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Renowned bassist and co-founder of the two legendary rock bands Joy Division and New Order, Peter Hook was in town with his band ‘Peter Hook & The Light’ to enthral audiences with performances of seminal Joy Division albums ‘Unknown Pleasures’ and ‘Closer’.

As well as playing both ‘Unknown Pleasures’ and ‘Closer’ in their entirety, the crowd at the O2 Academy were also treated to a scintillating set of New Order tracks as well as tracks like ‘Digital’ and ‘Ceremony’.

Peter Hook’s guitar playing remains an intriguing and intricate affair. Renowned for his quirky style where his guitar hangs low and he plays down into it, Hook gave a dynamic and fully rounded performance that showcased his first class technique and his musical prowess. His ‘signature sound’ where he plays higher notes (historically to enable himself to hear his own playing over Bernard Sumner’s musical output) was in full throttle and he shows no signs of slowing down or losing his fully evident passion for both playing and the material.

As a New Order fan and having seen the band close out festivals in recent years, the first set was absolutely electric. Kicking off proceedings was the rousing ‘Your Silent Face’ from New Order’s ‘Power, Corruption & Lies’ which is widely considered to be New Order’s finest work. This was closely followed by ‘Procession’ and ‘Dreams Never End’.

Of course, fan favourites ‘Blue Monday’ and ‘Temptation’, the former being THE track that segued the leap from traditional disco vibes to the house music of the 80’s. The. Crowd. Went. Wild and rightly so – this track has influenced a whole generation of musicians and not just within this genre. There’s not even speak about how this track came about as an ‘accidental innovation’. Dance music for rockers – yes please!

And so on to the main event, not that the mighty New Order by any stretch is a ‘support act’, it set the standard for a first class performance throughout the rest of the night. Hearing albums played in their entirety has a slightly different vibe as opposed to a band cherry-picking a curated list of ‘best sellers’. It paints a picture – of every shade, tone and shadow. In this digital age, it’s easy to skip or hone in one track in isolation. Not so much for Peter and his talented band.

After another short break, it was time for ‘Unknown Pleasures’ from 1979 which was Joy Division’s debut studio album. Starting with the opening track, ‘Disorder’ which has become a regular staple in New Order sets since 2017 when it was introduced as a live performance for the first time since it was released as a Joy Division track in ‘79.

Closely followed by ‘Day of The Lords’ and ‘Candidate’, the band remained faithful to both the track listing and the sound that cemented Joy Division’s reputation as ground breaking musicians. ’I Remember Nothing’, the final track on the album concluded this first ‘JD’ set – making this not only a highly memorable performance for the fans but one also of high value, as the entire gig was chock-full of songs.

And so onto the next album, moving through time (albeit slightly!) to the second Joy Division album ‘Closer’ from 1980, the set remained faithful to the original track listing. From the soaring ‘Atrocity Exhibition’ and its hypnotic bass all the way through to pivotal tracks like ‘A Means To An End’ and ‘Heart and Soul’ – an absolute bold masterpiece of musical understatement, the crowd were enthralled. Closing this set was ‘Decades’ with these tracks meaning being ever more poignant.

Two albums down, the encore included the brilliant ‘Ceremony’ and the electrifying ‘Transmission’ which was an incredible way to close what had been a series of epic sets.

Ferocious, passionate and unyielding, this is a gig I won’t forget in a hurry!

Photos: Joe Flanagan

Simply spectacular and electrifying, the crowd at the Porto Coliseum, a charming music venue in the historic centre of Porto may have had a smidge of a wait to see their Scottish heroes in action after the global pandemic put their previous touring plans on ice, but it was clear it was worth waiting for.

This tour was a celebration of the bands 40th anniversary which took place in 2019, but the corresponding tour has been a long time coming for the iconic rock stars.

The word legendary tends to be bandied about a bit, but when it comes to Simple Minds, that classification is 100% justified. Jim Kerr was incredibly gracious and humble, almost seeing slightly puzzled by the enthusiastic crowd who were mesmerised by him and the entire Simple Minds line up which included the stupendous Cherisse Osei on drums. A delectable fusion of passion and precision – Cherisse is a tour de force and really adds something very special to the band.

Jim Kerr had the crowd in the palm of his hand – humorous and engaging in equal measure, joking that he would speak ‘slowly’ due to his Scottish accent. His accent isn’t as strong as it used to be, but the sentiment and his dry humour had the audience in stitches.

Jim also joked how the band ‘didn’t want to go home’ such was their enjoyment playing to the enraptured audience ‘Lock the doors’ he joked! Witty, warm and charming, Mr Kerr is definitely one of the most charismatic and personable musicians in the business. Kerr along with the enigmatic guitarist Charlie Burchill are the two founding members of the band that we know and love as Simple Minds today.

A performance of two parts, Act 1 was a masterclass in performance and storytelling showcasing the bands earlier material. Kicking off with the ‘Act of Love’ and ‘I Travel’ closely followed by a stirring rendition of ‘Glittering Prize’ from their album ‘New Gold Dream (81–82–83–84) and a haunting and beautiful version of the emotive ‘Belfast Child’.

A song that isn’t typically played at Simple Minds gigs, but its meaning was not lost and it was performed delicately and from the heart. His voice is warm, strong and is absolutely timeless. He makes it sounds so effortless and as magical as ever before.

After a short interval, onwards to the second act where we were treated to a stellar set which included tracks like the uplifting ‘She’s a River’, ‘Waterfront’, ‘See the Lights’ and of course their standout track ‘Don’t You (Forget About Me)’ which had the crowd singing along and audience members danced their way to the front of the stage for what was an eight minute spectacular rendition of this much-loved track.

With an encore of three tracks which included fan favourite ‘Alive and Kicking’ from their seventh studio album ‘Once Upon a Time’ and ‘Sanctify Yourself’

40 years of Simple Minds has provided the rock stalwarts with a never-ending collection of hits – showcasing their awe-inspiring musicality and songwriting prowess. Musical pioneers with over 60 million records sold worldwide, they are quite simply rock ‘n’ roll royalty and were absolutely on fire in Porto.

Every band member played their part and both individually and collectively were absolutely exceptional. A commanding , energetic and magnificent live act, this was a flawless and fantastic show that left the audience completely spellbound. This was a first class performance from one of the best bands from the UK.

Photos: Nuno Machado NM Live on Stage

With a buoyant crowd on tenderhooks, the band James finally got to play their rescheduled gigs in Portugal which included a date at the expansive Super Bock Arena in Porto. Super pumped, celebratory and uplifting, it really did feel like some kind of homecoming for the indie-pop stalwarts.

Having released their 16th album ‘All The Colours Of You’ last summer – a follow up to 2018’s ‘Living in Extraordinary Times’ this tour was the perfect opportunity to showcase both tracks from this eclectic and poignant offering as well as some fan favourites from their career spanning discography.

Supported by Portuguese artist Leiriense Débora Umbelino AKA Surma and Mancunian rockers The Slow Readers Club who impressively set the scene for James and entertained the sold out crowd with powerful renditions of ‘I Saw A Ghost’, ‘Tell No Lies’ and ‘The Wait’.

Enter James. They kicked off proceedings with ‘ZERO’ and ‘Isabella’ from ‘All The Colours Of You’, closely followed by a rousing rendition of their top ten hit ‘She’s a Star’ from 1997’s ‘Whiplash’. which really got the crowd going.

With their impressive back catalogue, Tim, Jim, Saul and the gang enraptured the crowd as they took the audience on an unbelievable aural journey performing tracks like ‘Come Home’, ‘Born of Frustration’, as well as an unexpected set list change in the shape of ‘Curse Curse’, and ‘Out To Get You’ from their critically-acclaimed album ‘Laid’.

The beautifully poignant ‘All The Colours Of You’ was also a highlight alongside ‘Beautiful Beaches’ a thought provoking track that focuses on climate change and the impact this had on California after it was devastating by forest fires. Tim Booth himself was personally affected and he and his family were forced to flee his home in order to escape the fires that ravaged California.

Tim Booth is a spectacular frontman and one of the best things about seeing him live is his legendary dancing to which has become somewhat of a mainstay when seeing James live. With unbelievable energy and charisma, Tim was a whirling dervish, dancing as if all the bones in his body didn’t exist as he fed off the crowds energy.

Whilst clearly Mr Booth is a dynamic and an enthusiastic performer, James as a band is a collective and whilst the line up has changed over the years, its current incarnation provides something very special indeed. A group of consummate professionals all of which played an integral part in putting on an electrifying show.

Photo Credit: Nuno Machado, NM Live on Stage

Supercharged, immersive and magical, if the mission for iconic dance pioneers Groove Armada was to go out with a bang on their final tour, it is wholeheartedly mission accomplished.

One of the most influential dance acts of all time, Groove Armada demonstrated their prowess and longevity in an epic set at the O2 Academy in Bournemouth. They released their last album ‘Edge Of The Horizon’, after a ten-year hiatus in the back end of 2020, and their final curtain tour had a nod to some of those tunes along with some of their evergreen classics.

The seminal electronic duo made up of Andy Cato and Tom Findlay have been making music since the 90’s and have never faltered in their approach to making dynamic and uplifting dance music.

The Twenty Five farewell tour was a treat for all the senses – fusing incredible music (with an immersive surround sound system) and a spectacular light show which delighted the sold out crowd.

With their impressive back catalogue, a set of nearly two hours almost didn’t seem enough time for the dynamic duo to sign off in style, but they did! With a chock-a-block set list that included fan favourites like Superstylin’, At the River, I See You Baby, Song 4 Mutya (Out of Control) along with some their newer tracks like Don’t Give Up and Edge of the Horizon, the pair, who were supported by a live band which included singers Luke Una and Saint Saviour were absolutely spectacular.

With a mixture of crowdpleaser classics mixed with newer material, this was a standout gig which was intoxicating, life affirming and thrilling in equal measure. Groove Armada, we will miss your live shows – but what a phenomenal way to draw your live performances to a close.

Commanding, captivating and charming, when it comes to Father John Misty, this talented musician requires countless superlatives.

Father John Misty is a pseudonym of Josh Tillman (who was previously the drummer in Fleet Foxes after leaving the band to go solo in 2012) this intriguing moniker has no significance other than a reference to his upbringing in an evangelical household.

Fast forward ten years and Josh AKA Father John Misty – who is the epitome of a musical shapeshifter has just released his fifth solo album, ‘Chloë and the Next 20th Century’ . At first glance, it seems that the enigmatic folk rocker is seemingly moving away from his traditional sound and has created his most ‘un-Misty-like’ record yet – but, there are still flashes of his folky heritage as well as his previous styles and guises on tracks like “The Next 20th Century”, but by large – this feels like the record Josh has been longing to make. He is the antithesis of predictable and his songwriting is first class.

Gone are the days where he archly dissects a myriad of themes which range from consumerism to morality, where Tillman is front and centre, ‘Chloe’ is a compelling collection of short story third person character sketches with a particular focus on heartbreak and broken people.

Unlike his recent appearance at the London Barbican where he performed with the Britten Sinfonia orchestra, his appearance at Chalk was more scaled down with just Josh and his talented pianist on stage and is by no means a departure from his big band-style vision.

Whilst taking inspiration from the popular music of the ’30s and ’40s wasn’t necessarily on my ‘things to expect’ from Father John Misty’s bingo card, the risk of navigating a new sound pays off – the reward being Tillman is expected to attain one of his highest-charting positions for ‘Chloe’ in the UK charts. Veering between opacity and candour, ‘Chloe’ is a triumph and is one of Tillman’s strongest albums to date.

Surprisingly, there are only a carefully curated selection of songs from the new album on the set list at Chalk. But, it didn’t really matter thanks to a stellar performance from the Maryland native. He kicked off proceedings with an enigmatic rendition of ‘Disappointing Diamonds Are the Rarest of Them All’ which was closely followed by a track from the same album – fan favourite ‘God’s Favourite Customer’ ‘Mr Tillman’ which really got the captivated crowd going. They were also treated to a selection of tracks from the candid ‘I Love You Honeybear’

Josh effortlessly engaged with the crowd with a delectable combination of wit, whimsy and charm – he had the audience in the palms of his hands as he continued with his amazing set. Tillman commanded the stage and the audience were treated to a masterclass in exceptional songwriting and melodicism.

In between tracks, Tillman enraptured the sold-out audience with his hilarious (and at times slightly sardonic) stories that enthralled and titillated. His new tracks ‘Funny Girl’, Q4′ and the beautiful ‘Kiss Me’ showcased Tillman’s chameleon-like approach to music.

An intimate affair, Josh Tillman seemingly cast a spell upon the audience. His new songs are some of the best he has ever written and it feels that this is the sound that he has been aching to create. There were some crowdpleasers in the mix such as ‘Chateau’ and ‘Holy Shit’ which were standout performances during this matinee gig, both of which were perfectly executed with an impeccable and exuberant delivery.

Tillman’s stagecraft is evident, it is clear he loves to perform – and the crowd loved this performance. My favourite gig of the year and it’s only April – that surely tells you something.

Chloë and the Next 20th Century is out now.

Some things are worth waiting for and the Eels UK tour is certainly one of them. After suffering a series of delays due to the global pandemic, the indie rock stalwarts were in their element with their gig at the O2 Academy in Southampton.

Lockdown Hurricane might be the name of the tour, and the mood definitely represented this sentiment. It felt like it’s been a long time coming.

Having been around (in different line ups) since the early nineties, the band have always been synonymous with their unique fusion of experimental arrangements, uplifting melodies and intelligent and reflective lyrics.

The seminal rock band and in particular frontman ‘E’ may have been around for over thirty years, but without a doubt they can still rock as ‘E’ declared:

‘We’re proving that you can be old as fuck and still rock like fuck’. Not only can they rock hard, but the banter is still on point too with the band running with a quirky ‘exercise’ concept where all the band members have ‘exercise goals’ to achieve which was demonstrated throughout the set with quirky graphics illustrating that the various band members had hit their ‘exercise goals’.

Captivating, candid and always amusing, the band opened up their sold out show with ‘Steam Engine’ and ‘Amateur Hour’ from 2022’s ‘Extreme Witchcraft’.

The band had lots of energy and swagger and played a fantastic selection of songs from their extensive back catalogue which included the fantastic ‘Earth to Dora’.

As well as showcasing some of their most loved hits and deeper cuts, there were also some intriguing covers which included the Small Faces and Nancy Sinatra amongst others. The electrifying riff from The Kinks ‘You Really Got Me’ was elegantly mixed with ‘My Beloved Monster making for a fantastic mash up.

One particular standout was the fantastic ‘I Like the Way This is Going’ from ‘Tomorrow Morning’ which was a gorgeous pared back rendition which really showed off the beauty of the lyrics.

Other highlights included ‘I Need Some Sleep’, ‘I like Birds’ and ‘The Deconstruction’, all of which provided a stellar reminder of the fantastic lyricism that Eels are renowned for.

The fantastic ‘Novocaine for the Soul’ was an absolute dream and got one of the biggest receptions of the night.

This was a dynamic and well-rounded performance from a truly compelling live act that is one of the most exciting indie-rock bands of our generation.

Fully deserving of his ‘Godlike Genius’ moniker, Johnny Marr and his stupendous guitar playing never disappoints and this has never been a truer statement when it comes to his recent gig at the quirky venue – the Old Fire Station. Charismatic, humorous and effortlessly cool, he brought his sold out show to the coastal town of Bournemouth. Whilst there were musical nods to The Smiths, but for this gig – it was all about the present and the inclusion of a curated selection of tracks from his latest album – the triumphant and expansive ‘Fever Dreams – Pts 1-4’. This album was born out of lockdown and his writing and recording has provided him with one of the most prolific periods of his illustrious career.

Swaggering on stage, Johnny kicked off with a rousing rendition of ‘Armatopia’ which was closely followed by the Smiths track ‘Panic’ which really got the captivated crowd going. They were also treated to a selection of tracks from ‘Fever Dreams – Pts 1-4’ which included ‘Spirit Power & Soul’, ‘Rubicon’, ‘Sensory Street’ and ‘Night and Day’.

Johnny effortlessly engaged with the crowd with a delightful combination of humour, swagger and energy – he had the audience in the palms of his hands as he continued with his amazing set. Chock full of exhilarating guitar swells which is his trademark, Marr cheekily asked if the crowd had any requests before segueing into the song which had already been outlined on the setlist. Marr commanded the stage with his fantastic band supporting him which included some driving bass lines from the talented Iwan Gronow.

From his guitar playing to his stage presence and showmanship, Johnny’s talent for songwriting and performing continues to cement him as one of the UK’s top musicians. Emotive, straight talking and stirring, his new material which he describes himself as ‘electro gospel’ was mixed with his rock ‘n’ roll roots. His new songs are some of the best he has ever written and it feels that this is the sound that he has been aching to create. There were some Smiths’ crowdpleasers in the mix such as ‘There Is a Light That Never Goes Out’, ‘This Charming Man’ in the main set, which effortlessly sat alongside the fantastic ‘How Soon Is Now’ which closed an epic encore which also included ‘Ariel’ from his latest album.

Tracks like ‘Easy Money’ – one of his most successful solo tracks, a spell binding cover of ‘I Feel You’ by Depeche Mode, and ‘Get The Message’ were executed perfectly with an exuberant delivery.

Marr’s stagecraft is evident, it is clear he loves to perform – and the crowd loved this performance. Johnny is the epitome of a musician who has no qualms about celebrating his past and his unrivalled contribution to The Smiths, but does not shy away from embracing the new. Johnny is supporting Blondie on their UK tour throughout April and May after completing his own UK tour and we are sure that the combination of these two timeless acts could be one of the gig highlights of 2022.

Fever Dreams Pts 1-4 is out now.
Thanks to Alex Dixon (Photography) We Broke Free (Promoters) and The Old Fire Station for the images.

It’s been over 50 years since the first Glastonbury and this year marks the first Glastonbury since its last outing in 2019 where the likes of The Cure, The Killers and Stormzy all graced the stage. Whilst ‘Glasters’ is without doubt a truly special festival and is the one that all musicians want to play, this year will be even more special as it’s the first one that will be celebrating its 50th anniversary (albeit two years later than planned). There has been a three year gap since the last Glastonbury and it really feels that a full throttle festival season has been a long time coming.

The acts that are scheduled to appear at Glastonbury 2022 include Kendrick Lamar, Paul McCartney, Billie Eilish, and Olivia Rodrigo amongst others and there is certain to be some standout performances from the prestigious line up that will be added to the history books of the most memorable sets at Glastonbury.

In celebration of Glastonbury coming back, here are the top 25 memorable Glastonbury performances that deserve revisiting.

David Bowie – Life on Mars

Beyonce – Crazy In LoveJohnny Cash – Ring of FireJay-Z – EncoreAmy Winehouse – Back to BlackThe Foo Fighters – EverlongDolly Parton – JolenePet Shop Boys – It’s a SinJames Brown – I Feel GoodStormzy – Vossi BopBlur – TenderThe Cure – Friday I’m in LoveMetallica – OneLeonard Cohen – HallelujahThe Killers – Mr BrightsideArctic Monkeys – I bet you look good on the dancefloorThe Verve – Bittersweet SymphonyRadiohead – Karma PoliceLiam Gallagher – Do Y’know What I Mean?Kylie Minogue – Love At First SightOasis – Live ForeverLionel Richie – Dancing on the Ceiling Nile Rodgers and CHIC – Good TimesBrian Wilson – Good Vibrations Dave – Location

Glastonbury is a festival that makes history and we have seen an array of history making performances over the years. Whilst we haven’t been able to include every one here, the sets from the likes of Bruce Springsteen, the Rolling Stones, Kanye West, Adele, The Smiths and more are absolutely worthy of inclusion. Glastonbury has also been pivotal for turning under-the-radar bands and acts into household names overnight. From T.Rex in 1970 – the festivals inaugural year to Basement Jaxx in 2005, many artists have stepped in at the last minute and have served up triumphant performances that won them an army of new fans.

We can’t wait to see what Glastonbury 2022 will serve up this year!

Team Coco whipped out our best dancing shoes as we were transported back to the roaring twenties for an evening with London Cabaret Club. Set in the heart of Bloomsbury, London Cabaret Club is unlike any other show on the West End and offers a fully immersive experience unlike any other.

As soon as you step inside Victoria House, you enter the world of Great Gatsby. From the art-deco inspired motifs, classic cocktails, to the absolute showmanship of the performances, London Cabaret Club is certainly dinner and show with a difference.

Our evening’s theme was ‘All About Gatsby’ and started with aperitifs at the cocktail lounge. Here, you are welcomed with a cocktail of your choice and greeted by perfectly quaffed actors and actresses dressed in period clothing. A chanteuse serenades guests before they are led into the main ballroom, where the show gets ready to tantalise.

Playing fast and loose with the source material, what the show lacks in narrative accuracy it certainly makes up for in style. The singers filled the vast ballroom with their stellar performances, while the dancers chasséd and pas de bourreed the hell out of tha dazzling choreography, oozing enough charisma to reach even the furthest tables.

Each set was choreographed to outdo the last performance. Between aerial performances, doggy talent shows, tap dancing and acrobatics that would surely rival Cirque du Soleil, there was plenty to feast your eyes on at the London Cabaret Club.

The three course set menu celebrated classic British cuisine with a twist. We started off with amuse-bouche, followed by a smoked salmon starter then a fillet steak with chips, finishing with a delightful chocolate dessert. The meal, which was undoubtedly delicious, wasn’t exactly breaking any new ground in the culinary world, but what surely amazes at London Cabaret Club is that it offers an entertaining escape from the day to day.

So, you are looking for some escapism of your own, and maybe to time travel to the roaring twenties and really get wowed by a truly spectacular show, then we could not recommend London Cabaret Club more. After all, a little party never killed nobody?

WWW.LONDONCABARETCLUB.COM

Cast are one of the standout evergreen bands from the glorious period that was the iconic nineties and led by charismatic frontman John Power performed to a sold out Engine Rooms evoking a true sense of nostalgia to a captivated crowd.

Superbly supported by The Gulps, a young band on the up were a real tour de force and kicked off proceedings with an energetic and magical set that got the crowd going. Without doubt, they garnered new fans that night – myself included. They have a familiar yet rock and roll sound that builds and builds. The talented London-based quintet are definitely ones to watch and their presence were instrumental to a fantastic night of live music.

Celebrating the 25th anniversary of their seminal album ‘All Change’ Liverpool’s very own Cast were on top form. John Power and his band are always consummate professionals and this gig (along with a few others) had been rescheduled from last year due to the pandemic. ‘All Change’ which was one of the most memorable albums of the nineties was performed in its entirety.

Kicking off with ‘Promised Land’ and ‘Mankind’, the humble and engaging JP eased into the set as if it was 1995 all over again and he took his fans with him. ‘Sandstorm’ and ‘Walkaway’ were executed perfectly with an exuberant delivery. Cast’s songs are anthemic, uplifting and strangely comforting – taking us back to perhaps a simpler time. Whilst 1995 seems like a LONG time ago, the songs remain as fresh and classy as ever.

Fans were also treated to renditions of some of the Liverpool’s bands most-loved hits such as ‘Beat Mama’, ‘Flying’ and ‘Free Me’ – all of which showcased John Power’s impeccable storytelling and songwriting skills.

Exemplary performers, Cast’s impressive body of work and strong work ethic continues to cement them as one of the UK’s bands.