business and how did you overcome them?

Oh goodness, I sure did have a few fears about launching my business. I didn’t have a degree in design. I did not have any connections in the industry – I was basically an outsider with no pedigree. But I realized that I could learn all those details. I trusted my own aesthetic sense and creativity. I knew my design ideas were eye-catching…all I needed to do next was to master the many details needed to bring them to life.

How did you come up with the designs and patterns for your label?

I sketch all my own designs, putting ideas in my head down on paper, refining them as I draw them out. Then I drape the more complex designs to create the sample patterns. These patterns are then finessed by my pattern makers to ensure balance and good fit.

Do you have a design process – where do you find your inspiration from?

I get my inspiration from all over. It can be a piece of art or an artist during the visit to a museum or an art show. I am often inspired by a new fabric…the colours and the drape. Currently I am working on some pieces after seeing some beautiful quilts drying on a line with the backdrop of fresh green fields and azure blue skies with fluffy white cotton clouds.

How would you describe your signature style when it comes to your designs?

My signature style is one that epitomises romanticism, timeless elegance and comfort. At the end of the day, one’s garments must fit and feel right, so there is an emphasis on fit and form. I use a lot of luxe fabrics, and old-world embellishment techniques to create very feminine but powerful pieces. To paraphrase Valentino, women wearing my designs do not borrow their personality from the garment they are wearing.

Do you have any favourite designers yourself that influences your style?

My favourite designers are Coco Chanel, Valentino Garavani and Lagerfeld

Looking back to when you were first coming up with the initial business concept, what advice would you give to yourself (knowing what you know now) and would you change anything?

Wouldn’t we all like to know then when we know now! Well, in my case it is a simple but important aspect. If I had the chance to do it all over again, I would have stepped out of my comfort-zone earlier and done more with marketing and PR. My garments have always spoken for themselves but getting brand name recognition is what makes all the difference.

Where are your products made and how often do you change your collection?

All our garments are constructed and finished in the United States. This allows us to control the high quality we seek. All the embroidery or embellishment work is done in India. Currently we come out with just two collections a year- Spring/Summer and Fall/Winter.

Do you have any people that you personally look up to in business and have you been able to use this within your own business?

There are a lot of entrepreneurs I look up to, but none that I know personally. People like Sir Richard Branson, Tori Burch and others come to mind. These remarkable people believed in themselves when few others did. They had a vision for leaving the world just slightly better than when they found it. That has always been my driving force and I am working towards making that a reality.

What has been the most surprising thing that you have learnt about running your own business?

You know the idiom chief cook and bottle washer? Well, I was surprised to find out that as a small business owner you truly must internalize that phrase. Nothing in your start-up is too small to be overlooked, nothing is too big to be tackled.

What do you feel has been the defining moment so far in your business?

My defining moment is more a period than a moment and that came in 2010. That was the year we signed with a sales showroom in New York. I could finally focus on creating and not have to do any sales or any other similar aspects that I was not so comfortable with. Orders began flowing in and life was good. But soon I realized the showroom was cheating me and by the time I was able to terminate the contract the damage had been done. I was out a large amount of money and no viable avenue of revenue. That was when I realized how important it was for me to embrace every aspect of my business. What I didn’t know I learned. What I was uncomfortable with I worked at getting better at. Today I know what I am good at and I hire the right people.

How would you describe your typical customer – how excited do you get when you see your designs on celebrities and showcased at fashion shows?

Our typical client is the woman who is elegant, understated, youthful in spirit, and effortlessly chic. That kind of woman is ageless and cross-cultural. And it is certainly very exciting to see my designs on celebrities and in fashion shows. In the fashion industry, let’s be honest, the more endorsements you get the better it is for your business. If a celebrity like Kylie Jenner starts a makeup line, the product will fly off the shelves. When Kate Middleton wears a specific piece from a designer that garment sells out in minutes. So, the more publicity I get the better it is for my business.

You were named as one of the ‘Rising Stars of Midwest Fashion’ – how important are these accolades to you and how do you think they have helped you in business?

Again, accolades help business. It adds to the “legitimacy” of the label. The more you are recognised the more the consumer tends to want to trust the brand.

If you could describe your brand in five words – what would they be?

Elegant, timeless, luxury, quality, exciting.

What steps does the world of fashion need to make to become more sustainable and why is there such a ‘wear it, throw it’ culture worldwide?

I don’t think it is just the UK that has this “wear it, throw it” culture. It is a mindset that is prevalent across the globe. With the rise of the affordable and fast fashion consumerism is at an all-time high. These clothes are affordable for many reasons – fabrics are not high end; construction (sewing and finishing) is basic; fit and form are not the focus of these garments; there is not complexity of design; and they are not made to last a long time. Also, with the rise of social media the consumer is bombarded with new fashions all the time being endorsed by various influencers. The need to be in vogue is raging.

To begin, the fashion industry needs to reduce it massive environmental footprint. We can begin with regenerative agriculture, organic cotton, living wages for those who work in the supply chain and reusing fibres from both used and discarded garments and scrap materials.

Along with the physical actions the industry should take to become more sustainable, there has to be a worldwide movement to gradually have all consumers care about the global impact of consumerism, and this burden does fall on influencers and all marketing in general.

What’s next for you Sujata and your fashion line?

My vision is to develop Sujata Gazder into a lifestyle brand that not only delivers high quality luxury at affordable prices, but also to begin a program to give back to the community. We are also working to lessen our environmental footprint. Over the next few years I would like to add accessories to our product line such as shoes, handbags and jewellery.

What advice would you give to budding entrepreneurs, particularly to those wanting to launch a fashion label?

If you believe in your vision, then go for it. Don’t let anyone convince you it’s going to fail. Starting a business is not for the faint of heart- it is long, hard work, frustrating at times peppered with moments of fear (of not succeeding). But if you have a good work ethic, believe in yourself, provide a product or service that is worth the money you are charging then know that you will be successful. And to those looking to start a business I would also say “have patience”. Have the patience to set a good foundation for your business. Be patient and learn your industry. Patience enables you to execute your dream in a way that will have you making fewer mistakes and see faster successes.

https://www.sujatagazder.com/

We are jewellery crazy here at #TeamCoco towers, especially when something as extraordinary and unusual as Chic Pig presents itself before our very eyes.

Chic Pig is the unique jewellery design business by Chiara Bello, her designs ooze fun and frivolity and we are seriously lusting after her latest animal design collection. You name it and Chiara has probably included it in her designs, from cute cats and dashing dogs, to funny frogs and lovely ladybugs all added to her jewellery range of rings and pendants.

We wanted to find out more about Chiara and where her ideas come from to design such unusual items of jewellery.

Q. HOC. Did you start out in your career designing unique jewellery or did you grow into the designer that you are today?

Chiara. I trained as an architect and studied design at the Royal College of Art, so I have been a designer my whole life (and loved sketching and painting animal and funny characters since a child!). So as a curious designer I tapped into jewellery in 2008, and applied the design process to a new field that I wanted to explore.

Q. HOC. Can you tell us how you started out designing animal jewellery, and where your creative ideas come from?

Chiara. I had a beautiful ring belonging to my mum from the 50s: it was gold with blue enamel. I had the idea to use that technique but use the animals as subjects, to make it fun but at the same time extremely chic (how only animals can be ;-)). This was the perfect project for me, linking together 2 of my passions: design/craftmanship and drawing fun animals.

Q. HOC. You are Italian and use Italian craftsmen and women from artisan businesses to produce your jewellery, was is a conscious decision to use Italian artisans or did it just happen organically?

Chiara. It was really timely that I met Paolo, a family friend who owned a small jewellery lab in the heart of the North-Italian city of Valenza (a city with more than 100 years of tradition of jewellery craftmanship, where brands like Tiffany and Damiani have their jewellery made) and I fell in love with the process of jewellery making, the enamel technique, the wooden tables and interesting tools, and above all the skills of those people.

Q. HOC. You are Italy-based, but you set up Chic Pig while living in London. Do you sell Chic Pig designs in London only or do you sell to a wider market?

Chiara. The project was born while I was living in Camden – London, and I was surrounded by creativity and the animals of the London Zoo ;-). The second collection (The Home) was born in Zürich, while I was living there and the last one (soon will be released) was born in the Italian Riviera, where I currently live. My design travels like me, so I currently sell in Europe Switzerland and US through my website and the Wolf&Badger platform.

Q. HOC. Do you have a favourite piece that you have designed?

Chiara. I like Lino Pig because is iconic and fun, but the piece I wear the most is Lulu Goose: chic and funny at the same time, just like me!

Q. HOC. Your brand is unique in its concept, do you find that you have a niche type of clientele or do your designs span across many different types?

Chiara. Chic Pig is for sophisticated women with a sense of humour… It’s playful and colourful and wants to bring happiness and fun to everyone who dares to!

Q. HOC. On your website www.chicpig.com you showcase the 5-day process of how you design, produce, and finish all your jewellery, have you found this a useful marketing tool when promoting your business?

Chiara. In the fast-paced world we live in it is important to take the time to understand how things are made. The passion and care that craftsman and women put in their work is incredible and sometimes the role of the designer is just to make visible what is invisible. This is exactly what I did with showing how long it takes to make a ring. Chic Pig is not a factory, it is an art-lab where each piece is a little sculpture designed, forged and finished.

Q. HOC. Do you remember your first piece of Chic Pig jewellery that you made and sold?

Chiara. Yes! I walked into a small jewellery boutique in Brera (Milan) during the Design Week and the women fell in love with Chic Pig, bought the whole collection and displayed it in the main window! I was speechless!

Q. HOC. Did anyone offer you any strong advice before launching your business that you still follow to this day?

Chiara. Yes, I learned at the Royal College of Art to be original and create my unique style without compromises.

Q. HOC. Do you ever have a bad design day where you are unhappy with your drawings, and if so, how do you build yourself back up to re-design and start afresh?

Chiara. The first collection had far more animals than the second and third. I was overexcited and made some animals that simply did not work as rings. I had to decide to reduce the number of animals to just few really good ones.

Q. HOC. If you were to offer one piece of advice to someone thinking of getting into a niche type of jewellery designing, what would it be?

Chiara. Find your uniqueness and never give up!

Thank you for taking the time to answer all our #WomenWorldwide questions for House of Coco Magazine.

Visit Chic Pig for more information. Instagram @chicpig_jewellery.