Spending the weekend at Barn on the Farm Festival, Gloucester…
Last month I made the journey from Norfolk to Over farm in Gloucester to experience my first Barn on the Farm festival, and I can safely say that my first experience won’t be my last, because WOW – what a weekend!
Ben and I packed up with festival snacks and baby wipes a plenty and set off Friday lunchtime, we arrived at the festival and pitched up our tent (with extra thanks to our neighbours for their help haha!), we made our way to the arena to check out the layout.
On Friday afternoon we were treated to a beautiful performance by Plested on the intimate barn stage – we only discovered Plested at the festival and have been firm fans ever since; we can’t get enough of Worthy of You and Either You Love Me Or You Don’t – get them both added to your playlist; you won’t regret it!
After a couple of duck wraps for dinner and a quick change from travelling we headed over to the main stage to catch James Bay as the sunset and it was such a magical set – just one man and his guitar, blowing the audience away song by song – what a night!
After a rather rainy start Saturday morning (what’s a UK festival without a little rain, huh?), we went in search of coffee and some breakfast buns (the food and drink offerings at the festival were GREAT– think boutique food & gin carts!), Saturday afternoon was for wood fired pizzas and acoustic sets from Maverick Sabre (just as incredible as you’d imagine FYI!).
As the day went on we caught acts from Amber Run, Cassio and headline act Bombay Bicycle Club. Ben and I adored the festival, it was so well laid out, there was a really lovely vibe (super family friendly too), intimate performances from some of the best up and coming (and established) alternative acts. We’re hooked and can’t wait to return to Barn on The Farm in 2023!
When I say Porto’s nightlife is eclectic, I really do mean it. The bars in Porto can be found in the most random of places from former churches to courthouses.
If you are looking for a great night out in Porto, you won’t be disappointed. However, nocturnal shenanigans aside, there’s a whole lot more to Porto than meets the eye, but as House of Coco’s Music Editor, one of the main things I look for in a city break is what gigs are on whilst I am in town.
There’s just something about going to a gig in a different country isn’t there?! So, when I had the opportunity to visit Portugal’s second largest city, the first thing i looked at was what bands were in town during my visit.
As luck would have it, there were a few gigs on – Simple Minds and James. Both of which were absolutely incredible.
It was clear that this trip was going to be heavily music-focused and a large part of that was where I stayed, at the music-themed hotel M.Ou.Co. in the hip neighbourhood of Bonfim.
This quirky district is a twenty minute walk from the centre of Porto and is chock-full of coffee shops, little bars and the odd vintage boutique or two. Despite being a relatively busy district, it’s a peaceful escape from the city. There’s a sun-drenched courtyard where you can relax or enjoy a drink or two and there’s even has a swimming pool which is a lovely addition.
If there was ever an ideal hotel for a Music Editor to stay, it’s M.Ou.Co. whose ethos is “Stay. Listen. Play.”. Even the name M.Ou.Co. – M=música; Ou=outras; Co=coisas (Music and Other things…) emphasises how music is EVERYTHING at this hip hideaway.
Fancy channeling your inner Sheeran, Swift or Styles? Why not try one of the musical instruments available to play in your room and rock out? We hired the most beautiful Ibanez guitar that played like an absolute dream! What other hotels can lay claim to having their very own guitar menu?!
There are also rehearsal rooms where you can rock out and a treatment centre where musicians can enjoy specialist treatments. M.Ou.Co has devised a collection of unique ‘Music and Health’ programmes where musicians can visit the performance clinic and have a specialist assess and advise how to integrate health into instrumentalist training.
The night prior to our arrival, the hotel hosted indie rockers James who used this space as a warm up gig prior to their electric gig at the Super Bock Arena in Porto which was one of two gigs we attended whilst staying in Porto. On Saturday nights, they even have a DJ on hand to get the party started.
It’s fair to say that music is at the heart of everything at M.Ou.Co.- you can even pick five vinyls to listen to in your room too. Whilst there’s some eclectic choices in the music library, there’s also some evergreen classics in the shape of Nirvana, The Doors, Beastie Boys and Curtis Mayfield.
Whatever your musical leanings, you are certain to find what you are looking for in the music library which has over 600 records to choose from.
The hotel’s friendly staff had set up a record player in our room and it was really lovely to enjoy some downtime from exploring the city and relaxing with a coffee while listening to records.
You can even borrow books too – all music-orientated as well. Music is piped out everywhere in the hotel, at the bar, and in the restaurant and you can expect to hear tracks from everyone from The Beatles and The Cure to blues artists and more.
There’s a professional sound bar system and sound amplifier which you can use in conjunction with any of the musical instruments that you hire from reception.
Whether you are a newbie wanting to test the waters of guitar playing or you are an experienced musician, you will be impressed with the different guitars available at M.Ou.Co. You can borrow guitars from world-renowned brands like Gretsch, Gibson and more.
M.Ou.Co. is a relatively new hotel, a former warehouse that has received a meticulous redevelopment, it’s been transformed into a contemporary space filled with light (and music!) the rooms are a smidge on the small side, but are light and airy.
Like the rest of the hotel, the aesthetic is minimalist with post-industrial leanings, with large windows and high ceilings, but still retains a real sense of chic.
There’s plenty of storage which is always helpful, although a couple of things that were omitted from the room such as toiletries and bathroom hooks which would have been appreciated. Again, thematically, all the rooms are named after a piece of music which is a lovely touch.
Guests are presented with a smartphone upon arrival which is a nifty little addition which provides you with a direct way to contact the hotel. It also has little guides and recommendations for local attractions, things to do and restaurants.
The breakfasts in the hotel are excellent, as a coeliac on a gluten-free diet, they were able to provide me with some delicious treats which included gluten-free bread, pastries and muffins. The restaurant is also open for lunch and dinner and is set in a relaxing room with exposed brick walls, lush greenery and some of the best coffee in the city.
We ate both lunch and dinner at the restaurant and were really impressed with the food that was served. If you are looking for a budget-friendly lunch, then definitely eat at the hotel’s restaurant, the menu changes every week and you can enjoy three courses (which includes a starter and dessert buffet) plus a ‘main’ for less than 20€ each.
When in Porto, there’s no shortage of amazing restaurants to choose from, but by far and away our favourite was tia tia. Not only was the food absolutely delicious, but guess what? It was music themed too.
Similarly to M.Ou.Co. guests can choose what they want to listen to – there’s a fantastic selection of records to choose from and we adored trying some of chef Tiago Feio’s menu which is centered around a combination of pescatarian, vegetarian or vegan dishes.
Tia tia’s style of cuisine is contemporary, seasonal Portuguese and all ingredients are sourced locally. We enjoyed carefully-crafted dishes like turnip, cashew and chilli oil, the most amazing mackerel, almonds and apple dish and line-caught hake, carrot and chard – absolutely exquisite! The service was exceptional and I would strongly recommend visiting tia tia whilst in Porto.
If you are looking for a city break that delivers on incredible things to do, an excellent selection of restaurants, a lively and vibrant nightlife coupled with a hotel that offers a completely unique experience that focuses on music, then definitely add Porto to your travel bucket list.
How to book:
Stay – Rooms at M.Ou.Co. start at 78€ for a basic room or 110€ for rooms with a kitchenette. Book via the hotel’s website for the best price. It’s situated around 45 minutes by metro from the airport and is a mere five-minute walk from Heroismo metro station.
Fly – Fly with TAP Air, Portugal’s flight carrier. We flew from London Gatwick directly into Francisco Sá Carneiro airport in less than two and a half hours.
Explore – We were lucky enough to be gifted two Porto cards from Visit Portugal which is essentially a city pass and a great way to explore the city on a budget. You can purchase one for 24, 48, 72 or even 96 hours which will give you free entry to the main museums, monuments, and tourist attractions in Porto. You are also entitled to a huge 50% discount on the entrance fees to a further 14 landmarks such as the Clérigos Tower, the Military Museum and many more.
You can purchase the Porto Card directly upon arrival, at the Airport or at any of the official tourist offices in the city.
With a stellar lineup of Johnny Marr, the Stereophonics and headline act Pearl Jam, there was never any doubt that Saturday’s BST Hyde Park gig wouldn’t truly pack a punch and get everyone rocking.
As part of BST collection of summer gigs, the heat was rising and so was the festival spirit on a swelteringly hot day in the capital.
The first act we saw was the brilliant Johnny Marr who kicked off his set with the sublime Armatopia from the album of the same name. Whilst there were nods to tracks from his most recent album – Spirit Power and Soul (Fever Dreams PTS 1-4), he delivered a sensational set chock-full of songs from his days with The Smiths which included Panic, This Charming Man, as well as the incredible There Is a Light That Never Goes Out.
Marr’s guitar playing is always epic, but his prowess and delivery were absolutely next level – especially his performance on Getting Away With It, from his days with Electronic which really got the crowd dancing and the truly epic How Soon Is Now?
Marr would later join Pearl Jam on stage to play on the heartfelt Neil Young track – the emotive Throw Your Hatred Down, following a heartfelt speech from Eddie Vedder on the increasing epidemic of gun violence which really resonated with the sold-out crowd.
‘We’ve got 12 albums and 20 years but we’ve only got an hour and a bit, so we’d better f***ing get on with it!’ declared Kelly Jones from Welsh rock group Stereophonics, but any issues with curating an hour-long set from said 12 albums were not evident.
Whilst certain tracks were omitted from the set, there were some evident highlights in the shape of The Bartender and the Thief, Pick a Part That’s New (which Jones started playing on a ukulele and then switching to a guitar), A Thousand Trees, Have a Nice Day and the rousing Just Looking. Frontman, the captivating and enigmatic Kelly Jones wanted to see the crowd jumping and naturally the crowd acquiesced – how can you not when you are listening to high-octane tracks like The Bartender and the Thief?!
Whilst it was a chance to check out old favourites, it wasn’t entirely a walk down memory lane with the inclusion of Hanging On Your Hinges, the opening track from the new album ‘Oochya!’
The crowd were treated to a blistering drum solo from Jamie Morrison on Mr and Mrs Smith from ‘Keep The Village Alive’ which was truly a spectacular moment. The Stereos really know how to put on a show and this gig was the perfect showcase of both their exceptional songwriting and musicality.
One of the early pioneers of the Seattle Grunge scene, Pearl Jam were back for their second London show in a row. Whilst the set list differed from the previous evening, the American band were full of passion, conviction and energy and had the crowd in the palm of their hands.
Kicking off with Corduroy from 1994’s ‘Vitalogy’, Eddie Vedder and the band performed a slam dunk of a set that was a pure adrenaline rush. Expect the unexpected is always a wise ethos to adopt when watching Pearl Jam. They pride themselves on switching it up and are renowned for their appreciation and respect for their fans. One endearing moment saw Vedder stop the gig mid set after noticing a fan requiring some assistance and encouraged the crowd to step aside in order to make way for first aiders and security.
As well as the Neil Young cover with Johnny Marr, they also asked the audience to choose between two tracks to play (Not For You won out which made for a pretty stellar choice) Dance of the Clairvoyants, a mesmerising cover of Van Halen’s Eruption which effortlessly sat alongside tour debuts of Rats and Faithful.
Their cover of Young’s Throw Your Hatred Down was delivered with such emotion, fire and power and that alongside a compelling speech from Eddie about America’s gun laws made for a stirring and poignant moment that really resonated with the crowd.
One of the standout tracks of the night was Alive from ‘Ten’, which sent the crowd absolutely wild. The encore was concluded with a cover of the 1971 classic from The Who’s Baba O’Riley where Johnny Marr returned to the stage to play. All in all, this was a riotous, thrilling and triumphant set from the American rock stalwarts.
DJ, songwriter, musician and one of the most stylish people in the music industry, Amazonica AKA Victoria ‘Harry’ Harrison is THE DJ of the moment and has performed for some of the world’s biggest celebrities and has spun tunes some of the most exciting parties.
Not only is she a highly regarded DJ, she’s also a fantastic singer-songwriter and musician too. Music Editor Emma Harrison caught up with her to talk about DJ’ing at the Cannes film festival, her forthcoming support slot with indie rockers The Libertines, her dream collaborations and what makes a great playlist.
A huge welcome to House of Coco, as one of the sought after DJ’s in the world who has DJ’d at some of the hugest events like official premiere afterparties – please can you tell us a little bit more about how you got started in music? I understand that you were signed at the tender age of just 15?
Yes, I loved alternative music so I answered an ad in the Melody Maker when I was 15 to work with Jon Klein from Siouxie and The Banshees and some other notable goth heroes who taught me the way around the studio. I would come up to London on the train after school and record and learn my craft which led to me getting signed at 15. After that I ended up recording my first album with Youth from Killing Joke after he did The Verve’s incredible album. That was my start in music. Unfortunately, Telstar Records went bust and left me in limbo for a while with my recorded music, but during the pandemic I got the rights back to my first 2 albums, so now they’re available to stream and I set up my little indie record label for it.
What kind of music were you listening to and what or who was influencing you as you started out?
Nirvana changed my life. I loved grunge, goth, rock and metal but I also really really loved Hip Hop. I saw Lauryn Hill at Brixton Academy when I was 18 and I really loved the Miseducation album. I also loved going to clubs and dancing all night to industrial music. Growing up half the time in England we had some incredible dance music happening like The Prodigy, Chemical Brothers etc.
Your album ‘Songs from the Edge’ is out now. Sonically, this is different from your previous work. How did this record come about and what inspired you to make it?
Honestly, it was an absolute nightmare. I mean this album really helped me because I was newly sober recording it so it helped save my life, but everything to do with the business aspect of it was nightmare upon nightmare upon soul crushing nightmare. But that’s over now and I own it and it’s out finally everywhere.
Do you have a favourite track from the album? If so what is it and why is it your favourite?
I think ‘Get High’ is beautiful and really hypnotic. It reminds me of Janes Addiction. But as whole I’m proud of that entire album, it was the first album I wrote entirely on guitar myself.
When it comes to creating music, what comes first – the lyrics or the music?
I usually strum some chords or play on the keyboards and then usually the words and melody come out sort of simultaneously.
You released ‘The Trouble with… Harry remastered ‘The history’ at the back end of last year. It sounds as fresh as ever! How was it revisiting this particular body of work and how do you feel that you have changed since it’s initial release?
Wow, definitely. I was literally a child when I wrote and recorded it and was still heavily into using drugs and alcohol to escape. I was so messed up inside and had so much to deal with. Now when I listen back I have so much compassion for myself and am so bowled over by how much strength and balls I had to do all of that at such a young age. I am so proud of who she was and who I am now – we are two totally different people but I had to be her to be me now.
The albums I’ve done have been the anchors in my life. I haven’t seen the success or audience I would have liked for them due to all the bad luck I had within the music business, but they both really helped me become the person I am today – I literally owe my life to music.
How do you think the music scene has changed since you got started?
The gate keepers have become less important. Before if so-and-so from the magazine or radio station didn’t support you then you were done. Now it’s all about your reach on social media and that’s all to do with how much money you are putting into advertising and marketing or your reach with the algorithms and the support of music playlists.
You have DJ’d at some pretty epic events such as at the BAFTAs, the Oscars and the Golden Globes and more recently the Elvis after party at Cannes film festival – what’s been your favourite event to DJ at and why?
ELVIS was pretty epic. It was a big full circle moment for me because I went to see Diplo DJ about 15 years ago at the Miami music conference before Major Lazer blew up – it was that night that everything clicked for me and I was like I AM A DJ! Then to be at the Cannes Film Festival DJing this incredible event on the croisette facing the Mediterranean Sea knowing that Diplo was playing at the same event. I was like wow, dreams actually come true.
Do you have any standout moments from your career so far?
Probably Wembley when Johnny Depp came up on stage with a rock star I was opening for who shall remain nameless. DJing to 10,000 people is just the biggest rush.
You are set to open up for The Libertines next month – how are you feeling about that? You guys have known each other since they were recording their debut album twenty years ago.
I’m so excited! I love those guys and I am so happy to be back at Wembley with them. It’s just incredible that 20 years later we are all here, alive and that I’m getting to do such an iconic venue with my old mates. It doesn’t get better than that.
You have worked with some pretty stellar names from collaborating with Tommy Lee to touring with Machine Gun Kelly. What would your dream collaboration be and why?
Depeche Mode or Nine Inch Nails would be my ultimate collaboration because their music means so much to me.
What would your advice be to any budding DJ wanting to emulate your success?
Don’t even try it mate! I’m already filling the spot so get in your own lane!
If you could give your younger self who is just starting out in the business some advice based on what you know now, what would it be?
Trust your gut – it’s right about everything.
What makes a good playlist?
An eclectic mix of music. Don’t make it samey. A good playlist should take people on a journey.
You have a super cool dress sense – where do you find your clothes from and how important is it to you to have such a distinctive look?
Thank you! I don’t really think about it too much, I’ve dressed like this my whole life. As I don’t have a stylist it takes some time to find different pieces that work for different events, but it’s worth spending time on.
What’s next on the horizon for you? Do you have any other music projects in the pipeline?
I have a new album waiting to come out. We are just figuring that all out right now so watch this space.
Amazonica’s album ‘Songs from the Edge’ is out now. Head over to her website to follow her on social media and to see where her next shows are.
The greatest rock ‘n’ roll band in the world are once again setting stages on fire and their epic performance at BST Hyde Park was no exception.
It started on a poignant note with a touching tribute to the late, great Charlie Watts, the beloved genial drummer with the steadiest sticks in the business who sadly passed away last year, but the entire show which spanned almost three hours was entirely celebratory. Mick remarked that “You know, we played with Charlie for 60 years. We really really miss him so we dedicate this show to Charlie!” the crowd responded chanting Charlie’s name which created a very special moment between the band and their delighted audience.
With extraordinary passion and exuberant energy that belies their age, the kings of rock ‘n’ roll royalty, The Rolling Stones performed an exemplary set that showcased their impressive body of work. This year marks the 60th anniversary of the Rolling Stones’ formation in 1962.
Kicking off with the jubilant ‘Get Off My Cloud’, with its unmistakable thunderous intro, the band were on top form with frontman Mick Jagger swaggering and dancing his way across the stage with palpable levels of aplomb. A force of nature, a tour de force, Jagger is a charismatic and captivating performer, his vocals remain as impassioned as ever before and haven’t changed since the ’60s.
For those looking for a back-to-back showcase of the Rolling Stones’ most loved, seminal rock ’n’ roll hits were not disappointed. With a top-notch set of tracks like “Miss You”, “Midnight Rambler”, “Paint It Black”, “Sympathy for the Devil” and “Gimme Shelter”, (which featured images of war-torn Ukraine set against the country’s national flag which provided the second powerful and moving moment of the night)
In fact, track by track the Stones’ setlist was the perfect combination of nostalgic hits, fan favourites and emotive tracks that delighted several generations of Stones’ fans.
The second of their Hyde Park shows are just two of the gigs forming part of their iconic ‘Sixty’ tour across Europe. Mick, resplendent in a jazzy floral jacket was a whirling dervish and indulged his adoring fans with an impressive selection of his trademark dance moves which included the ‘Jagger Swagger’.
Fans who were here for the show were not disappointed as they enjoyed the music together and reminisced about the past. Enthusiastic fans who want to commemorate this special show can also show it by customizing their idol’s pin badges. Wearing them to the show will express both support for the idol and remembrance of the departed, and can likewise be a collection. Design Now at Pinbadges Co.
The band demonstrated why they have lasted so many decades in the business with fantastic renditions of “19th Nervous Breakdown”, “Tumbling Dice”, “You Can’t Always Get What You Want”, and “Out Of Time”. This gig also saw the band performing the brilliant “Angie” on tour for the first time as well as a beautiful rendition Bob Dylan’s “Like a Rolling Stone”.
Keith Richards also had an opportunity to showcase his super vocal skills with tracks like “Happy” and “You Got The Silver” affording Mr Jagger a well-earned break. Keith and Ronnie Wood are both outstanding musicians who play their instruments as if their lives depend on them and put on absolutely astonishing and euphoric performances.
Without a doubt, The Rolling Stones’ second gig in London was an electrifying and unmissable experience, with the band proving once again how incredible they are on stage.
A national treasure famed for his flamboyant outfits almost as much as his songwriting prowess and musicality, there’s no shortage of superlatives to describe this iconic superstar. Elton’s gig at BST Hyde Park (part of his Goodbye Yellow Brick Road Tour) saw the singer in his usual formidable form as the world’s highest-selling solo artist and someone who’s certainly not shy of putting on a party, the sold-out crowd were not disappointed in the slightest.
With a blistering hot set that spanned nearly three hours in total and was chock-full of Elton’s most loved hits, this was a zesty stroll through his impressive back catalogue with the inclusion of songs like ‘Someone Saved My Life Tonight’, ‘I Guess That’s Why They Call It The Blues’, ‘Rocketman’ and many more.
Kicking off with the jubilant and celebratory ‘Bennie and the Jets’, with its unmistakable intro, Elton resplendent in a stylish white dinner jacket with jewel-adorned decorative detailing played the piano and sang as if his life depended on it. His outfits were on point as always which included a silk robe with the face of a cat bedazzled on the back – and why not?
Superbly supported by his six-piece band, Elton took us on a sonically soaring journey through classic tracks like Rocket Man, ‘Take Me To The Pilot’, ‘Sorry Seems To Be The Hardest Word’, ‘Tiny Dancer’ and many more.
Whilst there was undoubtedly a party spirit, there were some moments of reflection too. With Elton paying tribute to two incredible singers – Aretha Franklin and George Michael via ‘Border Song’ and the ever-beautiful ‘Don’t Let The Sun Go Down On Me’. Speaking to the crowd, Elton commented ‘I miss him, and we all miss him, and we miss his visage. So, George, I love you and I miss you – here we go.’
The veteran pop-rocker also paid tribute to his two sons who were clearly enraptured by their dad’s stellar performance.
Innovation was front and centre of Elton’s mammoth set during his mammoth hit song ‘I’m Still Standing’, using Augmented Reality (AR) technology, fans were able to enjoy a time-synced 3D show tribute, viewed via a special app
From the emotive ‘Candle In The Wind’ to more uplifting numbers like ‘Crocodile Rock’, ‘The Bitch Is Back’, and ‘Saturday Night’s Alright For Fighting’, Elton had the captivated crowd in the palm of his hand!
The sensational show ended with Elton’s most recent hit ‘Cold Heart’ with whom he collaborated with Dua Lipa, a reworking of some of his biggest hits including ‘Rocket Man’ and ‘Sacrifice’. He also treated the crowd to a heartfelt rendition of his first hit from over 50 years ago – ‘Your Song’.
The show from start to finish was a dazzling display from music’s most endearing and theatrical showman. This was a spectacular first-class performance that effortlessly showcased his impressive body of work.
Scottish rock band Travis headed to the O2 Academy in Bournemouth to perform their seminal album ‘The Invisible Band’ in its entirety along with other classics. Originally released over twenty years ago in June 2001 to both critical and commercial acclaim, the band had initially planned to promote its 20th-anniversary reissue last year with a corresponding tour, but the pandemic thwarted their efforts.
Revisiting an album which is both a classic but also reflects a specific moment in time is always revealing. However, the Scottish four-piece were on top form and set the stage alight with a fresh new approach and it was almost like hearing it for the first time.
With support from singer-songwriter (and formally the frontman of indie stalwarts Gomez) Ben Ottewell who performed an understated but very commanding set, the energetic four-piece hit the stage.
Here’s a fun fact for you – Travis was the first band that I saw live when I moved to Bournemouth (who were at the time) supported by a relatively up and coming band called Keane. They have always been a cohesive and captivating group of musicians who never disappoint when performing live— every song on the ‘The Invisible Band’ sounded as fresh and dynamic as ever.
Travis is not the first (and certainly won’t be the last) band to perform album-focused tours. In a digital world, where music is digestible by song, it’s actually a real treat to listen to bands perform albums from the first to the last track. If this was a restaurant comparison, the evening would be comparable to a tasting menu as opposed to ‘small plates’.
Substandard cooking analogies aside, the band led by the ever-charismatic frontman Fran Healy kicked off proceedings with ‘Sing’ the first track off ‘The Invisible Band’, setting the very high standard for the night. Despite a slightly nervous (about the football) Dougie Payne on bass who was keeping one eye on the football scores hoping for a Rangers win, the dynamic foursome was formidable on stage. ‘Dear Diary’ followed by the powerful ‘Sing’ – which over twenty years later, has even more meaning. Considering it was written over two decades ago, it almost feels even more poignant than ever. ‘Side’ has always been one of my favourite Travis tracks and naturally this was included in the set list owing it to being the third track from the album.
Revisiting this album as both a musician, music journalist and of course as a music fan has demonstrated not only how great Travis are as both recording artists and as a live act, but also how their songs have really stood the test of time and have almost a new meaning whilst remaining evergreen classics.
Navigating the fully engaged crowd through the rest of the tracks, the band interjected their stellar set with intriguing and funny stories and anecdotes which included reflecting on how they used the money from record sales which afforded them the opportunity to make this album. One stand-out story included Fran relaying their experience at a recording studio where they were mixing with international recording artists and having the opportunity to choose from what can only be described as a ‘weed catalogue’ which had the crowd in stitches.
One of Fran’s musings was that modern music ‘doesn’t mean anything, but that it’s that all-important 5% that DOES indeed make a difference and that subsequently lasts. Honesty was a key theme throughout both this album’s creative process and captured within the stories between each track. The band and in particular, Fran and Dougie effortlessly engaged with the crowd with a delightful combination of charm, energy and humour. Fran is very endearing and sincere both in his performance and how he interacts with the crowd.
One very emotional moment for the band and for Fran, in particular, was the last track from the album ‘The Humpty Dumpty Love Song’ which was dedicated to the bands video director, and close friend Ringan Ledwidge who sadly died earlier this year.
His contribution to the creative process clearly made an impact on both the band on a professional and personal level and it was a lovely way to close out the set. The first song played in the following set was ‘A Ghost’ from the band’s latest album ’10 Songs’ which was released at the back end of 2020. Never has a track been more relevant for what ‘we have all gone through’ than the beautifully written ‘Love Will Come Through’ which was one of the standout tracks on 2004’s ’12 Memories’.
One of my favourite ever Travis tracks ‘Closer’ was a personal highlight – from ‘The Boy with No Name’, ‘Turn’ and ‘My Eyes’ also made an appearance. Of course, the set ended with fan favourite ‘Why Does It Always Rain on Me?’ which the crowd absolutely adored. This gig unequivocally demonstrated the creative prowess and the huge impact that Travis has made over the years and in particular how ‘The Invisible Band’ has not only stood the test of time, but in many respects has even more meaning and relevancy over twenty years on than ever before.
Vibrant, endearing, and unforgettable, Travis are collectively absolutely spectacular performers, and their impressive body of work and captivating performances continues to cement them as one of the UK’s top and best-loved bands.
Humble, unassuming and charismatic, the tour de force that is Miles Kane is back on tour and boy, did he pack a punch with an electrifying and high energy gig at the Engine Rooms in Southampton. Unleashing a full-throttle performance, Miles delivered a first-class set of material which included both classic crowd-pleasers like ‘Coup De Grace’ and ‘Colour of the Trap’ as well as a selection of songs from his latest album, the brilliant ‘Change the Show’.
Miles kicked off proceedings with the first track released from the album ‘Change The Show’ – ‘Don’t Let It Get You Down’ – a soulful, retro-inspired, ball of energy that is full of swagger. The crowd loved it – and so did Miles who put on an electrifying performance alongside his talented band which includes Joao de Macedo Mello and Paul Weller alumni Josh McClorey on guitar.
If you could capture the essence of Elvis, The Beatles, James Brown and Marc Bolan with the energy of the Energizer bunny and style of Danny Zuko in Grease, an image of Miles Kane should and will probably spring to mind. Especially so after this epic gig in Southampton.
Endearing and charismatic in equal measure, Miles had the crowd in the palm of his hand with and you can’t help but be enthralled and engaged by his captivating performance which is part 50s Motown swagger and 70’s glam rock star with a healthy injection of indie rock. Within the set there were a few other additions which included a powerful rendition of ‘Don’t Let Me Down’ by The Beatles and two Last Shadow Puppets tracks.
Ably supported by talented Scottish musician Brooke Combe, this was an unforgettable night of live music which showcased not only Kane’s scintillating performance style, his musicality but also his incredible guitar playing and awesome personal style. Other standout tracks included ‘Nothing’s Ever Gonna Be Good Enough’, the vibey ‘Blame It On The Summertime’, ‘Never Get Tired Of Dancing’, ‘Inhaler’ and ‘Rearrange’.
‘Don’t Forget Who You Are’ was an emotional highlight of the night with Miles drinking in both the adulation and energy from the crowd as they sang along with him. At times, Miles seemed almost overwhelmed and surprised by the crowds’ reaction and you can tell he loves to perform.
This was an utterly stupendous and high-octane performance from Miles who has further cemented his reputation as one of the UK’s most exciting, dynamic and endearing musicians in the industry.
Renowned bassist and co-founder of the two legendary rock bands Joy Division and New Order, Peter Hook was in town with his band ‘Peter Hook & The Light’ to enthral audiences with performances of seminal Joy Division albums ‘Unknown Pleasures’ and ‘Closer’.
As well as playing both ‘Unknown Pleasures’ and ‘Closer’ in their entirety, the crowd at the O2 Academy were also treated to a scintillating set of New Order tracks as well as tracks like ‘Digital’ and ‘Ceremony’.
Peter Hook’s guitar playing remains an intriguing and intricate affair. Renowned for his quirky style where his guitar hangs low and he plays down into it, Hook gave a dynamic and fully rounded performance that showcased his first class technique and his musical prowess. His ‘signature sound’ where he plays higher notes (historically to enable himself to hear his own playing over Bernard Sumner’s musical output) was in full throttle and he shows no signs of slowing down or losing his fully evident passion for both playing and the material.
As a New Order fan and having seen the band close out festivals in recent years, the first set was absolutely electric. Kicking off proceedings was the rousing ‘Your Silent Face’ from New Order’s ‘Power, Corruption & Lies’ which is widely considered to be New Order’s finest work. This was closely followed by ‘Procession’ and ‘Dreams Never End’.
Of course, fan favourites ‘Blue Monday’ and ‘Temptation’, the former being THE track that segued the leap from traditional disco vibes to the house music of the 80’s. The. Crowd. Went. Wild and rightly so – this track has influenced a whole generation of musicians and not just within this genre. There’s not even speak about how this track came about as an ‘accidental innovation’. Dance music for rockers – yes please!
And so on to the main event, not that the mighty New Order by any stretch is a ‘support act’, it set the standard for a first class performance throughout the rest of the night. Hearing albums played in their entirety has a slightly different vibe as opposed to a band cherry-picking a curated list of ‘best sellers’. It paints a picture – of every shade, tone and shadow. In this digital age, it’s easy to skip or hone in one track in isolation. Not so much for Peter and his talented band.
After another short break, it was time for ‘Unknown Pleasures’ from 1979 which was Joy Division’s debut studio album. Starting with the opening track, ‘Disorder’ which has become a regular staple in New Order sets since 2017 when it was introduced as a live performance for the first time since it was released as a Joy Division track in ‘79.
Closely followed by ‘Day of The Lords’ and ‘Candidate’, the band remained faithful to both the track listing and the sound that cemented Joy Division’s reputation as ground breaking musicians. ’I Remember Nothing’, the final track on the album concluded this first ‘JD’ set – making this not only a highly memorable performance for the fans but one also of high value, as the entire gig was chock-full of songs.
And so onto the next album, moving through time (albeit slightly!) to the second Joy Division album ‘Closer’ from 1980, the set remained faithful to the original track listing. From the soaring ‘Atrocity Exhibition’ and its hypnotic bass all the way through to pivotal tracks like ‘A Means To An End’ and ‘Heart and Soul’ – an absolute bold masterpiece of musical understatement, the crowd were enthralled. Closing this set was ‘Decades’ with these tracks meaning being ever more poignant.
Two albums down, the encore included the brilliant ‘Ceremony’ and the electrifying ‘Transmission’ which was an incredible way to close what had been a series of epic sets.
Ferocious, passionate and unyielding, this is a gig I won’t forget in a hurry!
With a buoyant crowd on tenderhooks, the band James finally got to play their rescheduled gigs in Portugal which included a date at the expansive Super Bock Arena in Porto. Super pumped, celebratory and uplifting, it really did feel like some kind of homecoming for the indie-pop stalwarts.
Having released their 16th album ‘All The Colours Of You’ last summer – a follow up to 2018’s ‘Living in Extraordinary Times’ this tour was the perfect opportunity to showcase both tracks from this eclectic and poignant offering as well as some fan favourites from their career spanning discography.
Supported by Portuguese artist Leiriense Débora Umbelino AKA Surma and Mancunian rockers The Slow Readers Club who impressively set the scene for James and entertained the sold out crowd with powerful renditions of ‘I Saw A Ghost’, ‘Tell No Lies’ and ‘The Wait’.
Enter James. They kicked off proceedings with ‘ZERO’ and ‘Isabella’ from ‘All The Colours Of You’, closely followed by a rousing rendition of their top ten hit ‘She’s a Star’ from 1997’s ‘Whiplash’. which really got the crowd going.
With their impressive back catalogue, Tim, Jim, Saul and the gang enraptured the crowd as they took the audience on an unbelievable aural journey performing tracks like ‘Come Home’, ‘Born of Frustration’, as well as an unexpected set list change in the shape of ‘Curse Curse’, and ‘Out To Get You’ from their critically-acclaimed album ‘Laid’.
The beautifully poignant ‘All The Colours Of You’ was also a highlight alongside ‘Beautiful Beaches’ a thought provoking track that focuses on climate change and the impact this had on California after it was devastating by forest fires. Tim Booth himself was personally affected and he and his family were forced to flee his home in order to escape the fires that ravaged California.
Tim Booth is a spectacular frontman and one of the best things about seeing him live is his legendary dancing to which has become somewhat of a mainstay when seeing James live. With unbelievable energy and charisma, Tim was a whirling dervish, dancing as if all the bones in his body didn’t exist as he fed off the crowds energy.
Whilst clearly Mr Booth is a dynamic and an enthusiastic performer, James as a band is a collective and whilst the line up has changed over the years, its current incarnation provides something very special indeed. A group of consummate professionals all of which played an integral part in putting on an electrifying show.
