Lo Hennessey is an artist whose work will definitely get you talking. She is interested in incorporating human anatomy and biomechanics in her paintings, utilising her experience with human body dissection and postural analysis as the basis of her artwork. Intrigued? So were we!
We spent some time with her to find out more…
Tell us about the journey that leads you to be an artist…
My journey as an artist began when the COVID-19 quarantine was announced in Boston. At the time, I had just moved in with 2 new roommates, one being a graphic designer/artist and a catalyst for my newfound passion. I had moved back to Massachusetts after leaving a toxic relationship and began therapy to rebuild myself and improve my mental health. After returning to Boston, I worked as a physical therapist with children in the Boston school system, but when the schools closed for COVID-19 precautions, I was then transferred to a nursing home in a lower-income area of Boston, working actively throughout the COVID-19 pandemic. This is when I set up an art studio in my apartment, for a hobby and a mental health release, finding that I had quite a knack for painting.
How do you want people to feel when they admire your artwork?
Each piece is intended to evoke a unique feeling or mood, dictated by the events occurring in my life as it was created. Most pieces are vibrant in colour, which I believe will lead to an initial feeling of joy & chaos, but beyond first glance, I intended to provoke further meaning, whether it be intellectual or of a darker emotion.
You incorporate human anatomy and biomechanics into your paintings. Can you tell us more about this?
I studied human anatomy and biomechanics in my undergraduate & graduate work, this became an integral part of my artwork. My career as a physical therapist has been essential in my practice as an artist and has been the foundation of everything I have created.
What do you think makes you stand out from other artists?
My career/education as a physical therapist & deep understanding of the human form has given me the passion & knowledge to succeed as an artist. During graduate school, I had hands-on experience with human dissection, which in addition to postural and movement analysis has been pivotal in my ability to capture the human form.
What’s the process behind creating a new piece of art and who is involved in the process?
My process typically begins impulsively and is always evolving. Most works are imagined and created by only me, but for some works, I’ve had to involve models, which are usually my wonderful and enthusiastic friends.
What advice would you offer anyone who wants to become a full-time artist?
I’m still on my way to achieving this goal, so I guess it’s my go-to motto, ‘Where there’s a will, there’s a way.’ I tell myself this every day.
Looking back since you started, is there anything that you would do differently?
Absolutely not. I feel strongly that my success has happened this way for a reason and without the hardship and disappointments I would never have made it to this point.
Talk us through an average day in your life…
I wake up and give myself a pep talk (“I can do this!!!”). Then. I go to work all day, get home and paint, daydream about what I want to paint next, work out or do basic strength/stretching exercises to maintain back health. At some point in the day I find time for basic human needs like eating, sleeping, and general self-care. Some days are better than others.
Our readers love to travel, what destination is on your must-visit list?
I love national parks. I stayed at the Circle View Guest Ranch in Badlands National Park, which was an amazing experience. As for future destinations, I’m hoping to get to Banff National Park soon.
What does self-care mean to you?
Self-care is what I need to work on massively and an ongoing project. Ideally, self-care is maintaining an active, balanced lifestyle. On my good weeks, it’s boxing 2 times per week, eating healthy meals, staying hydrated, and having regular social connections with family and friends.
What’s your 5-year vision for the brand?
I believe hugely in lifelong learning and no matter where life takes me I hope that 5 years from now I am still taking classes and learning from mentors in different areas of art, science, and business. I hope my brand is ever-evolving and progressing with the times.
“You say it’s your birthday. We’re gonna have a good time!”, ok, so this jubilant track came from ‘The White Album’ which was released by The Beatles just one year after the release of the album ‘Sgt. Pepper’s Lonely Hearts Club Band’ and tonight it was the latter album and it’s instantly recognisable design that was on the tip of everyone’s tongue.
‘The White Album’ (technically known as ‘The Beatles’ album) served as somewhat of a minimalist palate cleanser after the glorious technicoloured dream that was ‘Sgt. Pepper’ which was the brainchild and creative genius of Sir Peter Blake who not only helped cement this album as one of the most iconic album covers of all time, but it helped contribute to it being a milestone album of the band’s career.
This was the case not just visually, but sonically too. Both were a significant shift for the ‘Fab Four’ and demonstrated how far they had come since their earlier albums such as ‘With the Beatles’.
In celebration of this and the many other incredible pieces of art that Sir Peter Blake has created and to commemorate his 90th birthday which he celebrated earlier this year, musician and songwriter Paul Weller hosted an evening at the Royal Festival Hall at the Southbank Centre to celebrate Sir Peter and his incredible body of work.
The extravaganza was hosted by BBC Radio 4’s John Wilson who effortlessly compèred the star-crammed concert in London where acts like Noel Gallagher, Chrissie Hynde, Paul Weller and Madness all put on a stellar performance.
As well as some mind-blowing sets, the audience (which included Sir Peter and his family) were treated to anecdotes and tributes both pre-recorded and on stage from famous faces from the world of music and art.
This included Damien Hirst, David Hockney and Tracey Emin who talked fondly of the great man. Musicians such as Sir Paul McCartney, Jarvis Cocker and Eric Clapton also paid tribute to the iconic artist.
All the musicians who performed had their opportunity to sit down with John Wilson and speak about what it was like to either work with Peter or the profound effect that his work had on them either individually or from a collaborative aspect.
“Why do you paint? and I say, to make magic.“ – Sir Peter Blake
There was the expected – talking through the creative process for ‘Sgt. Pepper’ and other albums that had been treated to the ‘Peter Blake’ experience as well as the unexpected which included the confession by singer Chrissie Hynde’s now not-so-secret crush on actor Dennis Waterman (we think he would have absolutely loved this revelation!) where she paid her own tribute to the dearly departed actor by singing a rocky version of his ‘feem tune’ ‘I Could Be So Good for You’ from the TV show ‘Minder’.
The man that devised the event and hand-picked each band/musician for the gig, Mr Paul Weller who was looking as dapper as ever in a tailored jacket and a sharp haircut was introduced to the stage and talked about what it meant to create this event for Peter.
Paul Weller and band. Photo Credit: Sharon Latham
His first introduction to his work was of course via The Beatles which during the chat with John he noted that like most admirers of this album cover that he kept ‘discovering different things. Weller then called upon Sir Peter to design the record sleeve for his 1995 album ‘Stanley Road’.
This instantly recognisable cover—a highly personal collage paying homage to Paul’s childhood and influences is one of his most seminal pieces of work. During his conversation with compere John Wilson, Paul Weller reminisced that he was so ‘nervous and shy’ when meeting the esteemed artist.
Paul’s admiration for his commitment to art was just one of the reasons why he created this star-studded lineup curated by himself in celebration of a true great of British pop culture and how the proceeds were going to benefit two amazing charities which included the Teenage Cancer Trust and the Graeae Theatre Company, of which Sir Peter is a founder patron.
Baxter Dury – Photo Credit: Sharon Latham
Baxter Dury clad in a pristine pale pink suit kicked off the musical proceedings with a blistering set and showed he meant business by parading around the stage with unsurpassed swagger performing tracks like ‘Pleasure’, Slumlord’ and ‘Miami’ which included some serious dance moves.
He later had the opportunity to sit with John Wilson to talk about the relationship between himself and Sir Peter who had taught Baxter’s father Ian at Art school which resulted in long-standing friendship between the artist and musician.
The pair collaborated several times, and inspired one another’s work, for example when Peter designed the promotional poster for the Ian Dury and the Blockheads’ single ‘Reasons to be Cheerful, Part 3’ amongst others.
The Who talks with John Wilson – Photo Credit: Sharon Latham
Roger Daltrey and Pete Townsend from the legendary rock band ‘The Who’ sat down with John Wilson to talk about Peter and his work. The artist designed the sleeve for album artwork for their ‘Who’ album and also designed and contributed a painting to the sleeve of The Who’s 1981 album ‘Face Dances’ too.
Chrissie Hynde – Photo Credit: Sharon Latham
Musician and all-round kick-ass frontwoman Chrissie Hynde took to the stage superbly supported by her fantastic band which included musicians Tom Van Heel on keyboards and backing vocals and Ben Gordelier from Paul Weller’s band and psychedelic-rock band ‘The Moons’.
Her stunning set included a cover of ‘I Go To Sleep’ by The Kinks, her interpretation of the brilliant ‘Foxy Lady’ by Jimi Hendrix which showcased both her and Jeff Wootten’s spectacular guitar playing on this seminal Hendrix track.
Chrissie Hynde and band perform at the Royal Festival Hall. Photo Credit: Sharon Latham
Of course, there were some tracks by The Pretenders in the mix such as ‘Don’t Get Me Wrong’ and ‘2000 Miles’ which gave all the festive feels.
Chrissie is such a giving and warm performer and was so engaging and charming, it goes without saying that the audience loved her set which was followed up by a chat with Noel Gallagher.
Noel Gallagher and John Wilson. Photo Credit: Sharon Latham
An interview with the charismatic Noel Gallagher is always high on my watch list, not only is he always effortlessly entertaining, he also has to be one of the funniest people in the music industry too.
Noel elaborated on how Sir Peter conceptualised and designed the Oasis album ‘Stop The Clocks’ from 2006. The album features a collection of random objet d’art pieces which were found and curated in Sir Peter’s studio.
Peter let Noel and the band pick out what resonated with them which included items far and wide-ranging from Elvis to one of the seven dwarfs. Noel commented that it was an ‘amazing experience’ to be in the Blake studio and without doubt it’s an instantly recognisable piece of art.
How do you follow Mr Noel Gallagher and his indomitable wit and magnetism? It’s almost impossible, but it could only be with a five song set from who Noel calls the ‘Guvnor’ – Mr Paul Weller himself.
Paul Weller and band. Photo Credit: Sharon Latham
Paul performed an exemplary and exquisite set of five songs which included the breathtaking ‘Gravity’ and the uplifting ‘Out of The Sinking’.
Paul Weller Photo Credit: Sharon Latham
It was great to hear ‘Soul Searchers’ from the 2014 album ‘True Meanings’, Paul’s fourteenth solo studio album as well as ‘Broken Stones’ from the aforementioned ‘Stanley Road’ which captivated the enraptured audience.
Of course, we had to hear from the great man himself – Sir Peter Blake who pointed out that today wasn’t actually his birthday, ‘but, er, near enough!’. Fair point, but if you are going to have a birthday shindig, why not go all out and have it at the Royal Festival Hall in front of some music royalty?!.
Surrounded by his family, Peter thanked the acts as well as the audience for attending this one-off live performance.
Then it was time for more music and it was time for Noel Gallagher again who performed a compelling set of some Oasis classics which included a stunning rendition of ‘Stand By Me’ from ‘Be Here Now’.
Noel Gallagher at the Royal Festival Hall – Photo Credit: Sharon Latham
This was truly a special moment, as this was the first time Noel had sung this track on stage as a solo artist (having last performed this track when he was in Oasis)
‘Wonderwall’ was a triumph and Noel effortlessly delivered on passion, sincerity, conviction and feeling on both this track as well as ‘Don’t Look Back in Anger’.
He dedicated ‘Live Forever’ to Fleetwood Mac’s Christine McVie who had sadly passed away earlier that week which made for a beautiful and touching moment and it evoked a huge wave of emotion that seemed to hit everyone in the audience.
There is something so powerful about those lyrics and the connection Noel has with the audience when he sings like his heart depends on it.
Noel Gallagher – Photo Credit: Sharon Latham
This was a spellbinding performance that showcased not only his spectacular performance skills, but also his beautiful songwriting with the poignancy and meaning of the gorgeous lyrics and his captivating delivery ensured that there was barely a dry eye in the house and he left the audience wanting more.
Suggs from Madness charmed and amused the sold-out crowd with tales over his indecision over the artwork for the tenth Madness album ‘Oui, Oui, Si, Si, Ja, Ja, Da, Da’. Suggs explained that Peter created the artwork after the band kept changing their minds which resulted in the famed ‘crossing out’ design.
Suggs chats to John Wilson. Photo Credit: Sharon Latham
There was also an appearance from an animated Bob Geldof who waxed lyrical about Peter’s designs for the Band Aid single and Live Aid.
The Who are always an absolute riot to watch live, and Pete, Roger and their band did not disappoint. They kicked off with a barnstorming rendition of the electrifying ‘Substitute’ which really got the elated crowd on their feet. Of course, there was some classic shredding from Pete who with Roger did a stunning version of ‘Behind Blue Eyes’.
The Who perform in London. Photo Credit: Sharon Latham
Other standouts included an effervescent rendition of ‘Pinball Wizard’ and a rousing version of ‘Won’t Get Fooled Again’ with just the two rock ‘n’ roll stalwarts performing together as they have done so since the 1960’s.
Last but by no means least was the event closers – Madness.
Madness in London. Photo Credit: Sharon Latham
The Camden natives were on fire and put on a scintillating and pulsating display. Their set complete with colourful visual backdrops really got the party underway. From ‘Baggy Trousers’ and ‘The Prince’ to the dynamic ‘One Step Beyond’, the Madness boys cranked up the energy to deliver a high octane and jubilant performance.
Madness perform at the Sir Peter Blake gig in London. Photo Credit: Sharon Latham
Other standouts included ‘The Sun and The Rain’ from 1994’s ‘Keep Moving ‘and their delightful cover of Labi Siffre ‘It Must Be Love’. This was a glorious end to a fantastic night of live music from some of Britain’s finest bands and musicians.
Manuel Hernández Berbel is a contemporary artist who supressed his passion for art for many years. It wasn’t until he retired that he indulged in his passion and he now lives out his dream.
Proof that it is never too late to do the things your heart desires. Here, we spent some time with him to find out more…
Tell us about the journey that led you to becoming an artist…
Greetings first of all. I always wanted to paint, it was a hobby that my mother instilled in my head since I was a child, then I studied engineering and started working in Madrid. It was not until 2016 when I retired from the world of work and I had the opportunity to dedicate myself entirely to paint. It may only have been a few years but they have been very fruitful and comforting and I hope I can continue for many years to come.
How do you want people to feel when they look at your artwork?
When I paint I try to express my mood each time, but I try to convey order between the chaos. I especially try to give a sense of balance and calm with colourful paintings.
Being a full time artist isn’t the easiest career, what advice would you offer to aspiring artists that are trying to make this their full time income?
I combine my daily life with painting, which is the activity that I focus on. Many potential artists should spend more time on their work if they are talented, as only work and work alone will achieve goals.
Of all of the things you have achieved, what’s your proudest moment and why?
My best moment was when I got to dedicate myself to my activity, retiring from hard work and getting the free time to live and paint whilst travelling.
Talk us through an average day in your life…
In my daily life I wake up very early, I take a shower and go out with my electric bike and I have a coffee break. Then I come back home and do daily chores. If I can, I paint for 2 or 3 hours, watch some TV and I listen to music, all kinds of genres.
What do you do when you are lacking creativity?
When I feel inspired, I rush to the workshop and paint very fast almost like a crazy man for several hours, then I take a shower and rest. I also come back to watch my artwork and think about how to improve the result another time.
If you could have your artwork displayed anywhere, where would it be and why?
I would like to exhibit at the Reina Sofía Museum, it’s a place where I worked as a volunteer when I was younger, it really is a utopia, but nothing is lost by dreaming.
Our readers love to travel, what destination is on your must visit list?
There are several destinations I would like to visit but I especially would visit India as it is a place I am very interested in.
What does self care mean to you?
I think it’s the way everybody lives, to take care and love oneself without expecting from others but to help others selflessly.
You can follow Manuel Hernández Berbel on his journey here…
Since dining at Colonel Saab last October I have been struggling to think of a better place to eat in London – the best food, the best service, the best decor, so when I was invited back to sample their new art and food pairing I jumped at the chance and this is your notification that you should too.
Guests can expect a feast for the eyes and stomach, as Holborn’s unique, luxury Indian dining concept Colonel Saab launches its Art and Food Pairing Experience on 24 May.
Colonel Saab’s founder, Roop Partap Choudhary will personally take diners on a culinary journey across India, with a nine-course tasting menu of dishes and carefully paired and curated art collected by the award-winning entrepreneur and his family across the continent and lovingly brought to London.
Roop’s father, Colonel Manbeer was given the honorific name Colonel Saab – shared by the restaurant – and the extensive menu is inspired by places he was stationed in the army, from local lunches in the tents of Rajasthan to British-inspired Indian breakfasts in the Officer’s Mess and stunning banquets hosted by Indian nobility and Maharajas.
The art-festooned restaurant was meticulously crafted as a love letter to Roop’s family and India, with a treasure trove of eclectic and museum-worthy Indian art and artefacts collected by his family on their travels.
Roop spent a year retracing his father’s footsteps across India by train, bus and car with Indian food royalty, Karen Anand (Dishoom) to curate contemporary twists on dishes passed down through the generations of people they met, with many regional specialities appearing for the first time on a London menu.
And for this event, Roop and his team pair extraordinary art including 17th and 19th Century Tanjore paintings, the Maharaja of Patiala’s Asprey drinks bar, pure silver Gujarat temple doors and a canopy of ornate chandeliers from Firozabad with dishes which tell the stories of those regions and people.
The multi-sensory experience of India will also incorporate drinks. A Masala Dabba – or spice box – of artisanal gins, whiskies and rums based on Indian botanicals has been created with the Diageo mixology team, along with innovative cocktails by celebrated mixologist Antony Bertin, designed to complement the food and named after Choudhary’s family members.
Roop said: “We are passionate about food, art and India so this event combines all three and brings them to life, in a multi- sensory experience which will take you across the vast continent and its diverse and beautiful sights, tastes and fragrances, showing the powerful roles food and art plays in India.”
The nine-course menu costs £150 per person and includes progressive and exciting dishes, from Pulled Charcoal Lamb with Jeera Aloo and Biryani to Chicken Chettinad with Malabar Paratha and Chocolate Silk Cake, Thandai Crumble, Candy Floss and fresh berries. The vegetarian menu includes Gutti Vankaya, Andhra-style Eggplant Curry and Cauliflower 65, South Indian curd rice with fruit sorbet.
Each mouthful will bring the continent and its rich history to life, with fascinating stories and insight about the carefully paired art and artefacts, from a stunning, carved temple door from South India, to handwoven Persian carpets and precious decanters and crockery from the palace of the Maharaja of Faridkot.
The modern Indian restaurant has made its home in the elegant, former Holborn Town Hall, continuing his family’s proud legacy of hospitality that spans more than three decades, celebrating the vibrant and diverse culture of India’s food and history with humility, elegance and originality.
Successful art galleries should have a mix of mediums: photography, types of paintings (watercolor, oil, and acrylic, for example), digital art, sculptures, and drawings are all beautiful things that attract the eye of potential buyers. It’s also important to feature a blend of different artists. Everyone has their unique style and can add a special flair to an art gallery’s walls.
Galleries such as LePrince Fine Art Gallery make it a point to feature various artists that utilize different mediums and styles to express their art. Keep reading to learn more about some fascinating artists to feature in your gallery.
Marc Anderson Paints Beautiful Landscapes
Hailing from central Wisconsin, Marc worked his way from an amusement park caricature artist to a freelance illustrator until he was independently established. He began Plein Air painting, which means painting landscapes while you’re immersed in the outdoors instead of painting in a studio.
His paintings evoke a sense of serenity and make it easy to imagine yourself in the location. They depict peaceful surroundings that harken back to carefree summer days.
Marc has his studio opened in 2018. He showcases some of his paintings and hosts workshops, and has won awards from Oil Painters of America exhibitions and national juried plein air events.
Stacy Barter Harnesses Light and Atmosphere
Stacy’s oil paintings play with different lighting and bold colors to bring new depths to her artwork. An artist since high school, her technique produces breathtaking portraits that make a statement.
After graduating from college, Stacy trained under Gregg Kreutz, which sealed her obsession with oil painting. She studied under David Leffel and Sherrie McGraw in Taos, New Mexico.
Her work is featured in The Gulf Coast Museum of Art, and it has also been exhibited in juried shows such as the Oil Painters of America National Exhibit.
Curt Butler’s Layered Paintings Bring Color to Life
Curt’s technique of layering colors and textures draws in viewers and produces stunningly vibrant paintings. These paintings immediately draw the eye in, and as you approach, the subject appears rawer and in focus. They are perfect for featuring in a fine arts gallery.
Sculptor Lewis Evans Makes Steel Work for Him
Blacksmith Lewis Evans has always found forging steel fascinating. He considers sculpturing a way to challenge himself and push boundaries. His sculptures must be seen to be believed as they show talent and love for the obscure that is hard to describe on paper.
Scott Henderson’s Photos Depict Beautiful Landscapes
Scott’s photography includes breathtaking beach scenes and natural landscapes. He teaches the art of fine art printing of digital photography and uses light, form, and texture to create photos that almost look like paintings. You’ll practically feel like you could be on the beach yourself.
A Variety of Artists Will Bring in Buyers
Each artist has their own story and unique style that brings fresh material to a Fine Arts Gallery. Make sure to feature different people and mediums for a variety that draws people in.
Victoria Curling Eriksson is the brainchild behind the brand of the same name. An artist by trade, she proves that it is never too late to follow your passions and answer to your true calling.
If you don’t want to be inspired to follow your dreams, stop reading now…
Tell us the journey that lead you to launching your brand as a full time artist…
I started my career rather late in life, at the age of 30 yrs old.
I originally studied Biotechnology at university and immediately upon graduating started working in Clinical development for a Clinical Research Company. This gave me a possibility to travel internationally, which I loved. However, after some years I really found that I wanted to work with something more creative. By this time I had moved to Sweden and worked for a Swedish company. I decided to apply to Art school in Sweden, not actually thinking that I would get accepted, but I received a place and stayed there for 2 years.
I wasn’t sure at this stage if I would be able to work with Art full time, so during the 2 year gap between having my daughters, I studied to be a certified life coach.
Once I started back to work I found it rather hard to juggle starting a company with coaching and also painting, so gradually I started to work more and more with my painting until today, I work only as an artist.
I still love reading coaching and personal development books, but this is more for my own interest.
How do you want people to feel when they look at your work?
When people look at my paintings, I really want them to be able to have a moment of reflection. To find a moment of calm where they have a moment to feel whatever emotion the painting brings up for them personally.
Sometimes, I even wish I didn’t need to name the paintings, so that people can really make up their own mind about what it means to them or what they see in an artwork.
One of the best compliments ever was from a young lady who had been looking at one of my paintings in an exhibition for quite some time, when I approached her to talk to her she got really tearful and explained that it had brought up such a strong emotion in her. It was a painting of a dark storm with the light of the sky breaking through and the painting was named Hope.
What has been the biggest challenge you’ve faced as an artist so far?
I think the biggest challenge for me as an artist so far was actually believing in myself as an artist as it wasn’t my first career. It took me a while to really believe in myself and actively market myself as an “Artist”. It’s always hard in the beginning to know when you feel “ ready” to call yourself an artist.
Another challenge was that I found it rather lonely not having any colleagues or other artists to brainstorm and share feedback. So together with another artist friend, we started a small collective (today there are 7 of us) that meet regularly and share feedback, sometimes we exhibit together as a larger group or in smaller groups. Even though most of our work is purely individual it is such an energy boost when we have our meetings and share experiences and ideas.
This is something that I really recommend to other artists to try and find a group nearby and if there isn’t one, then maybe try and create one!
In your opinion, what sets you apart from other artists?
I paint very intuitively, and start with a colour palette that I want to paint with, so carefully choose the tones and colours and then I start. I always start on a canvas that is painted black or dark grey as I often paint large expanses of white skies and this gives a different depth. So once I start painting, I never know how it will look until it is finished.
Looking back since launching the brand, is there anything you would do differently?
Looking back I think that I would try to worry less about what people might think and just do it! I think that “over-thinking” held me back quite a bit in the past but today I have a very different attitude and if a pathway is tricky, I just try and find new paths.
The artists way isn’t always a very straight forward way so I actually try not to be hard on myself and accept that its always evolving.
How much has social media played a role in the success of your brand?
I think social media has been a really wonderful help for marketing my artwork. Personally, I love Instagram as a mode to show my artwork. It’s a wonderful tool for reaching so many interested people from all over the world. There really is no limit to how many you can reach.
Instagram has both brought me in contact with magazines and also direct sales to customers.
I also think having a clear and “up to date” website is really important, rather like a reference library so people can see clear examples of your artwork.
What is your go-to quote when lacking motivation?
If you can dream it, you can do do it.
What advice would you offer to aspiring artists that want to launch their own brand?
Don’t give up !
Starting out as an Artist can be really challenging, it takes confidence and at times you can feel rather vulnerable showing your work to strangers or trying to reach out to galleries and exhibitions but if you are passionate about wanting to be an artist, then just follow your own path. Give yourself time to find your own style and your own way of working and trust the process!
If you feel good about it then confidence will shine through for others to see.
Don’t be put off if you get rejected from galleries or exhibitions. Keep trying but at the same time make sure that you have some good photos to post online via instagram and make sure that you are “ out there” with your work.
Our readers love to travel, what destination is your all time favourite and why?
Oh it’s really hard picking one place as I love traveling and visiting different countries and experiencing different cultures, each place having its own different charm but if I had to choose one place I have been to, I think it might have to be the Maldives.
The amazing tranquility and beautiful beaches and being able to snorkel, dive and experience a whole new world underwater. A magical world of colours and different creatures and fish, it’s just amazing.
We visitied many years ago for our honeymoon but we are planning to return this year to celebrate our 20 year anniversary.
What’s next for the business?
My next goal and plan is to have a connection with a gallery in England (most probably London), I still feel so British even though I have lived abroad for over 20 years now and there is always something so special about sending my sold artworks to customers in England. A lot of my inspiration comes from the English countryside, so it would be really special to have that professional link in England
What does self care mean to you?
Self care to me personally means taking time do what I love and look after myself as best I can. This includes making sure that I get enough regular sleep and not going to bed too late.
Taking time for a daily walk out in the nature where I consciously try and remember to be present and breathe.Playing tennis regularly is also self care for me!
I love spending time with family and friends and my friendships are of great value to me. I still have wonderful friendships with friends that live in Bath where I grew up and a familiarity and laughter that’s worth gold.
Allowing myself a 20 minute relaxation / afternoon nap if I am tired and not feeling guilty about it is also on my self care list!
Where can people find out more?
People can find out more about me by looking at my website:
Legacy is a big word and one that often brings with it a sense of responsibility. As the granddaughter of the late great Charlie Chaplin, Kiera Chaplin understands the importance of carrying a legacy – something she does, impeccably and inspiringly —through her charitable NFTS.
CryptoChaplins is Kiera’s way of using her passion for the arts to give back to those in need. Launched with Digitfully, the campaign offers series of 888 cards based on a ‘Kiera’ animé character based on her likeness. She has also partnered with The Desert Flower Foundation to launch ‘Savvy Kiera’ to help build schools in Sierra Leone and educate young women.
Amidst all this, Team Coco catches up with Kiera to dig deeper into her charity work, the lasting power of NFTs and how she is reinventing her grandfather’s legacy.
Tell us a little bit about yourself – what made you fall in love with art?
I’ve always been a dreamer and art has a way of making you escape reality into different dimensions of creativity. I find it very appeasing to the soul. I don’t know exactly when my love for art started, as I grew up around eccentric artists but one thing is for sure and it’s that it has always attracted me.
Could you tell us more about Cryptrochaplins and your partnership with Digitfully?
I met Paab Pruchniewski from Digitfully a while back. A few months ago, he contacted me to tell me about this whole new world of NFT campaigns that he was working on with Digitfully. I found it fascinating and after brainstorming we came up with CryptoChaplins.
What started as just making a few images and giving back to charities has now turned into creating a community of likeminded people. People who like art and entertainment, trendsetters and innovators that care about the future of the planet. CryptoChaplins will be a series of 888 cards of “Kiera” who is an Animé character that fights different causes that we suffer today. When you hold one of these cards, you become a member of the CryptoChaplins community which will unlock many cool surprises.
Charitable work is such a huge part of everything that you do – could you tell us more about The Desert Flower Foundation and your work there?
I started working with The Desert Flower Foundation in 2018 after meeting the founder, Waris Dirie, and hearing her tell her story. She has been fighting against female genital mutilation for over 20 years. After hearing that it still so present all around the world, even in Europe, and being a big advocate for women empowerment I had to join forces with her. After a few discussions we realised that the best way to eradicate this barbaric assault on women was through education. As the places where it is the most practiced usually has the highest rate of illiteracy and poverty. With education we give kids a chance at a better future in more ways than one.
Tell us more about your latest ‘Savvy Kiera’ NFT series?
Savvy Kiera is a series of 8 NFT’s that go towards Desert Flower Foundation to help build schools in Sierra Leone. ‘Savvy Kiera’ is a knowledge hungry student that is shown in images learning math, geography, music, sports etc. In the overall story, Kiera the Hero travels back in time from the year 2888 to help push education to save the future of planet earth, because knowledge is power, and we need future generations to be as savvy as possible to not end up corrupted by evil dark forces.
Do you think NFTs are here to stay?
Absolutely! Without a doubt. There are too many passionate people for it to just disappear. But mostly an NFT is a digital certificate of ownership, so in the future you will see it being used for many transactions such as real estate. Right now, we mainly hear about it in the art world but soon it will be used for so much more.
Beyond NFT’s you also have several high-profile collaborations with Jagre Le Coultre, Janavi India and Hogan – how do you go about finding the right brands to partner with?
I only like to work with brands that I respect and that I like to wear. With that, it’s all about seeing eye to eye and creating something beautiful and fun together. I’m very lucky in that sense to be able to bring my artistic touch to these incredible brands.
The name ‘Chaplin’ brings with it a massive legacy – how are you ensuring that your famous family’s legacy lives on?
So far it seems my grandfather’s legacy lives on regardless. It’s incredible how much he is still loved, but I do my part by trying to see him today as more of a brand than a person. My father hates it when I say that but I know that we must find ways to reinvent ourselves or the legacy could disappear, and my grandfather would hate that. I’ve done my part by creating the Chaplin Awards and doing other various things. I enjoy it. He’s my biggest source of inspiration.
What advice do you have for aspiring artists looking to make a name for themselves in the art world?
Never be scared to show your truth. You must sometimes dig deep in the ugly to bring out something beautiful.
There are few museum openings as highly anticipated as M+ in Hong Kong. The construction started almost 10 years ago and it’s been designed by Herzog & de Meuron, who famously converted Bankside Power Station into Tate Modern. At 65,000 square-metre, this has become another jewel in the architectural highlights of Hong Kong. The most prominent feature is undoubtedly the stupendous LED system display facing Victoria Harbour which will be displaying M+ content.
You might be wondering what we can expect to see in their 17,000 square-metre of exhibition space, which spans over 33 exhibition galleries. There will be in excess of 1,500 pieces of artwork from M+ collections. They will have six thematic exhibitions that will focus on Hong Kong and Chinese pieces from the 1960s and 1970s respectively to the present day to work that might be familiar to a British audience in the form of Anthony Gormley: Asian Field. He famously created Angel of the North and in this installation, the famous British sculptor has created tens of thousands of clay figurines along with over 300 villagers from a Guangdong village in just five days back in 2003. A masterpiece that highlights the vastness and populous nature of the country.
And no modern-day museum is complete without commissioned pieces which they’ll be displaying in their public spaces such as on their roof garden, their grand staircase, etc. They are two museum shops, a café, and a particularly innovative sounding Korean restaurant in the form of Mosu. Much like Tate Modern, they run a membership scheme to help support their work and continue developing the museum in the coming decades.
The whole project is part of the expansive West Kowloon Cultural District Development that will include a Hong Kong Palace Museum which opens in 2022 with items from the Forbidden City Museum in Beijing that are rarely allowed to leave the country. And the whole area is a must-visit destination for all cultural aficionados, making Hong Kong stand out as a cultural hub as well as the financial centre which is it renowned for.
Online registrations for tickets opened recently leading to an immediate crashing of the booking system which is always a sure-fire sign you have a commercial hit on your hands. The admission fee for non-residents is $120 for adults and $60 for children aged between 7 and 17, seniors aged 60 or over, full-time students, and guests with access requirements
The museum opens officially on the 12th of November.
Here at House of Coco, there is never a shortage of amazing hotels to tick off the bucket list. For our return to travel, we chose one of the most spectacular hotels in the world, Hotel Heureka, right in the heart of Venice’s oldest districts to escape the crowds.
Situated in the centre of traditional Venice, in the Sestiere of Cannaregio, Hotel Heureka combines the comfort of a boutique hotel, the intimate atmosphere of a private home and the mystique of a 16th-century Venetian palazzo. With just 10 exquisite rooms each with their own distinct personality, visitors feel as though they are guests of a great Venetian family – ideal for a grand return to Europe. Reopened in 2017 after a major renovation, as you wander the exquisite halls you can almost make out the chatter and music of a party that would have taken place in Venice’s heyday, hundreds of years ago, mask in hand.
The interior layout of the hotel’s palazzo is organised around a ‘portego’ – a typical Venetian passage – leading into the atrium, the main lobby area, and the private garden beyond. We wandered over to the bar every evening and enjoyed different cocktails, from the classics to the hotel’s signature serves in the cool air of the outside terrace. We chose to relax and unwind in this tranquil haven rather than in St. Mark’s Square and other touristy hot spots. The open-air, spacious feel continues on the other levels of the hotel, with a Piano Nobile on the first and second floors surrounded by bold patterns and artfully placed fabrics designed by Lacroix and Rubelli.
After a day exploring all that Venice has to offer we settled in for one of the best night’s sleep of our lives in one of the chic and decadent suites, each like their own art gallery. The design-led hotel is located on the gentle waters of the Madonna dell-Orto canal and lulls you into a deep sleep amongst plush pillows each night. Breakfast was served surrounded by fine artworks in the drawing-room and on one of the days we enjoyed our first cup of tea beneath the leafy trees of the private garden. Mouth-watering pastries were followed by steaming coffee, juices and delicious cheese and fruit.
There is plenty to explore directly from the hotel. Close to the ornate front door, you can venture into the oldest Jewish Ghetto in the world, the bridges over the cerulean Grand Canal, museums, hole-in-the-wall bars far from the tourist trail, lively cafes, art galleries and world-class restaurants. With no cruise ships in the city currently, there has never been a better time to visit and enjoy the slow-paced anticipation of the city as 2021 draws to a close and 2022 is ready to welcome visitors with open arms.
Where to eat
Osteria Alla Staffa on Calle Ospedaletto is arguably one of the best traditional restaurants in Venice. Small, cosy and delicious. We chowed down on plate upon plate of Venetian-style pasta and as the waiters reminded us, this is not the place you come for pizza, much to the puzzlement of many American tourists. The restaurant offers mid-range pricing and offers a cracking local wine list, poured by a very knowledgeable team.
Where to drink
Down one of the most beautiful canals in the city lies Vino Vero owned by husband and wife Matteo and Mara. Vino Vero opened in 2014 and was the first wine bar in Venice solely dedicated to natural wine. You can guzzle wines by the glass and sample artisanal Cicchetti whilst watching the water taxis speed past on the way to the lagoon and eavesdrop on local conversation and gossip.
With the world finally opening up and the UK lifting significant restrictions in October 2021, Hotel Heureka has stood the test of time in a city that has constantly reinvented itself, welcoming each visitor like the guest of honour. The juxtaposition of the old and new in both the city and the hotel gave us hope that things have to change slightly before getting better. If you are looking for somewhere to seek solace after months of uneasiness, you’ve found it!
Hotel Heureka prices are €230 for a Deluxe Room, €460 for a Junior Suite and €1,200 for the Heureka Suite. Prices are per room and include breakfast à la carte, service and VAT.
“Since the beginning I’ve always strived to achieve the impossible,” says Yoanny Garcia when looking back on the early days of launching her eponymous bag brand.
Yoanny Garcia, the brand, is classic, elegant and unique — much like its founder, who has made it her mission to showcase the bold style and vibrant hues of the Dominican Republic on the global fashion stage.
“It is my pride as a Dominican and my mission to represent my country in the fashion world on the global stage,” Yoanny says. “It’s always been integral for me to empower the “Made in D.R” label. It is my vision to develop high-quality handmade products in partnership with local artisans, who have worked in my studio since my day one.
In conversation with Yoanny Garcia, we talk about the inspirations behind her colourful bags, the importance of supporting of local artisans and how her ‘works of art’ can help women feel their most authentic selves wherever they go.
Tell us a little bit about yourself and your background. What inspired you to start your own accessories brand?
I studied Business Administration in the Dominican Republic and then years later I did my master’s degree in International Management in Madrid. Ever since I was a little girl, fashion has always been my biggest passion. I made the decision to start my very own fashion brand when I lived in Madrid. All my friends told me that they admired my style and the bags that I made for myself and that I should start selling them, and so that’s what I did. In 2014 I officially launched my dream project, my Yoanny Garcia brand. My first collection was ‘Let’s Play’ and they were only clutches. It was undoubtedly one of the proudest moments of my life.
If you could describe the Yoanny Garcia aesthetic in three words, what would they be and why?
Classic, elegant and unique.
In what ways does your Dominican culture and heritage influence your designs?
The influence goes beyond my culture. It is my pride as a Dominican and my mission to represent my country in the fashion world on the global stage. It’s always been integral for me to empower the “Made in D.R” label. It is my vision to develop high-quality handmade products in partnership with local artisans, who have worked in my studio since my day one.
For me it goes both ways, I have helped the Dominican artisan community and they have helped make my brand come to life by producing truly amazing products. My country has strong colours, culture, and vibrations that the world needs to see it!
Transparency and sustainability are core to your ethics as a brand. How do you as a brand owner/designer balance profit and purpose?
Yoanny Garcia is a regulated brand, and we strictly follow Dominican regulations by showing everything that happens behind the scenes in the most transparent way.
On the sustainability side, I’m very proud to say that all my pieces are 90% handmade (sometimes even higher) and we are committed to preserving the environment that brings us such amazing raw materials.
Here at Yoanny Garcia, we thrive everyday learning about new materials and techniques so the process of making a bag becomes more and more environmentally-friendly. One of our latest innovations is incorporating natural cork in our bags, and it really looks amazing! We also make donations to different foundations and give back once to our tight-knit Dominican community.
Last year, in the middle of the COVID-19 pandemic chaos, we started selling dominoes made with our bag acrylic and all the profit went to Save the Children Foundation directly helping pregnant women and mothers affected by the crisis.
What has been the biggest challenge you’ve had to overcome as an entrepreneur so far?
The biggest challenge I’ve overcome is becoming an entrepreneur. It’s a lot of work and sacrifice and it’s been especially hard with the COVID-19 crisis. Because of the pandemic, everything went south with the fashion industry, sales slowed down, and it became very difficult to maintain my business and protect my partners.
As a businesswoman, I’ve made a lot of sacrifices to stay afloat during this difficult period. It’s been a long and challenging road and it still is to this day. I know it will keep being that way forever, but this business is where I found true happiness, I wouldn’t trade it for anything in the world.
Tell us about your latest collection. What are the inspirations behind it, and do you have a favourite piece?
My two latest collections are called ‘Regina’ and ‘Abby’ with new modifications and colourways. The launch of ‘Colette’ was also a total hit! I get inspired by everything, a texture, a colour, or a feeling. It could be something I see or a combination of everything and for me that’s the beauty of art.
Seeing the final product with my team after countless trials is the best feeling in the world. For me, it’s impossible to choose a favourite piece, they are like my daughters! But I can say that the YG Ladies favourites are Teresa, Camellia, Abby, and Colette these days. I can’t wait for the launch of our next collection! There are many exciting things coming for the brand.
In your opinion, what sets Yoanny Garcia from other fashion brands in the market today?
Since the beginning I’ve always strived to achieve the impossible. I like to create different and unique pieces that I know my YG Ladies will love. I envision that when they enter any room, they will turn heads just so people can see the piece of art they are wearing. My pieces perfectly complementing their whole outfit and presence. For me, I don’t sell just a fashion piece, I create and sell feelings, exclusivity, and the magic of being your true, authentic self wherever you go, with a piece that represents you and your personality.
What advice do you have for women who would like to become a GirlBoss like yourself?
Start and don’t ever stop. If it is your dream, go for it because if you don’t do it, no one will do it for you. Be your own boss and stand up for yourself and for what you believe in. Organise yourself and don’t get distracted or discouraged by others. You got this babe.
