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Anna Willatt

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Okay, so I don’t want to play too much into the whole instagrammable food thing but, seriously, the food in Lisbon is so pretty I had to make you a movie. So enjoy this and find all my favourite picks for eating out in Lisbon below!

Coffee

You can grab a good bica (similar to an espresso but a bit longer) pretty much anywhere in Lisbon and you should rarely spend more than 70c on it. If you prefer to have a cafe to aim for, here are some of my favourite spots for the caffeine you’ll need to conquer those seven hills.

Montana Lisboa Cafe, Rua da Cintura do Porto de Lisboa : urban art, speciality coffees (around 3 euros) and waterfront terrace.

Copenhagen Coffee Lab, Campo Santa Clara & Rua Nova da Piedade : founded in Copenhagen, winning awards as the best coffee shop in Portugal in 2018.

O das Joanas, Largo do Intendente Pina Manique : terrace seating in quirky Intendente with a great set breakfast.

Drinks

With seven hills, Lisbon is full of amazing look-outs over the city, often paired with a kiosk where you can buy a cold one. If you are looking for something a bit different, why not try one of these spots.

PARK, Calçada do Combro : on the top level of a car-park and not at all obvious from the street. Have faith, walk up the skanky back stairs and be rewarded with 180 view of the city.

Rio Marvilha, LX Factory : another panoramic bar but with restaurant and event space in the awesome quirky LX Factory.

Dois Corvos Brewery, R. Cap. Leitão 94 : colourful taproom with all of Dois Corvos range and tasty pizzas, for a chance of scenery walk (or stumble) 2 mins down the road to the more industrial Fabrica Musa brewery (Rua do Açúcar 83) and try your hand at getting a table at mysterious Aquel Lugar Que Nao Existe next door. We succeeded and it was one of the best, odd dining experiences – definitely recommended.

Dinner

It’s not hard to eat well in Lisbon, there’s plenty of amazing options but I’ll leave you with one healthy option, one burger place and a fancier but still well-priced dinner spot.

Cafe Nicolau, 17, R. São Nicolau : great spot for healthy, vegan and specialist dietary requirements. Cute street seating and a haven from the tourist / weed seller thoroughfares of the Baixa.

Cultura do Hamburguer, Rua Salgadeiras 38 : There’s a couple of popular burger spots in Lisbon; Honorato which you can sample in the Time Out Lisbon Market and Ground Burger near the Gulbenkian museum but the quirky Cultura do Hamburgueris the one for me with its innovative burger menu and great prices.

The Decadente, R. São Pedro de Alcântara 81 : Looks fancy, tastes fancy and is kind to your pocket. Great place to try some vinho verde.

Treats

You will not be hard pressed to find a sweet treat in this city…

Pasteis de Belem, Rua de Belém nº 84 : It’s a classic but it is so damn good. Go, eat two with a bica and grab a stash to take home.

Landeau, various locations incl. LX Factory : In true hipster fashion, when one place pretty much only serves one thing, it’s going to be fricking amazing. Landeau serves a velvety slice of chocolate cake from heaven.

Santina, Time Out Lisboa Market : Santini have been serving ice-cream since the 1940s and once you’ve had a scoop (or three!) you’ll see why!

House of Coco were recently lucky enough to be invited down to Breddos Tacos’ one weekend only collaborations with LA’s taco truck legends Guerrilla Tacos. We grabbed five minutes with Wes Avila, the man behind the best sweet potato taco we’ve ever had. (EDITOR’S NOTE: If you’d seen the movie ‘Chef’, this is it IRL!)

HOC: We’re increasingly seeing food becoming a very important component for choosing a holiday destination. We know we do it all the time! Do you see this a lot in L.A.?

WA: Yes very much. Even on my own trips, a huge influence is if the destination is known for a great food scene. L.A. continues to offer one of the best and most diverse culinary scenes in the world which appeals to young travellers. From the relaxed offering at our food trucks to innovative fine dining by the world leading chefs, to chef-driven, fast-casual cuisine, Los Angeles has it all.

HOC: As this is your first time in London we know you’ve been checking out the food scene. What are the differences between the L.A./London food scenes?

WA: The London food scene seemed more relaxed – the food was fantastic and service was great. A lot of times in L.A. people are clamouring to find the new hot thing and I didn’t feel that was the case in London.

HOC: This collab seems made in heaven, how did it come about?

WA: I met Nud Dudhia and Chris Whitney from Breddos Tacos on a trip to Tijuana, Baja California. On that same group of people was Ray Garcia of Broken Spanish, Carlos Salgado of Taco Maria, Eddie Ruiz of Corazon Y Miel and myself. It was arranged by Bill Esparza so Breddos being in that same group of people already opened a door to across the pond collaboration possibilities. I have never visited London so when we had a chance to collaborate on an event I jumped at it!

HOC: You’ve wanted to be a top taquero for years but when you look at other food movements that are taking off, if it hadn’t had been tacos, what would you have like to be a master in?

WA: I probably would have gravitated toward producing food rather than cooking. I’ve always found the art of cheese making as super interesting. Maybe I would have become a cheese maker….

HOC: Everyone can get on board with a good cheese! Finally, what’s your favourite food place in L.A. right now?

My favourite food place is probably Baroo (5706 Santa Monica Blvd) . There are a ton of great places here but that place stood out. Fantastic food!

House of Coco will be heading out to Los Angeles in early March and will bring you some more amazing food from the sunshine state. If you’re heading out there check out guerrillatacos.com for their locations!

For more information, visit the official visitor information website of Los Angeles at DiscoverLosAngeles.com , join the more than one million people who follow L.A. Tourism’s Facebook page at Facebook.com/LosAngelesFan, or follow @discoverLA on Twitter, Instagram and Pinterest.

Here at House of Coco we love indulging in a sparkling beverage at the end of a long day and we’re equally enthralled by the stories behind some of favourite indie booze brands. Come with us as we get intoxicated by these booze tales from around the world…

Old Curiosity Distillery, Edinburgh

theoldcuriosity.co.uk

When Hamish quit the family drinks business to travel in North America, little did he suspect that learning from a medicine man in the forest would trigger an obsession with botanicals and lead him to take a punt on a derelict glasshouse on the outskirts of Edinburgh. Moving his family out of the city, he had the vision of building a home for them on an enchanting piece of land at the foot of the Pentland Hills and a better life centered around nature. He now spends his days wild swimming at sunrise and working with some of 600 herbs and flowers grown at his Secret Herb Garden to create naturally colour-changing gins. Look out for their partnership with Marks & Spencer’s on a British Rose and British Lavender gins available up and down the country and also for dandelions, Hamish’s good luck herb.

GEM & BOLT, Mexico

gemandbolt.com

The magical realism of Mexico resonated with bohemian artists AdrinAdrina and Elliott Coon so much so they wanted to share it with the world through their own brand of mezcal. It’s a mystical feminine spirit thanks to ‘Agave’, the female deity combined with an infusion with damiana historically used by the Maya, Aztec, Zapotec culture as a heart opener. Take a sip of GEM&BOLT and be transported to a far-away, magical fiesta, saturated in colour and stories. Mezcal is thought of as medicinal by many Oaxacan people, so no excuses!

Edinburgh Gin 1670, Edinburgh

edinburghgin.com

After 12 months of experimenting with some of the 13,000 species of plants grown at the Royal Botanic Garden Edinburgh, Head Distiller of Edinburgh Gin, David Wilkinson chose six botanicals fresh from the garden to go into the distillery’s 2018 gin release. Named after the year that ‘The Botanics’, as the garden is affectionately referred to, was established, this gin celebrates the importance of botanicals with its unique, fresh taste. This distillery has created a contender for its garden party Rhubarb and Ginger Liqueur – now available in handy cans for all your picnic needs.

GRL PWR SOUR, Portland

10barrel.com

We recently chatted with the unstoppable Emma McIlroy, CEO of Wildfang, the activist, feminist clothing smashing the patriarchy from Portland who told us tales of a special collaboration with 10 Barrel Brewing Co. The GRL PWR Sour beer was dreamt up, brewed and labelled by an all-girl gang. “We wanted to make a statement about women’s empowerment,” said Emma and the pineapple mint sour certainly does that with a tangy shakedown to the traditionally male-dominated brewing industry. To find out more about the creative scene in Portland and the incredible work of Wildfang, head over to the ‘Girl Boss’ series on houseofcoco.net

Disclaimer: This #TeamCoco writer does not know anything about art. I would never pretend to and I actively shy away from Arty talk; that’s why we have our residential art guru Rachael Lindsay.

However, if you are spending any time in DownTown LA (or DTLA as the cool kids call it) you have to get a free (FREE?!) ticket for new modern art museum on the block, The Broad (S Grand Ave, DTLA). Open since September 2015, the stunning piece of modern architecture acts not not only as home to Eli and Edythe Broad’s extensive collection of influential art but also a mix of permanent and special exhibition space.

When we visited we were lucky enough to experience the permanent collection to gawp at life changing pieces of art you didn’t even know you knew or had influenced you from Jeff Koons, Andy Warhol, Jean-Michel Basquiat, Barbara Krueger to Takashi Murakami and Roy Lichtenstein.

The special exhibition ‘Creature’ thematically displayed pieces by some of the artists in the permanent collection (notably Koons’ ‘Metallic Venus’) alongside pinch-me-I-can’t-believe-I’m-in-front-of-this work like Damien Hirst’s ‘No Arts, No Letters, No Society’ and Andreas Gursky’s ‘SH III’.

Heading back to the stunning foyer we got our timed tickets for the star attraction, Yayoi Kusama’s Infinity Mirrored Room. As an incredibly personal installation, the lines for this are long as it is designed as a single person experience.

Lamentably, a mirror selfie in this space seems to be the main reason for most of the excitable people in the queue, hoping to nail their Tinder profile pic that says ‘Oh hey there, I’m cultured AND fun!’.

We go in, camera firmly in pocket and sit on the floor of the platform that is surrounded by water to enjoy 1 minute alone with this astonishing piece. Get in the queue early when you arrive as there was a 5 hour wait for this experience, but you can leave the gallery and come back when you are texted to do so!

Tickets are available for this incredible museum from https://www.thebroad.org/visit

They are completely free and released at the start of each month.

In addition to the art you’ll find in LA’s incredible museums be sure to check out some Street Art while you are in town. A great place to start is https://www.discoverlosangeles.com/what-to-do/culture/urban-art

Question! (say it like Beyonce, go on) …. On a Taco Tuesday in central Los Angeles are you going to settle for the local bar’s offering of limp, soggy excuses for tacos or go on a quest to hit not just one, but two of LA’s most gossiped about food trucks?!

Answer: Of course you are going to scour twitter to find these beacons of tortilla joy and take that all important ‘food against the sky’ shot your social media followers are dying to see.

Last week the wonderful team at Discover Los Angeles tipped us off about the trucks we had to visit and so we found ourselves heading up the queue at Korean BBQ dreamland, Kogiat their Downtown LA spot, which is just across from the incredible The Broad (seriously, go!) and the MOCA.

The truck itself looks like something out of the skateboard movies of our teenage dreams, fully metal, covered in stickers and manned by a very efficient team of chefs.

We kicked off Taco Tuesday with a short rib Taco at Kogi BBQ which, at the bargain price of $2.50 was a two bite piece of meaty BBQ heaven. The warming spice of the meat is balanced by the griddled corn tortilla and we’d wager is probably the best thing you can get change on three dollars for.

Our appetites whetted we hunted down our next taco stop; Guerrilla Tacos. You might remember these guys from our interview with head chef, Wes Avila, when he teamed up with Breddos Tacos here in London (see here for more on that). This time we’re visiting him on his home turf, in the iconic, spray painted taco mothership. You’ll always find the Guerrilla Taco truck pitching up outside a coffee shop or wine bar; marrying the street food deity perfectly with a little pick me up.

An aqua fresca and innovative sweet potato taco set us up perfectly for an afternoon of adventuring. Just full enough to trek up to the Griffith Observatory but not too full that we couldn’t entertain indulging in a sneaky little donut on the way!

If you are planning a trip stateside we’d wholeheartedly recommend checking out www.discoverlosangeles.com for all your foodie delights…you can thank us later!

We love hearing stories about how travel sparks new ideas and passions. For Gloria, founder of Melon & Starfish , a ‘brave decision’ to head to Korea to sharpen her languages skills left her with a burning desire to bring the K-Beauty market to the UK…

HOC: Hey, Gloria! Tell us about your journey to being an entrepreneur?

Gloria: I guess, when people talk about their entrepreneur stories, most of the time, it starts with a passion, a dream, or an idea. For me, it’s more of a journey of discovery.

I started my career as a management consultant at McKinsey & Co. in London and Singapore. During my time there, I had a real privilege to work with many people who were actually entrepreneurs. The thought of setting up my own business never occurred to me at the time but this probably planted the seed.

On weekends, I enjoyed watching Korean dramas. Initially, it was just for fun, and relaxation. Then, I thought it might be a good idea to pick up a new language skill so I began taking evening classes to learn Korean.

One thing led to another. After spending two years in Singapore, before returning to the UK, I made a ‘brave’ decision to go to Korea to sharpen my language skill and experience the Korean culture.I enrolled into a university language programme and spent 8 months in Seoul where I discovered, in addition to K-pop and K-dramas, there is this huge K-beauty industry.

After returning back to London, I started my research of K-beauty in the European market. After six-month preparation, we set up our online store with the hope to bring the Korean skin care philosophy to the UK and spark some joy in people’s skincare journeys.

HOC: Such an exciting journey! When did Melon & Starfish come into being? And what’s the meaning behind the name?

Gloria: We started preparing our online store around September 2017 and it went live in January 2018.

Our name, Melon & Starfish, symbolises our mission – to bring you high quality skincare products because we want you to have the best skin possible.

Melons are smooth, supple and resilient; Starfish are one of the only animals that can regenerate itself. We always have this imagery in mind when we select our products.

HOC: And how do you go about selecting your products, there must be tonnes of great ones out there!

Gloria: We purposefully seek out products that are natural, plant-based and packed with unique ingredients that are difficult to find anywhere else. We personally test all the products and learn what we love about these products before bringing them to our website.

HOC: I have to admit, I’m new to Korean beauty products! Where should I start?

Gloria: When I told my friends that I am now running an online K-beauty store, the first thing they reply: ah, I’ve heard of the 10-step routine! True, K-beauty made its name with the ’10-step’ routine. But the truth is, it’s much simpler than it sounds. If you ask me how many steps it should really be. I would say it’s really up you and how your skin feels. It should be adjusted to your own skin type, the climate you’re in or how busy your life is.

The essence of Korean Beauty is “skincare always comes first”. Start with taking care of your skin beforeeverything else. A classic Korean skin care routine includes: double-cleansing (both oil-based and water-based cleansers), toner, essence, moisturiser, and SPF.

The most essential steps out of all? Double-cleansing for the night and SFP for the day (and, yes! You need to wear SPF even on the rainy days).

After all, skincare should be fun; not a burden or a chore. It’s all about experimenting and finding out what’s best for you.

HOC: So interesting. As an expert, what is your favourite ingredient / product?

Gloria: My favourite product is Lan’s Tamanu Cream from the newest curation LANBELLE. It’s like a miracle cream that work for all skin types and it has the softest texture that I’ve ever encountered for a cream. The smell is quite unique, probably not for everyone’s taste but it grows on you.

The key ingredient of Lan’s Tamanu Cream is Tamanu oil (Calophyllum Inophyllum Seed Oil). The precious Tamanu oil is extracted from the kernel of Tamanu fruit. Approximately only 5L of oil can be extracted from one tree of Tamanu.

Tamanu tree also has unique nickname: God’s tree, and Tamanu fruit is known as miraculously omnipotent fruit among natives who live in Pacific Islands area such as India, Vietnam, Southern Pacific Area, and it is known to promote wound healing and skin cell regeneration.

HOC: For our entrepreneurial readers, what advice do you have for them to start their own thing?

Gloria: I would say, just be brave and go ahead!

Many say you need to have a well-laid plan before you start. However, the reality is things always change, so does your plan. One of the most important things I learnt so far is to start with a small step, and then one step at the time. Many things can be learnt along the way.

Sometimes, the longer you wait, the less willing you become to take that first step.

HOC: What product you’ve brought to the UK means the most to you and why?

Gloria: The brand Olivarrier means the most to us. The name Olivarrier is the combination of ‘Oliva (latin for Olive)’ + ‘Skin Barrier’.

It is the very first brand we curated for our ‘clean beauty’ collection. The brand’s philosophy 100% matches with what we believe and look for in a skincare brand – i.e. with natural, plant-based ingredients, hypoallergenic, dermatologist-tested, vegan-certified, free of toxins, EWG-verified and cruelty-free. What more to ask?

Their star ingredients are the plant-based triple hyaluronic acid and 100% pure olive squalene. The ‘dual moist’ line is named with these two ingredients in mind.

HOC: How do you keep yourself motivated and on track?

Gloria: The Korean beauty industry is relatively fast moving – there are always new brands, new technology and innovationscoming out each year – so it never gets boring.We all love shopping.

Researching brands and products is like you get to go window shopping every day!

It is also quite fun to learn about those new, unique ingredients. For example, you probably heard of snail mucin which is great for moisturising; also, pearls for brightening, centella for soothing and calming, etc.Plus, we regularly travel to Korea to see what’s hot in their local market and, you get to eat amazing food there too!

HOC: Finally, if you ever have a creative block / funk; how do you get yourself out of it?

Gloria: Probably hit the gym or grab a coffee with my friends.

HOC:What does 2019 look like for Melon & Starfish? What plans do you have for the brand?

Gloria: In 2019 we have seen that consumers are becoming more considered when making their purchasing choices. People become more aware of topics such as climate change, food waste, etc.The once-a-niche concept of ‘clean beauty’ also has moved to the mainstream – we often hear that our customers are actively searching for skin care products that are vegan, natural, organic…

As people, we also care about this ‘one strange rock’ that we are living on. As a business, we will continue focusing on our ‘organic and natural’ collection this year – we are not only hunting for the brands/products with ‘clean’ ingredients but also ‘clean’ in packaging and manufacturing processes.

What an honourable mission!

To find out more about Melon & Starfish head over to MelonAndStarfish.com

Follow the brand on instagram @MelonAndStarfish

Our interviewee today, Camille, started her entrepreneurial journey how many of us do – working 9 to 5 (what a way to make a living). She knew she had a message and mission to share but was afraid to take the leap.

Since taking that leap, Camille has found the freedom that allows her to do great work with both Camille Marie Coaching and sister business Sacred Sensual Soul which focuses on human sexuality.

Camille, as you can imagine, is filled with great wisdom – so let’s get into it…

HOC: Great to meet you, Camille . You started your journey to being an entrepreneur while working 9-5, is that right?

Camille: You too! Yes, you’re right. I started toying with the idea of becoming an entrepreneur around the Summer of 2016. I knew I had a message and mission to share but I was scared to take the leap and go out on my own. I’d been struggling with loving the work I did at the agency I worked for, but hated having to answer to the bureaucracy of an employer and being required to work a set schedule while raising three little boys. I’ve never been one who has worked well with a set schedule and wanted more freedom.

Since 2008 I’ve worked in social services and found it frustrating to always be limited by policies and procedures that didn’t always fit every situation for the clients I worked with. I’m a very creative and innovative person and if I saw a way something could be done better and challenged it, I would often times hear the reply, “this is how it’s always been done and will continue to be done”. If upper management did agree that my recommended changes were reasonable, the policy or procedure in question would have to go to some type of human resources or quality control department to review and make changes themselves, who had limited knowledge of what they were even working with. It was so frustrating for me.

HOC: And where did you go from that point of frustration?

Camille: I started baby steps over the next year and a half by building my websites, getting my LLC and developing documents I would need to run my businesses. Sometime around Spring 2018 I was notified by my employer that they were shutting down the program I was a part of. I was offered a position in another department, but I knew I wanted to continue the work I had been doing, and that I could do it on my own. I saw it as a sign from the universe that it was go time; that was the push I needed to branch off and really launch.

In August 2018 Camille Marie Coaching, LLC officially opened. It was terrifying, and exhilarating. I’m not sure I would have done it, at least not that soon if I had not been laid off from the position I had. That was a huge lesson to me that the universe creates what looks like obstacles, but are really doors opening if we allow ourselves to get uncomfortable and move through it.

I launched my second business Sacred Sensual Soul shortly after. Initially, I was going to have them both under one business name but got market feedback in a soft launch that it was weird to people to have sex coaching and parent coaching under the same business, so split them up into two separate ones. They function completely separately although over time I’ve been getting moms I’ve worked with as a parent coach initially, who then become clients for sex coaching.

HOC: Such an amazing progression. How did you get your businesses off the ground, who were your first clients?

Camille: My first business, Camille Marie Coaching (CMC), LLC got a contract with Washington State’s Children’s Administration in August 2018 to teach evidence based parenting classes to parents involved with Child Protective Services. For this contract, we serve families who have lost custody of their children due to abuse or neglect and have been court ordered to attend parenting classes in attempts to regain custody of their children. At that same time CMC began offering the same classes to the public sector as well, both in person and online. The online classes have been awesome to launch because it allows parents from literally anywhere in the world connect with me and has allowed more families access because of the easy accessibility. I’ve also noticed that some people just engage better when they have that veil of the screen between you and them. It’s just the world we are in today with technology. My agency also started offering trainings to foster care agencies on topics related to children such as anxiety in children. Because I had been in the industry so long, word spread quickly that I had an agency offering these great parenting classes and trainings.

Soon after this, CMC started offering additional programming to support families who have children with learning disabilities such as Dyslexia and Dysgraphia, as well as other diagnoses such as Anxiety, ADHD and Autism. Most of these children need specific accommodations in their school setting to be successful, and CMC works with the school staff to ensure that there is written documentation of the accommodations that child needs. CMC also helps come up with behaviour intervention techniques that will help the child thrive in school settings as well as at home.

HOC: What amazing work to be doing, but quite different from the work you do with Sacred Sensual Soul, as you mentioned…

Camille: I guess so! I’ve always been comfortable talking about and learning about human sexuality. In 2016 I started a Masters Program in Human Sexuality which gave me a lot of detail about female anatomy I had NO idea about.

It fascinated me that I had so little knowledge about my own body, ( didn’t even know what I didn’t know, until I knew!) and realized many other women were in the same boat. I took courses on communication in sexuality. I began to learn about what my turn on was. I studied almost obsessively about mind-body connection and became incredibly familiar with the philosophy of Tantra (which I use in my work with women) and the importance of mindfulness. I read all things divine goddess.

In the process I came across exercises and techniques to get more and more in touch with the body which in the process, led to a deep understanding that the body is a vessel to my own divine goddess. I also began coming up with my own techniques to connect mind, body and soul which was incredibly healing. Throughout this process I developed a knowing that if I could tap into that energy, it could be an endless source of vitality. I began sharing my ideas with friends, asking them to apply some of my concepts and exercises and had such good feedback!

That was when it became clear to me that I wanted to bring this information to other women as a practice. To help women heal, to feel empowered, to find their voice for their body, their temple, their needs, wants and desires. And so, Sacred Sensual Soul opened for clients the summer of 2018 as well. I have been working on an interactive workbook for women putting all of these ideas to paper, that I hope to one day publish.

HOC: It’s a very interesting topic and not one we hear too much about here in the UK.

Camille: I work with women to help undo any stigma they may have around their sexuality that may have been placed by society, religion, family messaging, or experiences with partners they’ve had. It’s astounding, and sad to me how many women have rejected their own feelings and desires due to conditioning from these sources. It’s astounding to me how much emphasis there is on the man’s needs, wants and desires, and yet women feel uncomfortable even being curious about, or asking for their own. When I work with women, I really try to help them feel comfortable with identifying things like figuring out what their turn on is; kink, intellectual conversation, romance, physical touch, quality time. This is so important for a woman to know, because it’s an example of how her desire matters, and this knowledge can then give them a voice to ask for what they need to actually want to, or look forward to intimacy with their partner.

I teach women how to identify what about intimacy they enjoy, (and how to speak up about what they don’t!) and to practice that so that the focus isn’t on orgasm alone. Through this process I give them tools to learn how to embrace, honour and get in touch with their body, so that they learn that mind-body connection IS their source of their sexuality and it doesn’t have to come from someone else. Often times I will give women homework of doing some of the exercises I was talking about before to learn to connect with their body. For example, teaching women how to do breast massage. I will encourage them to make it a part of a routine in their day, such as after getting out of the shower. I’ll suggest they use a lotion or oil that smells good to them so that it is another way they are intentionally serving themselves. This may sound trivial, or nonsensical. However, the breasts are a beautiful gift to women that can be honored as a piece of their femininity. Not only is breast massage a way to take a moment to slow down and serve your inner goddess, it circulates the lymphatic system, and can also provide self pleasure. For women who are not comfortable with their bodies, this simple exercise, with the intentions can be helpful with that. I love that it requires no one else.

A huge part of the shift towards empowerment that sex coaching gives women, is to learn how to communicate with their partners. It is not uncommon that many couples can have sex, but are uncomfortable communicating about it which can result often times in a woman’s needs/wants/desires to go unmet. I’ve found often times that when a woman opens up communication with her partner about these things to honor herself, he is more than happy to oblige.

I also help women learn to turn within for their own sexual gratification, and power. Rather than relying on what family thinks, or even their partner. This helps women to learn to connect with their inner goddess and let her guide how they show up each day. The book, Pussy, A Reclamation by Regena Thmashauer is a great resource for more information about that.

HOC: Being someone that has worked in a number of fields, how did you know that what you do now was right for you?

Camille: I’ve always loved working with families and children. Even before college, I worked at a preschool and loved babysitting as a teenager. I always knew I would work with youth in some way. When I learned about the parenting classes curriculum I knew it would be perfect fit for me and have done it for the past 11 years. It’s been easy for me to continue that work in my own business.

For the work with Sacred Sensual Soul, as I mentioned, I’ve always been fascinated by human sexuality and comfortable talking about it. When I had my spiritual awakening start in 2016, I noticed that I started to let go of what society around me had told me I “should” feel, act, dress and respond in regard to my sexuality. And when I say sexuality, I mean my inner goddess, my divine soul, my true nature…I wanted all of me to be in alignment instead of how I thought I “should” be. As I began to educate myself on female anatomy, female orgasm and pleasure, societal conditioning, the trauma women endure from suppressing their truth, it all came down to this innate piece in women needing to be seen and understood; their sexuality. Because it can be the powerhouse of every female.

I learned through my awakening how powerful it can be to have a deeper understanding of all of those things and harness the power that comes from knowledge about one’s self in this area. I knew it was a calling to share this information with other women. It was like I HAD to do it.

That purpose gets stronger the more women I work with and, the more I learn about the different journeys that bring so many women to the same space of just craving a deeper understanding and knowing about their bodies and sexuality. So many women think there’s something wrong with them and a little education and undoing of social conforming goes a really long way! I’m still working on my interactive workbook that I know will be so educational and moving.

HOC: Really fascinating businesses you run. We imagine that it’s not always been smooth sailing; what challenges have you had to overcome to build your business?

Camille: One challenge I’ve had in being such a small agency, is that I’ve had to learn to do a lot of things that are not strengths of mine. If something is not a strength of mine, I tend to put off taking care of it which can have negative impacts.

To overcome this, I’ve really learned to hone in on what I can delegate to others, so things don’t pile up. I’ve hired an accountant to handle my billing and now have a virtual assistant to manage things that are just not in my wheelhouse.

At first it was hard for me to do, asking others to do things for me. But I’ve learned that it allows more creative space for me, and gives me the time and freedom to focus on what I am good at and can grow my businesses more. These investments have been tremendously helpful so that I don’t get bogged down on details that I’m not good at.

Another challenge I’ve had is that I’m a mom to 3 little boys who is driven by her career, and also doesn’t want to miss a moment of my children’s life. I have to constantly be weighing each day. This is where time blocking is helpful.

HOC: Great advice! For our readers looking to start out on their own, what would you say?

Camille: Know that it’s scary in the beginning. And you WILL get resistance. Lean into it. Don’t let the challenges convince you that it means you’re not doing what your soul knows is right for you. If you have passion burning inside of you for something, if you have an idea, you have the ability. The universe wouldn’t give you the idea if you couldn’t do it.

Don’t listen to the nay-sayers. There will always be someone who will try to convince you otherwise.

It is helpful to write out exactly what you want. Refer out work that is not in your wheelhouse as soon as you can, however you can, so that those things you suck at and put off don’t slow you down. Do this by hiring people, or if you can’t afford that yet, do a trade or find a high school or college student who will do it for low cost.

HOC: You have such an energy, where do you get your inspiration from?

Camille: I get my inspiration from women in my everyday life who are examples to me of shining their light. For example, my natural path doctor, Dr. Kellie Lawler who is fierce and knows how to be soft, and give tough love at the same time is an inspiration to me. Or my friend Michelle Green who is an empath, and amazing mother, is an inspiration to me.

There’s also my son’s 3rd grade teacher who embraced the challenges he put in front of her with love, is an inspiration to me. My mom, who always sees beauty in nature is an inspiration to me. My grandmother who was always good to everyone is an inspiration to me. And finally, my cousin Lysa who is always standing her ground is an inspiration to me.

I also get inspiration from nature. I always find peace, and inspiration in nature. I plan quarterly “mommycations” where I find a cabin in the mountains and go for a weekend, typically by myself to just connect with nature and unwind.

HOC: And finally, how do you get yourself out of a creative funk?

Camille: I tend to get in a funk when I have too much going on in my life and can’t get my head clear. When this happens I’ll look at my schedule and usually see I’ve gotten a bit sloppy about time blocking and will then work on making that a priority again.

I’ve learned that for me it is crucial that I have time in the morning to work out, meditate and be calm before I get my day going. Days that I start off like this are my most productive.

I think it’s important for someone to know when they do best with getting their creative juices flowing. For some people, it’s in the AM, and for others, it’s in the PM. I do best with creativity in the evening after my kids have gone to bed, with a glass of wine. I think this works best for me because I know that I have no time constraints and it’s a peaceful time in my home.

Find out more about Camille’s work at CamilleMarieCoaching.com and SacredSensualSoul.com

Among all the hustle loving entrepreneurs we work with on this series, we love when we meet someone who’s passion and experience has lead them to filling a crucial need gap and positively impacts the world we live in. Rodney Durso, an artist and avid supporter of emerging talents talks us through his journey to where he is today – and some advice for all our creative readers.

HOC: Great to meet you, Rodney. Tell us about your journey from your graphic design business to becoming an artist?

Rodney: My first love was advertising and design which I studied at Boston University. Through that program I also studied British advertising and TV commercial production in London for a year and worked as an intern for Spot Films near Leicester Square. When I returned to New York I returned to graphic design, and after a few years of study and freelance projects I started my own agency called Stormhouse Partners. For about 8 years I ran the agency and was Creative Director.

We had a good run and won a ton of awards, but in the end I was totally burned out. I decided to try my hand at a few new things, including teaching at Parsons School of Design, which I did for four years. I also started a Masters of Architecture and began painting.

Well it’s the painting and fine art that stuck.

HOC: Being a graphic designer by trade did you find the leap from taking a brief (from a client) to working from your own brief challenging?

Rodney: Interesting question. One of the reasons I left design was frustration with meagre budgets, impossible timelines and short sighted strategies. Painting did away with all that. However in the brand business having a creative brief actually made it very clear what was needed to solve a marketing or business problem, and that part I liked. I knew what the rules were, there were guard rails, so to speak. In a sense it was easy to measure success, and failure.

In fine art, there is none of that. There is no one and nothing to tell you what to do, which seems great, right? Well the truth is that having no boundaries can be much more difficult. In fact, being an artist, and having to create something from nothing makes you go deep. It’s super personal, I tell people it’s like looking in the mirror all day, everyday. It’s not only a monastic practice, it’s a little too self involved at time. So, there’s that. But after a time, the challenge becomes more about getting your work seen and sold. To me, that’s where the challenges now lie.

HOC: I believe you don’t create art full time as you also run ArtBridge and OffSite, how do you balance these varying demands on your time?

Rodney: I founded ArtBridge in 2008/2009 and ran it full-time for a number of years. As we developed a board of directors and expanded our staff I was able to transition to Board President and stepped back from the day-to-day. So somewhere along the way I was able to dedicate more time and space to my art making. At this point I’m in the studio three days and working on ArtBridge and other projects the other days. I’m still always pushing for new connections and opportunities for ArtBridge, and my ‘elevator pitch’ is always at the ready for anyone who’s interested.

HOC: Can you tell us more about ArtBridge and OffSite?

Rodney: I founded ArtBridge in those first years after I left the branding business. I was looking for an innovative way to get the work of emerging artists seen outside of the gallery system, which I saw as impossibly closed to new artists. The idea of exhibiting art on construction scaffolding around the corner from major Chelsea galleries was pretty bold. Art that the galleries would never consider was all of a sudden printed and installed at 100x a few blocks away on the largest building in Chelsea! It was pretty exciting for those first artists. In fact that was exactly 10 years ago, and we are about to stage a 10 year anniversary exhibit on London Terrace Gardens, the same place we hung our very first exhibit on West 23rd Street and 9th Ave. It was a few years later we started Off Site Art (OSA) with Veronica Santi in Italy when L’Aquila was destroyed by a terrible earthquake. The idea of creating a sister organization not only to carry the same mission but wanting to help L’Aquila on it’s way back seemed important and something we could help with. (Editor’s note see www.offsiteart.it for more!)

The idea of bringing new light, color and life back to L’Aquila’s city center after such a disaster was something we knew we had to do, and for the last several years, Veronica and her team have done quite an amazing job. In fact, the ArtBridge/OSA partnership is one of our most successful projects to date and OSA is now looking at projects in other Italian and European cities. We’re also talking to art advisors about possible inclusion of an Off Site Art project in the 2019 Venice Biennale.

HOC: Why, in your opinion, is it so important to link the public to art?

Rodney: Good question. The gallery system is changing, some say it’s dead. I’ll just say it’s less important that it was 10 years ago. There are so many online opportunities and other ways to see art, but here in Chelsea there are still plenty of galleries. Or look at Instagram, and how that has changed the public’s access to art. The point is that we need as many channels as possible to get people in front of art, and I think Public Art is one of the most important ways to get that done. Art in the public realm is uplifting to the daily pedestrian experience. Seeing art on your way to work, or anytime you’re walking is a treat, and it’s especially important in an urban environment of concrete and steel, for example. Color, shape, line, and light in an artistic form enriches are minds, makes us think, and stimulates. It’s a very different experience for our brains and nervous system then just looking at billboards, or such.

HOC: For our creative readers, what advice would you have for them to grow their artist practices and get their work seen?

Rodney: It’s so multi tiered. There are so many options and ways to grow your practice and get your work seen, you have to really follow the path that not only feels right for you, but one that you get some joy from. It’s always going to be work to get your art out there, but if it feels like drudgery you’ll never succeed. Pick a channel that you can push on that brings you some joy as well.

For me, with my design and branding background, I love the brand and promotion aspect. I like posting on social media, I like designing postcards, and books of my work. I love a photo or video shoot that promotes my work, but that’s me. I also need to see new work, I need to be inspired all the time, or I get sluggish with my work.

Being in NYC, I’m a bit spoiled. Running out to a gallery or museum in the middle of the day can change the direction of my art, or inspire me into some new idea, and then I’m back in the studio and working again. I would also really suggest doing studio visits with friends and other artists. I do a newsletter every few months and I always include an interview with another artist. This keeps me connected to my peers and reminds me that it’s not “all about me”. In fact we’re working on the next newsletter now, so check back soon to see who’ll be next.

HOC: What artwork that you’ve created means the most to you and why?

Rodney: I spent a few weeks at the American Academy in Rome in May 2016 as a visiting artist and was deeply interested in the ongoing presidential campaign back in the US at the time, but being in Italy gave me a very different perspective. Italy has had its issues with crazy political leadership, and the similarities between Italy’s Berlusconi, and the then candidate Trump, were too similar to ignore. From that perspective I created a series that, although it gets a lot of attention from galleries, no one actually wants to own and hang in their home. I totally understand that, the work is hard to look at for very long. The series is called Disconstructing Trump and here is a bit from my curatorial statement:

“Watching Trump being interviewed — I began to photograph the TV screen with my iPhone and using the high-speed, (multi-shot function), I took about 300 photos in less than 10 minutes. With those images I began to build collages that, to me, capture Trump’s multiple personalities. In these works,

I believe, his true conflicted and disturbing nature begins to be revealed. At once contradictory, creepy, binary, multi-layered and unsettling, I’ve only started to reveal the real persona. Dismantling, cutting, disassembling, rearranging then reassembling this imagery is the essence of Disconstructing Trump!”

(Editor’s note, to find out more visit www.rodneydurso.com/artworks/disconstructing-trump )

HOC: Who / where do you get your inspiration from?

Rodney: The inspiration comes from the usual sources; anxiety, fear, pain, love, rejection, uncertainty, anger… you know, the regular stuff of life. But more seriously, I do think that I channel all of these emotions into my work.

To start my work I have a process. I start by putting on my messy painted jeans, and a couple of layered old t-shirts. I have a pile of painting clothes that I leave in the studio. Then there’s always strong English tea, like P&G, or Yorkshire Gold, or sometimes I’ll have a coffee instead.

Then there’s the music, and it’s got to be loud. One of my favorite albums to start my work with is Paul Weller’s “Wildwood”. Something about those first guitar lines and songs — Sunflower, and Holy Man and then Wildwood — that get me into that headspace and ramped up to create. It’s one of my favorite records ever. Full stop. Once I’m into my work I can switch it up and put on BBC, or NPR — the kind of American equivalent.

At other times, my inspiration comes from new materials, or news stories, or the need to complete a commission. Having a timeline, a deadline always gets me working. Not necessarily inspired, but moving and making work.

With my background in marketing and design, I still believe that art is just a product at the end of the day. A very personal one albeit, but a product nonetheless. So sometimes we can’t rely on inspiration alone to get us making work, we have to have multiple methods to push us forward.

HOC: If you ever have a creative block / funk; how do you get yourself out of it?

Rodney: That’s a very timely question, as I’m just now coming out of a block, or I like to think of it as a much needed break. I think creative output comes in bursts or cycles and I’ve learned to respect the way it works. I think these in between periods are needed resting points for the creative mind. I find that when I’m not working, I need to take in, or sponge-up art and inspiration. Last night I ran up to the Guggenheim after work to see the Hilma af Klint show, and wow, it really jolted me with new ideas about color and scale.

I would say that any input whether visual, or musical or even travel can inspire new work, so when I’m not actively creating, I’m taking in ideas for whatever will come next.

HOC: The ’10 years ago’ challenge is all the rage on insta at the moment, what advice do you have for the 2009 you?

Rodney: My best advice for the 2009 me would be stay focused!.. or more specifically, to make a plan with more specific goals. Ten years ago, I was doing too many things and chasing too many dreams. I think I would have been a little less crazy if I had stuck to maybe one or two ideas instead of three or four. In the end, it’s all good, I’ve created a successful nonprofit organization with both domestic and international projects, and started to make headway in the artworld. My interest in branding and design is also alive once more and I’ve begun to do projects again in that realm.

I guess the truth is, as a creative soul, we are restless and always looking for the next thing. I’ve come to terms with that part of me and I’ve got a lot of gratitude for my sometimes childlike excitement for whatever’s next.

We’re sure you’ll love to find out more about Rodney’s work – see the links we’ve thoughtfully scattered throughout the interview and go to RodneyDurso.com and follow @RodneyDurso

“My parents are ranchers, they work. I play music” quips Chancey Williams with a quick grin and shrug of his shoulders. We’ve collared the former saddle bronc rider, frontman of Chancey Williams and The Younger Brothers Band, the country music toast of Wyoming, for a chat after a chance encounter in the dark but welcoming dining room of the historic Hotel Wolf in downtown Saratoga.

Saddle bronc, in case you aren’t fluent in cowboy, is a rodeo event where a rider rides a horse who is trying to buck him off. I’m sure you know the one and might have even tried your hand on a mechanical one in a terrace bar in Ibiza, it can’t just be me. What you and I might see as a novel thing to do with a metallic green wig on, (surely not just me, still?) is a real badge of honour around these parts. In fact, Chancey in his beige cowboy hat and non-ironic shining belt buckle is one of only two people to have competed in ‘The Daddy of ‘em all’, Cheyenne Frontier Days as a competitor and a performer. He’s shoulder to shoulder with much loved, and missed, Chris Le Doux. Turn on the radio while you are in the state and you’ll be treated to their music and a sweet, sweet throwback to when T-Swizzle did Country.

We’d come to Wyoming to explore the spirit of the Old West and in my British naivety, I’d been expecting a few mocked up spaghetti western Ghost Towns and the opportunity for some Westworld quips for the ‘gram. What I hadn’t reckoned on is how much that spirit is still felt, most keenly in the love and respect that Wyomingians have for horses and rodeo, immortalised in their state emblem of the horse Steamboat. Heck, one of the vibrant artists we met, Jill Pope in Cheyenne, has a 10-year-old grandson who rides bulls in rodeo and the beautiful Morgan and Emily on the Historic Trails West in Casper gossiped about classmates’ horses and high school rodeo in the way that British 16-year-olds could only about crappy part-time boyfriends. Since we’d driven the 1.5 hours from Denver International Airport in Colorado from the watchful gaze of gigantic stallion ‘Blucifer’ over the border to Cheyenne, the land and sky had opened up, traffic had died down and we’d arrived in the Cowboy State. Perhaps this was one of Ford’s tricks after all.

Our road trip started in state capital Cheyenne, outside the striking red ‘Wrangler’ building. This western clothing store has been a beacon in the petite downtown since the late 1800s, but these days you’d be more likely to be agonising over whether you can really rock a diamond-encrusted Stetson rather than afford a nice chunk of bison that used to hang from the meat rails out front. My answer to both, in Cheyenne, you sure can. While Europeans might well scoff at the American idea of ‘history’, Cheyenne has packed it in since being established in 1867.

Wafting my ‘old-fashion AC unit’ fan as we tour the city in our trolley, Esther, the tales from the wild west start to come to life. Driving around we hear about western favourites Calamity Jane and Wild Bill Hickok, enterprising brothel madams who invited local ladies to tea in the afternoons while providing a backdoor escape route for their husbands and the secretive tunnels that run underneath the town purportedly to heat buildings using steam from the railroad.

What took me aback was the wealth of strong women in the history of Cheyenne. Our trolley’s namesake was Esther Hobart Morris, widely celebrated as a hero in the suffragette movement and America’s very first female Justice of the Peace. Just before her appointment, Wyoming had become the first state to give women the vote, ultimately earning it the nickname ‘The Equality State’. Let’s bear in mind that they were given the right to vote so there were enough voting citizens to meet the population requirement for statehood…but nevertheless, they beat us Brits to it by nearly 50 years. #GirlBoss.

In addition to the historic marvels in town, you can feel the pioneering spirit in modern-day Cheyenne. On a quick evening exploration of downtown I stumble across co-working space/bar/coffee shop Paramount, housed in a vintage cinema, we sup craft ales between sucking at the game corn-hole on the patio at Danielmark’s Brewing and nibble finger food at afternoon tea at the lovingly restored Nagle Warren Mansion B&B with owner Jim. This marriage of the hipster and the Old West makes me want to move right in but saddle up, reader, the trail continues…

Leaving Cheyenne we make a quick pit stop at the highly instagrammable foodie spot, Chugwater. This teeny town of 212 people hosts The Chugwater Chili Cook-Off every June and is home to Wyoming’s oldest operating soda fountain. The faded beige and yellow store sits alone on a dusty main road and pushing the door, the bell tinkles and you step back in time. Sit at the bar, order a maltshake under the watchful gaze of Wendell the elk and his collection of vintage bottles and cans, and fall in love with a tradition that time almost forgot.

Fuelled by a Hawaiian sea salt maltshake, we explore historic Oregon Trail sites the Ruts at Guernsey, a lasting memory from the wagons travelling west for a better life, and Register Cliff and Fort Laramie, an impressive National Parks site that captures the spirit of the principal military post on the Northern Plains. The town of Fort Laramie is home to the treasure trove Frontier Trading Post, with locally made Native American Indian bags and accessories which certainly found homes in my suitcase before we decamped to the homey delights of Fort Laramie B&B.

The B&B is on owners Kathy and Arnold’s working ranch, where they’ve lovingly created a western paradise where guests stay in the plush Officer’s Quarters, a teepee complete with a ‘Go Your Own Way’ cushion and dreamcatcher, cosy repurposed sheep wagon or wood clad Cowboy Bunkhouse clustered around an open campfire and ranch building with communal library, collection of Stetsons and vintage bar

After claiming the teepee, I took to a rocking chair on the ranch building’s wrap-around porch as Kathy rustled up some delicious American fare. Later on, swapping travel tales around the crackling campfire, I’m schooled in the art of s’mores, then, guided by stars and a lantern, I snuggle in my teepee to the lullaby of crickets and maybe a distant coyote or two. Just saying ‘coyote’ would have terrified me a few days previous but being in the Cowboy state must make you embrace nature and toughen up.

Over Cowboy Coffee, brewed over the fire, and crunchy doughnut-like bear signs we reluctantly plan our next move, knowing we’ve experienced some of the best the state has to offer in Kathy and Arnold’s company. Waving goodbye, we hit the trails again, this time for Casper, for a tour of the National Historic Trails Interpretive Centre with Rob – not Ron – Swanson, a peek at the city’s very own T-Rex and an incredible 3-hour trip on the original Oregon Trail in a repro covered wagon complete with a lunchtime steak cookout. Yes, this state is as varied and wild as it sounds. We end our day in Casper with moonshine cocktails at circus-themed Backwards Distillery, live country Lorde covers in the recently launched David Street Station plaza and bar snacks and arcade games at The Gaslight Social. Another city to put on my ‘I could live here’ list.

From Casper we drive through dusty, storied towns like Medicine Bow, just missing the turning for local curio the Fossil Cabin Museum, a cabin constructed entirely of dinosaur bones and stopping for cokes by the historic Virginian Hotel, with its plush dark wood and flocked wallpaper. Every spot in this sparsely populated state is rich in culture and intrigue and by the time we pull into hot springs town Saratoga, we’ve forgotten what year we’re road tripping in and are thrown by lunch at forward-thinking restaurant Firewater, which wouldn’t feel out of place in Brooklyn. Saratoga’s natural springs have made it a tourist hotspot which can sustain diverse local businesses, from the conscious cuisine of Firewater to the vintage western clothing store Strong Tower Design and local dive Rustic Bar, packed to the rafters with locals clocking-off, sharing jokes with the resident stuffed mountain lions.

This brings us back to our opening encounter with Chancey and his band over dinner with local, but NY Times Bestselling, author C.J Box in that dark Hotel Wolf dining room. Chuck (CJ) has recently released the 18th book in his Joe Pickett crime series which centres around the town. He talks with passion and pride about Wyoming and the light he has shone on it through his work. That book, The Disappeared, focuses on the disappearance of a British woman enticed to the area by the promise of freedom for her wild heart to roam free. As I ride out at the riverside Vee Bar Ranch the next morning with my horse Aspen, the wranglers trusting his training to eclipse my non-existent experience, I understand wholeheartedly what brought her to Wyoming and vow to come back to feel the wind buffeting against my non-ironic Stetson.

We flew into Denver International Airport to explore the south of Wyoming on a direct flight from London Heathrow with United Airlines, united.com. To plan your very own wild Wyoming adventure we’d recommend you check out the downloadable itinerary planning tools at visitwyoming.com.

North America Travel Service offers a six-night holiday based on our itinerary from £1,132 per person including return flights with British Airways into Denver from London Heathrow, 7 days’ intermediate 4-door car hire, including insurance and satellite navigation, and six nights’ accommodation (2 nights’ room only at Little America in Cheyenne, 1 night at Fort Laramie Bed & Breakfast, 1 night inc breakfast at the Ramkota Hotel in Casper, 1 night room only at Saratoga Hot Springs, 1 night inc breakfast and accommodation only at Vee Bar Guest Ranch in Laramie). Price based on two people sharing and based on travel in September 2018. To book please visit www.northamericatravelservice.co.uk, or call 0161 839 8844.

Have you been enjoying our #GirlBossesofGreatBritain interviews? One of the key themes we keep hearing about is how being your own boss involves a lot of learning. Whether you are your own boss, would like to be or simply want to channel your inner #GirlBoss when planning your next group holiday, we can help.

Welcome to the #GBOGB BootCamp, ladies!

Each week we’ll be sharing some top tips on places to go for more inspo and might even set you some homework, if you are up for it (get those gel pens at the ready!)

Workout One: Love Yourself!

Self-help has some seriously bad rap. Don’t get us wrong a lot of it is about as accomplished and meaningful as the guy spitting some bars on the back of the bus. But self-help is not all about crystals and chakras or power poses (while these things can help if you believe in them!) but finding that place, movie, playlist or book that says something to you.

Here are three of our top sources of ‘Love Yourself’ inspo, with snippy tweet length reviews to whet your appetite:

Love Yourself Reading:

Radical Self-Love by Gala Darling

Gala is a mystical being and self love is her bag. This means whatever you want: meditation, a great squad and the power of a good selfie.

Love Yourself Listening:

Venus Fly by Grimes and Janelle Monae

Oh this song. We hear girl gangs stomping against the male gaze. That may just be our interpretation. Blooming good song all the same.

Love Yourself Watching:

Begin Again, 2013

This is an unexpected, feel good delight discovered on Netflix. Watch and see another side of Keira. Glow inside. Then watch Chef. You are welcome.

What did we miss out? Join the conversation on Twitter and tell us your secret #GirlBoss weapons…